Chapter 561： genre fusion

561 genre fusion

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"Dear Miss Swift, I promise, I'll finish listening to this tape. 4∴⑧㈥"

Taylor Swift didn't seem to come back to her senses. A pair of big doll-like eyes stared at Evan Bell, flickering and flickering, and the thick eyelashes "máo" were like two small fans. This made Evan Bell feel a little funny. Although he had met many "nv" people who gave him their arms, many of them fell in love at first sight, but such a bold, direct, yet shy, and tactful gaze in front of him was still not enough. too much. The smile on Evan Bell's face couldn't help but get bigger.

"Aren't you going to give me the tape 'āo'?"

Only then did Taylor Swift wake up, looking at the sun-like dazzling smile in front of her eyes, with reluctance in her eyes, but the audio cassette in her hand was stretched out.

Until Evan Bell left, Taylor Swift's eyes still followed Evan Bell intently. Taylor Swift admits that she has an uncontrollable "mí" love for Evan Bell, who in her eyes is perfect without any flaws. Even Taylor Swift's dreams of music were born out of Evan Bell.

Just now, Evan Bell was not like those managers. Either he took the tape and left arrogantly, as if their musical dreams had no value; I entered the studio, but unfortunately in the end, it fell into disrepair and there was no news. Evan Bell did not promise a future, but only promised that "I will finish listening to this tape." He is willing to listen to the dreams of ordinary people. He does not make judgments easily. result.

Although Taylor Swift's mood is a little uneasy, it is more about a clear understanding of the future. She will continue on the road of music. She hopes to be recognized by Evan Bell, and she hopes to become one of the eleven music stars. She hopes to be able to sing her favorite music to the real song "mí" like Evan Bell.

Looking at the back of Evan Bell's departure, the figure that gradually merged into the sunlight, Taylor Swift secretly made up her mind.

After a busy day, back at 11 Princes Street, Evan Bell had time to take out the cassette in his bag and put it in the cassette player. Device: Ad-Free, Full Text, More Evan Bell promised he would listen to Taylor Swift's cassettes not only because he knew where Taylor Swift was going, but mostly because he did the same come. In order to seek an opportunity when he was depressed, he tried almost countless methods. He could well understand the thoughts of young people who pursued their musical dreams.

Taylor Swift's tapes are just singing tapes in karaoke, not professional, and you can even hear countless noises clearly, which reminds Evan Bell when he first learned to record. No matter how bad the surrounding environment is, such as a basement or a warehouse, he is willing to take a simple tape recorder and devote himself to the world of music. This is a kind of happiness.

Although Evan Bell now has a well-equipped recording studio, and the development of Eleven Studios is even more amazing, the feeling of pure pursuit of music has been long gone. If it weren't for the fact that Studio Eleven still maintains its own "sè", and the laissez-faire atmosphere has never changed, perhaps Evan Bell would not feel the joy of music at all now, and instead became the production of commercial music to survive The puppet, then, music becomes a profession, not a dream. Fortunately, Evan Bell has never lost the original dream deep in his heart.

However, in the tender voice of Taylor Swift, Evan Bell still felt in his mind the happy time when he was young, just because he was accompanied by music.

Suddenly, Evan Bell paused the cassette, took out the notebook he usually composed, and opened the "'huā' Love (ung previously composed. After this song was composed at the Nurburgring last summer vacation, it has also been written before and after. It's been almost a year, but it still hasn't been completed. This song is Evan Bell's most exhausting song after "Sky Light (e.

Evan Bell did not have another creative inspiration today, but he previously created two parts with different styles for the song "'Huā' Lovely Love", and now he suddenly felt that he could try to combine the two parts. Evan Bell picked up the composition book, hesitated, put Taylor Swift's tape in his pocket, pushed the room "mén" away, and walked downstairs.

The studio lights on the first floor leaked out from the cracks of the mén. Catherine Bell was still busy with the design of the brand, as if she had inspiration and started to speed up her design creation. Busy, Katherine Bell is also dedicated day and night. Evan Bell opened the studio's "mén" and shouted inside, "Catherine, I'm going to number ten."

Catherine Bell looked up at her son, and only had time to shout, "Remember to drink more warm water." Then she saw Evan Bell close the "mén" and happily throw it away. Katherine Bell just smiled and shook her head, "What a child." Then she threw herself back into her work.

After Evan Bell ran into the recording studio at 10 Princes Street, he began to ponder the arrangement of "'Huā' Lovely Love".

Evan Bell sat in front of the drum set and began to try to use the neat and energetic jazz drums to bring the rhythm of the first half of the song lightly. This lively drum beat has the feeling of "Tonight Tonight ( at first, but it will be more pleasant than "Tonight Tonight". When it came time to switch the melody, Evan Bell first tried to switch the drums from jazz drums to big drums, slowing down the rhythm with heavy drums, but the momentum that settled down became more distinct.

Relying solely on the connection of drum beats, it is still very jerky to connect the lyrics and songs of two different styles created by Evan Bell before. But at least it is no longer an impossible goal, and Evan Bell has countless ideas in his brain.

For example, the speed of the rhythm can be adjusted by changing the speed of the drum; another example is to change the type of drum, so that the melodies of different styles are connected by the resonance of the drum; another example, the use of bass, electric guitar, trumpet, etc. A variety of musical instruments assist the drum beats. This arrangement similar to the marching music of "āo" gave Evan Bell numerous ideas for the use of musical instruments and the connection of melody.

"Give me a moment to clear my mind, buddies drunk in the bathroom, more excited than the Empire State Building. Love is waiting for me on the other side of the bar, a man in sunglasses takes my place, talk I hurt you and my love. I know I hurt you for a long time, I know you are trying to forget, but in the middle of the drunken money, my apology is weak. You know I am trying to recover, so if the bar is closed When you falter, I'll take you home."

For this part of the melody, Evan Bell does not want to write according to the artistic conception of the lyrics. He prefers to release the rebelliousness and publicity in the bones of "chūn", and uses the vigor of jazz drums to highlight the liveliness of the melody. However, when it came to the chorus, Evan Bell felt that the rhythm could be slowed down, and a style similar to the combination of jazz, rock and pop was used to hide the "jī" emotion in the chorus, creating a **** All generate resonant enthusiasm.

"Tonight! We, who are in our youth, set the world on fire, we can shine, and let the scorching sun lose its "sè"!"

As a refrain, this lyric is more of the unscrupulousness of the youth "chūn", and the phrase ""huā" is like a youth", represents the pursuit of adventure, the yearning for freedom, and the love for release in the bones of young people. However, Evan Bell did not speed up the rhythm and let the ""jī" feeling be released, but chose to hide all the boiling, and the heat covered under the skin would speed up the blood.

&he.&, this song with Linkin Park, no matter what the occasion is sung, will make all the enthusiasm in the body burst out. Evan Bell and Linkin Park have recently started the recording of this song, every time in When singing in the studio, people can feel the fire "yào" contained in the melody, and just a little spark can ignite the atmosphere of the scene.

And what Evan Bell is now trying in the "'huā' time" is to let the enthusiasm of the outside come back into the body, in the body, in the blood, in the marrow, in the brain, in the soul The depths of the explosion, the kind of real pleasure. Even if you open your mouth, you can't make a sound; even if your heart erupts in a volcano, you can't express it; even if your brain is deprived of oxygen, you can't breathe fresh air when you open your mouth. Evan Bell is using another technique to release the emotion of the song.

This is an introverted "'jī'" feeling. Evan Bell still chose his most familiar rock but incorporated jazz, pop and other styles, and made a bold attempt on this song. Whether it is the splicing of song styles or the use of arranging instruments, Evan Bell tries to challenge his own limits. "Huānianhua" is not "Sky Light", it cannot construct the grandeur and splendor of "Sky Light" that destroys the world together, but it can awaken all the emotions in the youthful "chūn" years.

Evan Bell is challenging himself in his own way.

This new creative method makes Evan Bell full of "jī" feelings. Not long ago, he just had a preliminary understanding of the use of the "āo" sound in the creation of the theme song "He's a Pirate &e in "Pirates of the Caribbean". Now, he can't wait to use his ideas in his attempt to "'huā' like love". Linkin Park arranged more than 40 versions of a song for the new album. In order to break the shackles, Evan Bell created "Huā", and he has also experienced no less than 30 or 40 challenges before and after.

The moment of creation always makes people feel surging and tireless.

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