Sir Kennick and his subordinates came to the Flower Square.
This is the most prosperous area of the city, but the recent plague temporarily masks this prosperity.
As long as Sir Kennick used this plague, he would completely rid the merchants of the **** frosty country and deter other merchants who disobeyed him.
In this way, the entire city will become more prosperous.
When Sir Kennick came to the bustling square, the entire square had gathered a group of people.
"Where did they come from?"
Sir Kennick looked around at the crowd gathered in front of the square. They stood in the square and did not plan to go anywhere else.
"This is also the meaning of His Majesty the King." Followed by the messenger Sir Kennick.
"The king let the civilians see the show? For what?"
Sir Kennick found a commanding height in the bustling square. I don’t know when it’s already a huge black high wall. The whole wall is high enough for everyone on the flower square to see.
The top of the high wall has begun to project the picture.
"Nolan's... movie?" Sir Kennick looked at the picture projected above, and he heard about it, but he didn't see it himself.
The following civilians are the form of performances that most have never seen a movie. When you see the picture on the high wall, Sir Kennick can vaguely hear the exclamation of the people.
Soon a line of words came to the high wall.
‘Before the arrival of dark reason, it is the childhood hearing, smell and vision to measure the world. ’
"What do you mean?" Sir Kennick asked the messenger sent by the king next to him. The messenger shook his head and said that he had never seen the film.
This line of text quickly dissipated, replaced by a street where a group of little boys ran cheerfully on the street.
Judging from the crowd sitting on the open-air round table, this is also a bustling city, and then the picture is transferred to a manor.
The servants were busy spreading the ground up, and placed silver knives and silver forks on the long table, and then a lady walked out of a magic car and walked into the manor.
What is this... showing off the lives of our nobles?
Sir Kennick looked at this scene with a little bit of laughter, because he looked down on his own king.
The king of the country of steel is known to be a coward who is afraid of women, but he can only obey the command of the king on the surface.
It is normal for him to look at this kind of show that shows off the life of the nobility.
But the camera quickly turned and turned to a group apartment that was very common in the country of steel. A group of knights who were focused on armor were very rudely greeting a group of people to put their luggage on the van.
This scene just passed quickly, but Sir Kennick still wrinkled his brow.
The next shot didn't have the element to make him frown. The little boy ran back to his home happily. The boy, who was only eight years old, was not ordinary.
From the conversation between the little boy and the mother... Sir Kennick can guess that his father was promoted, and the king even gave him a new territory.
Then there is a celebration dance between the nobility.
Sir Kennick saw that the unconscious mouth began to rise.
"Is the Majesty trying to inspire our morale in this way?" Sir Kennick asked the messenger next to him.
Promotions, territorial rewards, and celebration dinners are undoubtedly the things they most want, whether they are civilians or nobles.
From this perspective, the intention of their king to arrange their viewing of the show is already obvious...
"How have you been putting this little boy all the time? Who made this thing?"
Sir Kennick is strangely the main character of the film. It is not the aristocratic father who was promoted and respected by thousands of people. Instead, he has been concentrated on the little boy.
Let Sir Kennick have the feeling of seeing the world from the perspective of this little boy.
But what does a boy know?
"I... I don't know." The messenger shook his head again.
Sir Kennick can only continue to look at his patience.
But after the dinner was over, they did move to a new home, but the new home was far from the luxury of the former manor.
The entire lens also goes straight into a cool color, which makes people look like there is a feeling of depression.
“Why are there soldiers?”
Sir Kennick asked again that this ridiculous manor was not surrounded by servants, but one soldier in armor.
The little boy in the movie also asked her mother the same question. He was naive to ask his mother, 'who are those who wear iron clothes, and look good. ’
The answer given by the mother also exemplified Sir Kennick’s conjecture, all of them being soldiers of the little boy’s father.
Soldier... means that this is the front line of war?
Damn it!
Sir Kennick didn’t know what the makers of the film thought. If you want to portray a nobleman to get meritorious advances on the battlefield, why would his father come forward more, and use so many pictures? The body of the little boy.
The first ten minutes of the film made Sir Kennick impatient.
But when the little boy in the picture got to the blinds on the second floor of the manor, after seeing a group of people standing on the grassland in the distance through the window...
The expression on Sir Kennick’s face gradually stiffened.
The camera turned again, the little boy came to his kitchen and helped the mother to organize the dishes. Only the old man holding the goods walked into the kitchen, making the atmosphere of the whole movie into a dull.
The old man’s expression looked very flustered... Count Kennick’s eyes only focused on his pupil, the gray pupil! There is also a trace of ulceration in the skin of the old man's neck.
The **** frosty country! Still infected by the plague.
The people in the kitchen became very uncomfortable because of the appearance of the old man. The last sight of the boy fell on the clothes worn by the old man, which was a striped dress.
The little boy described the dress as a pajamas.
Sir Kenken knows that this is the clothes worn by prisoners...
This movie is a danger to promote the people of the frost?
The thought flashed in the mind of Sir Kennick, but he saw the old man’s arrogance and the eyes that the little boy looked at when he looked at the old man.
There are also the fierce attitudes of the soldiers when they treat the elderly. No matter how they look, they are all villains.
Sir Kennick understood something in a flash.
"Stop!" Sir Kennick immediately ordered the knights beside him to "deliver the wall!"
This film is not a tribute to the aristocrats who praised the country of steel, but is smearing... not just smearing but also wanting to sympathize with the people of the frost.
"But adults... this is the king..."
"I asked you to take the wall off!" Count Kennick yelled at the knight in an unquestionable tone.
His fierce voice just fell, and Sir Kennick felt that his neck was being held.
"Who!" He turned around in anger and wanted to see who dared to be so bold, but the next second he saw a face that made him fear.
Queen Ekana!
The woman who holds the real power behind the country of steel is now standing behind him.
"What are you doing? Queen Ekana." Sir Kennick quickly regained his calmness, and his biting his teeth almost came out of his teeth.
Although Kenny is a little afraid of the Queen, the power he has is not afraid... If Queen Akana dares to move him, it is equivalent to being an enemy of most of the nobles in the country of steel.
"Let you appreciate this show."
Queen Ekana came alone behind Sir Kennick, wearing a hood on her head, and others could not see her.
The surrounding knights wanted to come to protect Sir Kennick, but they found themselves unable to move at all.
At this moment, Sir Kennick remembered that he would be afraid of the most fundamental reason for Queen Akkana. Her power is the second most important. The key is that this woman is the most powerful caster in the country of steel!