Chapter 1098： Delicate everywhere

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In fact, Chris Fairbanks still made a professional review of the movie, and after his second viewing, he wrote a movie review and made a professional review of the movie. In this review, Chris Fair Punk gave the highest evaluation to the use of Ang Lee's lens, the grasp of rhythm and the sublimation of the theme. Just like other film critics, Chris Fair Punk did not think that this was a A gay-themed movie is given the label "gay" because it's just a love story.

In addition, Chris Fairbank also made a professional comment on Evan Bell's performance, "Evan's multi-level and difficult technical performances are eye-catching. As the first person in the new generation of acting leaders, Evan has already won two Best Supporting Actor nominations and one Best Actor nomination at the Oscars, which has won him a Golden Man for Best Supporting Actor. This time, he won the best actor in Venice with the role of Ennis. Evan's performance is absolutely wonderful. Ennis's inner entanglement, collision, struggle and hesitation are clearly conveyed on Evan's slightly twitching mouth and dull face, and the deep affection contained in those azure blue eyes And mixed, leaving endless reverie. Evan's grasp of the role has reached a new level, Ennis is Evan, Evan is Ennis, whether it is the slurred gesture of the western cowboy, or the horseback Evan's valiant and sturdy, or the complexity of facing his wife and Jack, Evan fills the whole movie with a profoundness that blends into his blood. Perhaps, Evan is far from his first Oscar winner. Not far."

Chris Fairbank's confession can be seen as a parent's love for his children. Even if he scolds his children, he is still willing to lower his arrogant head and encourage them when he sees their children perform well. -Fair Punk's professional reviews are from the standpoint of film critics. Gives "Brokeback Mountain" the treatment it deserves.

Homosexuality, as one of Hollywood's unshakable unspoken rules, seems to have begun to crack because of the emergence of "Brokeback Mountain". So whether the release of "Brokeback Mountain" in North America is smooth, and whether it can really get the attention and applause that matches the film critics, can only be found after Eleven Studio determines the release time of "Brokeback Mountain" in North America.

All the reviews appeared, and the only thing missing seemed to be Entertainment Weekly. Unexpectedly, this time William Wood did not write a film review, but invited professional "Rolling Stone" magazine music critic Adam Roy to write a music review about "Brokeback Mountain". In fact, it's a film review series that includes William Wood's film reviews, Adam Roy's music reviews, plus reviews of costumes, shots, acting, and more. "Entertainment Weekly" produced a feature called "Exquisite Everywhere" for "Brokeback Mountain", which took out every detail of the film and dissected it. It received rave reviews and made the audience have higher expectations for the film.

Among them, Adam - Roy's music criticism is particularly eye-catching. Because the composer of the "Brokeback Mountain" soundtrack this time is Evan Bell!

Evan Bell is responsible for producing the soundtracks of "The Notebook", "Mystery Skin" and other works, which everyone knows, and the "Pirates of the Caribbean" soundtrack team also has Evan Bell's name, which is unknown. . This time Evan Bell was in charge of the soundtrack for "Brokeback Mountain," completely rewriting all the melodies for the entire film from scratch. Therefore, Adam Roy was also specially invited to write this review.

Adam Roy didn't make it to Toronto, though; he saw the production later at a limited screening of the film. "Entertainment Weekly"'s "Everywhere is Delicate" feature lasted from September to January next year, and the firm determination to promote "Brokeback Mountain" is evident.

"Following the guitar under Evan's fingertips, I began to probe every inch of film beneath the footage of Brokeback Mountain, and every inch of Ennis and Jack's bodies.

Guitar is no longer a new soundtrack tool, but it can be changed or crisp at Evan Bell's fingertips alone. Either cold, or melodious, or shocking. It seems that every millisecond of pause has gone through countless calculations and deductions, capturing everyone's heart with precision and speed. The reverberation of the indulgent strings is like the idle white clouds and gentle breeze over Brokeback Mountain, staring at the backs of the two cowboys, far and long.

Evan used a guitar to construct the world of 'Brokeback Mountain', which is different from the rough and wild of traditional westerns, so that the delicate and delicate style merges into the ridge of Brokeback Mountain. A touch of quiet greenery replaced the rolling yellow sand, and the guitar also abandoned the madness, and brought every agile string to the extreme. From serene tranquility to fiery mania, the guitar and string ensemble are like lovers, presenting the most gorgeous performance to date.

The opening song 'Opening (ng)' methodically sorts out our complicated thoughts. The cowboy walks through the morning fog alone and opens with a lonely and arrogant attitude. The ethereal tone is raised in the ear, without the slightest pretence. Soothing like Si, wash away the dust in the hearts of all audiences, and let them even look at the flawless love with pure eyes.

Unlike the stunning 'opening', 'Brokeback Mountain 1 ()' appeared without warning. It sounded quietly in the gurgling river and bleating sheep. The low-key guitar was integrated into the spirituality of Brokeback Mountain, just like a famous film composer. According to Hans Zimmer, the best soundtrack is the one that doesn't pay attention to the audience. Dominated by the guitar, the vast natural scenery of Wyoming shows the lightness of the protagonist's heart.

The entry of 'riding a horse ()' is also implicit. There is no tedious show of skill, and two notes form a stanza, short but not monotonous. Evan knew that only the extremely simple tune could bring out the original temperament of the instrument. The crisp intimacy between the horse's hoof and the ground, even if there are no lines and only pictures, a plucked string will make the quietness of Brokeback Mountain and the estrangement from the world.

Since its birth, the soundtrack of the movie has been endowed with a picture quality different from other music. Or rather, emotion. The music of the movie must be integrated with the picture, the characters, and the story. The plots full of emotion, conflict, and contradiction collide with the melody to create the most beautiful fire. .

'Brokeback Mountain 2(' appears only once in the film, but it is the most subtle. It was the first time Ennis and Jack met in four years. After a night at the hotel, the two decided to go to Brokeback Mountain, and Ennis came home early in the morning. Grab the luggage, and have a conversation with Emma who sat all night. After Ennis kissed Emma lightly and left, Emma turned around and hugged her daughter tightly, biting her lips and choking. The music played at this time. Not like 'Brokeback Mountain 1' It starts with a guitar, which is lively and full of life. It starts with a deep and undulating string music, and then the guitar sounds. Although it is just a few strokes, it is enough to arouse the regrets of the audience. The next rendering is completed by the strings, with the guitar as the finishing touch. The strokes of the pen, grasping the key points at the key points. Emma's helplessness and struggle in the awkward position of his wife are vividly displayed at this moment.

If there is a point of love, it must be 'Brokeback Mountain 3 ()'. The lakeside of Brokeback Mountain is their last face. The rhythm of the quarrel was handled in an orderly manner. The melody rests on Ennis' emotional agitation. The music plays as Ennis breaks down and tells Jack about two decades of bitterness in his life. If the guitar of 'Brokeback Mountain 2' is the finishing touch, then the guitar of 'Brokeback Mountain 3' elevates the emotion. Back in the years 20 years ago, it was still the same Jack sleeping by the campfire, and the same Ennis humming a ditty. Time seems to be a little chaotic at this moment, the guitar floats ethereally again, and stretches out in the past. Extending along Jack's gaze, countless sunrises and sunsets re-enacted. Emotional changes also make the guitar show a different texture on different occasions.

At the end of the story, the 'wings (ngs)' are mixed with tears from Ennis and I, and the ~~-updated first~~ chords of the guitar linger. The phrase 'Jack, I swear...' With the wanton plucking, it reached the ** of the whole film. I've always felt that this is the soundtrack that best represents "Brokeback Mountain". The tune always rises, but stays there, drops half a tune and wanders up. Just like Ennis and Jack, like Emma and Lulin, they can only turn a blind eye to the love in their hearts, and in the end there is only melancholy and regret. In the end, the "wings" just stayed on this low note, which was a response to the tone of the film.

Evan is on the guitar, in 'Brokeback Mountain' to the extreme, no matter how many heartwarming melodies he has composed before, but this quee melody reaches a whole new level when combined with the stories of Ennis and Jack . The greenness, comfort and sadness of the green mountains in the mountains echoed leisurely on the strings of the guitar . "

This music review by Adam Roy is a review of the soundtrack of "Brokeback Mountain", and also an interpretation of the movie from another angle, which also fits the title of this special feature of "Entertainment Weekly": Everywhere is exquisite. It can be seen that "Brokeback Mountain" is a very moving and delicate work, and it is not without reason that it can win rave reviews from film critics.

However, in this piece of praise, the discordant voice still exists, of course, not referring to the opposition of conservatives. After all, they have not come to Toronto and have not seen the finished film, so they are not in a hurry to express their protest. The real dissonance came from the audience's opinion of Anne Hathaway.

Not Evan Bell, not Jake Gyllenhaal, the audience understood with great tolerance that the two actors were **** and had **** scenes; not Michelle Williams, the audience Full of praise for the delicate performance of this young actor; it is Anne Hathaway, the Anne Hathaway who pushes the limits and breaks the stereotype in the film.

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