Chapter 330： Full of praise

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"Wonderful! This wonderful sentence is dedicated to Joe Schumacher, to Kiefer Sutherland, but most importantly, to Evan Bell. Evan Bell alone stole the show. All the brilliance of the movie. Ninety minutes of film, so many characters, but at the end, all we see is Evan Bell.

The scope of action was limited to a small public phone booth, and Evan Bell only relied on words and expressions to create the excitement of this movie! From the very beginning, wearing a brand-name suit and being proud of his career, he took off his ring and called the ambiguous cheating object; to the disdain and suspicion when he just received a phone call from a mysterious man; to panic, help, and helplessness.

And the dramatic development outside the phone booth is also causing him more dilemmas. From the very beginning, there was a fluke of survival, to calmly dealing with the mysterious man, and then to despair. Regarding the attitude of the mysterious man, from surprise to fear, to resistance, and even to analyze the opponent, and finally let it go.

In this whole process, Evan Bell brought too many surprises, his every move affected the audience, every expression and every word of his became a clue to the progress of the film, that sentence 'You won't let me go Now...' is the most obvious reaction to the change in the heart of the film's leading actor, Stu. Looking at Stu who was in despair, his eyes turned red in an instant.

This is a kind of ability. In a thriller, he uses his powerful performance to bring all the audience into the corner's emotions, and even feel the corner's despair. Evan Bell amazed the whole big screen.

Perhaps, Joe Schumacher's editing made the plot compact; perhaps, Kiefer Sutherland's voice made the cold-blooded murder of the mysterious man even more terrifying; but in this film, Evan Bell easily Occupy all your mind, he is the only one! "

This compliment-filled review of Evan Bell comes not from pro-Bell Chris Fairbanks, but from New York Times guest film critic Neil D'Arcy. This young Zhuang faction, who is under 30 years old, has risen rapidly in the past two years with a wide-ranging commentary style.

At present, Neil D'Arcy is among the leading figures in the academic youth front. His film critics have always had a clear attitude, either praising the sky or despising them to the extreme. As for the films in between, he often does not comment, even if he wants to comment, it is just a sentence. This style has made Neil D'Arcy loved by many people.

Obviously, this time Neil D'Arcy highly praised Evan Bell and put the entire "sniper phone booth" perspective on Evan Bell.

"The New York Times" gave "Sniper Phone Booth" a score of 8.6, five-star recommendation!

Unsurprisingly, "Premier" magazine's review, written by Elliott Carter, once again took the opposite side of Evan Bell.

"A thriller and suspense movie, if you guess the ending half of it, it is a bad movie; if the ending written by the screenwriter is not as good as the ending that the audience guessed by themselves, it is the worst of the bad. 'Sniper Phone Booth' is the latter.

It's pointless dogmatism, which is nothing more than expounding on the need to treat family members, friends, and even strangers kindly, not to be too arrogant, and not to be full of lies. After 12 years of school education, even watching a movie has to be educated, and more importantly, this is a thriller and suspense movie, which makes people feel ridiculous.

When it comes to Evan Bell's performance, compared to the weak plot of the movie, he has actually done his due diligence. Evan Bell can get a passing score for provoking the lead and not falling behind. As for the ending, if the real murderer escaped, is it different? Just surprising? Nothing but showing the stupidity of the cops. "

Elliott Carter's review in "Premier" magazine ended up giving "Sniper Phone Booth" a score of 5.5, not yet passing, with only Evan Bell "barely" passing, as the review said.

This time, though, Elliott Carter's comments didn't have much market in the audience. After all, everyone watching a movie is meant to be happy, and a thriller movie has the effect of being tense, so that's enough. As for the so-called educational role, it is nothing more than the fact that the commentator is not sick.

Chris Fair Punk now has the posture of Evan Bell's royal film critic. In fact, the two have never met, but Chris Fair Punk has paid attention to each of Evan Bell's films. And they are full of praise, so the media will have this joke. This time, Chris Fairbank was not surprised, and published a film review on "Movie Review" for the first time.

"Compared to 'The Chase in the White Night', Evan Bell's performance this time is not inferior at all, and it can even be said that it is the opening of Chris Fairbanks, still focusing on Evan Bell. on the body.

"In 'The Pursuit of the Murderer in the White Night', Evan Bell's appearance lies in transcending the age limit and bringing out the psychological battle between justice and evil to the fullest. In 'Sniper Phone Booth', Evan Bell's The appearance lies in the complete interpretation of the psychological changes of the corners by relying on the voice and expression.

One second, Stu was still a publicist who was full of lies to all his clients and was able to do it with ease; the next second, he became a doll manipulated by the **** of death. The instant change of fate is perfectly interpreted through Evan Bell's amazing acting skills. From the beginning to the end, Evan said a large number of lines to the phone, and as the content was different, the expression on his face naturally completed the transition, and each change was convincing. From a PR who is accustomed to telling lies without changing his face, to not caring when he receives a strange call in the phone booth, then to panic and panic, then to emotional breakdown, to finally facing up to his true personality and confessing his feelings to his wife Betrayal, hypocrisy and cowardice. When Stu took the phone and dissected himself in front of the whole world, it was enough to move everyone.

There is no doubt that Evan Bell's appearance greatly magnifies the charm of Stu's role and even the entire movie. The media of acting is vividly performed by Evan Bell at this moment.

When Evan's Stu tearfully confesses the truth to his wife, no one finds it funny. When the mysterious man threatens to choose between his wife and his lover, Stu's struggles and pains, the one he loves and the other innocent person implicated by him, culminated in that cramped phone booth, Evan Using his body language and facial expressions, he told the audience of his confession. When finally, Stu was forced to take down the pistol and rushed out of the phone booth, the frantic roar and expression of despair silenced the audience.

After watching Evan Bell's performance, the cunning Stu, the one who intends to come out, and the one who is full of lies, no one will hate him. Maybe most women are disgusted with Stu because he tried to cheat on the outside and hid his wife. However, when Stu burst into tears after saying "I **** love you" to his wife at the juncture of life and death, even a woman would be moved by it.

Everyone makes mistakes, and the focus is on self-redemption after making mistakes. Stu accomplishes redemption under threat of death, but for his wife, not for the mysterious man. The images of Evan Bell and Stu could not help but overlap, bringing tears to the eyes. "

Chris Fairbanks, apparently a member of the out-of-the-box Evan Bell club, has made no secret of his admiration for the young actor since "Death Illusion".

Unexpectedly, William Wood, known as the leader of the "Bell School", did not follow the trend this time and praised Evan Bell endlessly. Bell's showdown with Kiefer-Sutherland was appreciated.

"A nearly 90-minute film, about 80 minutes is completed in a phone booth. There is no time span, no season changes, and even very few character changes, and the shots are mainly concentrated in Egypt. On Vin Bell, and on the other end of the phone, there was Kiefer Sutherland who terrified everyone. The two confronted each other over a phone, but it didn't make people feel boring at all.

Evan Bell, after dedicating a wonderful confrontation with himself and the enemy in "The Chase in the White Night", once again shined on the big screen in the struggle against the mysterious voice and his own weakness. It takes a truly great opponent to be the best in history. "

Although William Wood did not directly elaborate, he still expressed his praise for Evan Bell's performance through the praise of the opponent's play.

In addition, the "Los Angeles Times" focused on the mí fog behind the real murderer, "Kiefer-Sutherland's unbridled laughter created the biggest horror before the end of this summer just by virtue of the sound. With this He deserves a nomination for Best Supporting Actor for his voice acting!" Apparently, they believed that the most exciting part of "Sniper Phone Booth" was the identity of the mysterious man, and Kiefer Sutherland's last escape was also left behind. Under the infinite thought.

The Dallas Morning News commented that a thrilling and thought-provoking movie".

"The New York Observer" gave it a "top-notch thriller" review, and said that "even every time you walk into a public phone booth, you think about it."

The Washington Post's accolades reached the peak of the critics, "The script of this film, the performance of Evan Bell, is the pinnacle!"

After the release of "Sniper Phone Booth", all that can be seen is the appreciation of the film. Even if there are some criticisms of the film, Evan Bell's performance is also given "impeccable" comments. After "Chasing the Murderer in the White Night", Evan Bell once again dedicated his career classic representative work on the big screen. Even the picky academic, who dismisses commercial films, has to keep their eyes on Evan Bell for a while. This young man, who has not yet reached the age of 20, has risen strongly in the film industry in a terrifying situation.

Full of praise, it was the only reaction from the media.

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