As the two entered the theatre, and Drew immediately abandoned Nicole, running where her former crew members were. Nicole only saw Drew whispering to Tom Hanks from the side, who was sitting next to Eric. Hanks then smiled and got up and gave her his position.
Although very envious, Nicole knows that she is not even qualified to sit in the front row, let alone have anyone in the front row give her a position, although she was not willing, she still scouted out a seat in the middle of the theatre. Then she sat down.
There were more and more people in the theatre, and by coincidence, a 30-year-old man with glasses and gentle personality sat down beside Nicole. The man seemed to coincidentally meet Nicole's gaze, revealing an astonished look.
As if he just found the most glamorous girl around him, he took the initiative to greet: "Hey, hello."
Although the man's tone was very casual, Nicole, who often encountered similar situations, realized that this was other person's intention from when he sat next to her. Although there was some resentment in her heart, the other party talked politely, so Nicole couldn't ignore it.
Her tone was plain and flat: "hello."
The man did not care about Nicole's indifference, as he was a veteran flower hunter, and if one retreated because a girl was cold at the beginning, then they should never think about picking up women: "Forgive my abruptness, miss, but you are so beautiful, especially your hair style, with your facial contours, they let your whole person look like a kind of cool and cla.s.sical beauty.
You know, many girls are used to ironing their hair into fluffy little wavy hair, but I see that kind of hair like a nest, like, it's really bad to the extreme, and there are few girl with good taste like you." TN: Nicole's hair was like that before Eric changed it for her. i.e. this -u003e this
Nicole heard the man's complimentary words, but did not look pleased to be praised, and she flashed a look of embarra.s.sment as she replied somewhat helplessly: "Thank you for your appreciation, sir."
"You're welcome," the man said with a smile: "My name is George Northern, a film critic of the"Premiere"magazine."
"You can call me Nicole."
"N-I-C-O-L-E? Isn't that like Nike. Wow, I suddenly thought this name is appropriate for you. In Greek, 'Nike' is used to describe a beautiful and delicate appearance, of a strong and independent young woman."
George Northern was about to say something more, but the lights in the auditorium went dark, she don't know why, but she recalled Eric's coldness to her at this time, and as such, she was somewhat disgusted by the diligent attacker and whispered: "The film is beginning, Mr. Northern."
"Of course, I understand." George realized that he was being too eager, and quickly sat down and looked at his body, then he transferred his gaze to the screen.
After the picture of the Statue of Liberty from Colombia, a little girl in the red hoodie flown by fireflies, and a string of beautifully drawn characters that rushed to the sky, turning into the brightest of the stars, the picture was short-lived.
In the darkness, screaming and footsteps rang, as if they were happening in the audience's mind, but the film still did not appear immediately, and the list of the crew began to appear on the screen.
Fulfilling the curious expectations of everyone, the picture finally lit up. In a dimly lit corridor, Tom Cruise with sungla.s.ses climbed some stairs layer by layer, while singing with mysterious and sad but male voice.
Nicole was staring at the screen, but behind her two girls whispered, they should be fans of Cruise.
"Oh, G.o.d, I suddenly found out that my little Tommy is so handsome when he walks. Mickey, I can't stand it anymore."
Inside the blockade, Shane got out of the car and hurried to a police car, and walked up to a a inspector-uniform wearing Joe Pesci, then he asked Ian the police chief who also had a bulletproof vest on as he stood outside: "Has the robber contacted you?"
Ian blinked. "We last spoke 20 minutes ago."
Shane immediately raised his eyebrows and turned his head in surprise and looked at Ian: "You talked? You mustn't have said that you are the head of Los Angeles' Central District Police Department Ian Spey, and that he should surrender and lay down arms within three minutes?"
Ian shook his head and realized that Shane is now his own subordinate, and is no longer the famous police elite he was, {{{{{{{{so I stalked my neck and turned my eyes to the side, a look you can take me.
This performance of Joe Pesci was very expressive both in language and in action, and the audience has begun to smile.
Although Shane had some helplessness, he still played the negotiation recording.
When his hand pressed the play b.u.t.ton, the special voice of Joe Pesci was suddenly heard.
"Hey, I am Ian Spey, the head of the Los Angeles' Central District Police Department. You have been surrounded by me and have to surrender within three minutes."
Shane shook his head and revealed a look of irritation. Ian was once again guilty. He turned his eyes to the window.
During the recording, the robbers proposed a series of conditions. Ian had heard the other side wanting a bulletproof car and couldn't help but retort: "Why don't you want a helicopter?"
Shane shook his head when he heard this and stamped his feet. With an expression of helplessness that comes from expecting too much he replied: "Hey, don't you talk nonsense!"
The atmosphere that Hanks and Joe Pesci had created for the audience also broke at this moment. With Shane's madness, after hearing this line, the first of the laughter from the audience was heard in the theatre.
Sure enough, the robbers changed their conditions from the bulletproof car to a helicopter. Shane could only sigh again and again, and asked for a walkie-talkie before entering the bank alone.
After a series of verbal and psychological confrontations, Shane went and smoothly solved the hostage crisis and forced the robber to commit suicide.
Although in this section of Eric did not make any changes to the plot, he consulted with real negotiating experts when writing the lines, so it seems more reasonable and sharp, even if it were a professional, he could not freestyle such a good paragraph of speech during a confrontation.
Of course, the plot time has been dragged down for a few minutes, but this is not a problem, the original movie was only 90 minutes, and in Hollywood, most of this big production are about two hours, plus the lines are very cleverly designed, and the audience will not feel the drag of the plot, but will be able to interpret the excellence of Shane's actor more carefully.
Leaving the bank, Shane walked to a snack bar, bought a c.o.ke and a hamburger to eat. In the crowd, a thin-haired old man with a strange smile was holding the camera towards Shane during this series of actions and captured it.
The old man's expression was a bit stiff, but with the iconic mysterious musical scores that appeared almost simultaneously, although most fans may still have some doubts, the professional film critics present will have guessed that the old man is likely to be Andy in disguise.
Sure enough, the picture cut to a room filled with high-tech crime props such as computers, camouflage equipment, etc. Andy spread out the photos of Shane's bank robbery scene onto the wall.
At the same time, there were other old photos on the wall, such as Shane's SWAT (Special Weapons and Tactics) team, which was swept through by a camera facing the wall covered with photos and newspaper clippings. The audience finally understood Shane's identity.