Chapter 135
"Yes, I understand. I will try to deliver your message. Director Grey is busy right now, no, no, he can't talk to you. Please give me your message. No, he is also busy tomorrow. Me? No, I'm not going to give you my home number."
Erica Mendez ended the call with a depressing sigh. She knew that her boss was becoming famous and that many people wanted to work with him. Either to buy his script or to hire him as a director.
And honestly, their terms were not bad. An assurance that his salary would be over $10 million plus 10% of the box office. They can negotiate and make a good contract.
But Erica Mendez understands the intention of her boss. Looking at the man massaging his forehead after a sleepless night, she knew that Director Grey didn't have time for anything else.
Kazir Grey didn't get much sleep last night because he was reviewing all the shots they had taken... So Erica, Hector and Fremont didn't sleep either.
Erica was responsible for serving them a ton of coffee while the three men talked about the best footage they could use.
Kazir intended to let the two of them handle some scenes on their own.
Hector knew about cameras and lighting, but he was clueless about the director's position. This project might be his first time directing people while watching the scenes unfold.
As for Fremont, the man was young. He was only 23 years old and lacked experience. Kazir could sense his sincerity and enthusiasm, so he gave him a chance to blossom.
Kazir understood how terrifying the role of a director was. The pressure was crushing and Kazir suffered from insomnia most of the time. There was a time when he felt that this would be his last movie.
If a movie was a disaster, everyone would blame the director because he was the creative mind of the project.
Kazir hoped that the two of them would have the strength to withstand that kind of pressure.
"Okay, let's rest. You can eat lunch."
Kazir announced, and the people were relieved. Kazir was a fast, consistent type of director who didn't like to do pointless shots. As if everything was already in his head and there was no point in doing useless things.
"Fremont, take your crew to the Waldorf Astoria Hotel and get some background shots."
"..."
Kazir knew that Warner Bros had a claim on Bourne Identity back in the 80s, but someone had already gotten the movie copyright. In the end, they stopped acquisition when the first Bourne Identity television movie(1988) came out. Bourne Identity(1988) flopped, so Warner Bros lost interest.
'So what is the reason they are doing this now? Is it because of the Continental Cinematic Universe?'
Warner Bros and 20th Century Fox had an idea about Kazir's huge project. Maybe Warner Bros felt it would be dangerous if his plan succeeded. So they decided to stop his plan step by step.
Movies based on novels were quite a hype in the 90s. The Shawshank Redemption, Silence of the Lambs, Forrest Gump and many more. They were all based on novels.
Warner Bros concluded that the Bourne Identity copyright in Kazir's hands was too dangerous.
'They are interested in buying the copyright, I guess they have regained their passion. Also, they want to prevent the addition of Jason Bourne to the Continental Cinematic Universe. '
Warner Bros realized that Bourne Identity would definitely be part of the Continental Cinematic Universe, considering Kazir's projects.
"We're not going to sell the copyright."
Kazir said firmly. Even if Warner Bros offered a serious amount of money, he wouldn't budge. He already had an idea where to put Jason Bourne in the CCU (Continental Cinematic Universe).
"I understand."
Erica nodded. She knew her boss would refuse the offer. It was a good thing she ended the call sooner.
'The Jason Bourne franchise has made billions of dollars, I'm not crazy enough to sell something that big.'
Even though his relationship with Warner Bros was good, he had to draw the line. Otherwise, it would be problematic later on.