Chapter 1487

Simon dressed up and went downstairs to the restaurant. Chen Qing was already here. In addition, Cheng Taixi.

Seeing Simon entering the door and the two women greeting together, Cheng Taixi subconsciously stood up with a formality he hadn't seen for a long time, and last night, well, it wasn't alone, but was pulled by some unscrupulous girl to warm the bed. In short, it's a pity.

Simon and Cheng Taixi hugged, patted the woman on the shoulder, motioned to sit together, sat down at will, smiled and asked, "what are you talking about?"

Chen Qing glanced at the entrance of the restaurant. No one came in. She was curious about what happened to the one brought back by her boss last night, but she didn't ask much, but said, "I'm talking about life and death spy change."

Simon noticed Chen Qing's eyes and didn't explain.

The eldest princess is a very proud and reserved girl. She wanted to have breakfast with Simon. Later, she heard that there were many women here, so she didn't get out of bed and planned to sneak away when there were fewer people here.

Slightly sideways to let Jin Sumin set his breakfast. Simon picked up the tableware and said, "is there still a loss in the cinema stage this time?"

Chen Qing nodded: "according to the calculation of 8 million film viewers, the box office is expected to be 28 billion won, and the share we can get is still 37%, which is about 10.3 billion won. In addition, according to the support plan announced by the film revitalization committee officially established in South Korea in January, we can get a follow-up subsidy of 10% of the production cost," espionage of life and death " The production cost of is 13 billion won, and the subsidy amount can be 1.3 billion won. After calculation, there is still a gap of 1.4 billion won in the cinema stage, not counting the publicity and distribution expenditure of about 3 billion won. "

Simon just listened and was not disappointed.

Still quietly promoted by the Westeros system, South Korea officially established a special "Korean film revitalization committee" in January this year, and launched a considerable film support plan.

In short, according to different categories such as film budget scale, theme type and capital source, producers can get subsidies ranging from 10% to 50%.

Of course, the maximum 50% subsidy is only available to newcomers within the budget of 1 billion won. In addition, the same low-cost experimental films and literary films can only get 30%, while large budget films with a cost of more than 3 billion won and joint venture films such as "espionage of life and death" can meet the conditions of Korean team and shooting in Korea, You can only get 10% of the budget subsidy.

The consumption tax refund originally envisaged failed, but this support plan is obviously stronger than the consumption tax refund of only 10%. After all, the film companies controlled by Westeros in South Korea mainly produce low-cost films within 3 billion won.

In addition, although the cinema lost money at the stage of life and death espionage, it is easy to recover all costs and make profits with the current popularity of the film and subsequent release.

In fact, not to mention the follow-up, if westlow system wants to recover the cost in the local cinema stage, it is not impossible.

It is enough to increase the local cinema by 10 points through negotiation.

This is not done here because 70% of Korean cinemas are controlled by Westeros system and are further expanding their share. If espionage breaks the rules and requires an increase in the score, will other films follow suit and ask for an increase in the score together, the loss will be the westero system itself, and the gain is not worth the loss.

So of course it's best to maintain the status quo.

In addition to the local cinemas, the first is overseas. With the halo of breaking the film viewing record in South Korea, the recent synchronous overseas release can sell more or less in Southeast Asia, North America and Europe. A little makes a lot, and the balance of revenue and expenditure of the whole project can be basically realized.

The second is the surrounding channels, which is equal to entering the profit cycle.

One of the key points is that South Korea does not have the strict window period system as North America, which can be imagined from the early emergence of Korean HD on the network. In SK's plan, the film can be quickly introduced to the video tape market one month after it is next filed, and TV broadcasting can also be launched three months later.

According to the calculation, the income of "espionage of life and death" in the surrounding channels such as video tape / DVD and TV broadcasting in South Korea will not be lower than that of the cinema, and the publicity and distribution cost of these channels is very low. Therefore, the film can realize at least 100% of the net income in the operation cycle of the next year.

This is the ultimate commercial potential of an annual Title film.

However, SK entertainment will certainly vigorously publicize the gimmick that the box office of "espionage of life and death" is less than investment, so as to attract more people to buy tickets. However, it is a joke to say that a film that is expected to lock in the box office champion of the whole year does not make money.

What's more, the real significance of "espionage of life and death" does not lie in the box office itself, but in the activation of South Korea's local film market, driving more potential audiences without viewing habits to enter the cinema.

In other words, this is the same as the change in viewing habits brought to the Chinese public by a series of films that have continuously created box office miracles after 2015.

After several super selling films in a row, during the new year, influenced by the people around, more and more Chinese people began to form the habit of bringing their families into the cinema to see a film.

In fact, there are more interesting coincidences behind these two things.

For example, the film industry in China and South Korea broke out after the per capita GDP exceeded US $10000.

At the same time, they all experienced a large-scale economic turmoil.

In 2015, many members of the public did not seem to feel much, and the homeowners were ecstatic because the house price doubled in a short time, but in fact, it really hurt their heart, liver, spleen, lung and kidney.

In addition, there is fertility, and the decline curve is also surprisingly consistent.

South Korea's fertility rate fell from 1.6 to 1.3 from 1997 to 2001, while China's fertility rate fell from 1.6 to 1.3 from 2015 to 2020.

In addition, after the 1997 crisis in South Korea, social competition intensified and the fertility rate fell off the cliff. At the same time, South Korean families' investment in children's education also increased sharply, and the off campus education and training industry flourished.

The South Korean government also saw the harm and once put heavy pressure on it.

Unfortunately, it was only a short suppression and soon ended in failure. Even when the domestic educational resources can not meet the needs of the public, a large number of "wild goose families" have emerged in South Korea. In short, South Korean families send their children abroad from a very young age in order to receive the best quality education, while parents try hard to make money at home, and parents and children can only meet back and forth like wild geese once or twice a year.

Later, there was a TV play in South Korea called "the top floor", not to mention the extreme plot of dog blood. The only thing several families at different levels have in common is the almost abnormal obsession of pursuing higher quality educational resources for their children. Therefore, killing and setting fire are meaningless.

That is actually an abbreviation of the real social education situation in Korea.

History is a circle, constantly turning in place.