Chapter 302： Interpretation

In Chu Yu’s view, the first and second episodes of Puella Magi Madoka’s animation are just a brief description of the settings and characters, and the third episode is the death of her senior sister Bamami to make the style of this work suddenly deviate from the tone. The everyday feeling is transformed into dark works.

And the fourth and fifth episodes can be regarded as revealing the worldview of this work a little bit through the death of Bamamei, and completely shaping the personality of the characters on the scene.

From the sixth chapter, this work begins to expose the essence of the magical girl and the ultimate tragic and irreversible destiny of the magical girl.

Just like the title of this work is "Magic Girl Madoka Magica", all the plots of the whole work from the first to the last episode are based on the two key factors of Puella Magi and Kamenima.

Therefore, the preliminary results of this work are a bit close, and Chu Yu also feels that it is very normal. After all, the plot of the early stage is indeed very deceptive, but starting from the fifth chapter... this work can be said to be one episode A high energy, a turning point for each episode.

The keynote of the whole work, from the daily joy of episodes one or two, from the heaviness of the third episode, to the depression of the fourth and fifth episodes, to the darkness of the sixth and seventh episodes, to the gloom of the eighty-nine episodes... ...Until the final episode of the birth of Yuanshen.

It can be said that the atmosphere of this work is more and more uncomfortable for the audience.

The more you see behind, the more immersive anime audiences can appreciate the heavy and dark atmosphere of this work, even in the last episode... On the surface, it seems that the magical girls are saved. , But in fact, that ending also makes many people in the original world who have finished watching this work feel as if they were hammered in their chests.

For the viewers of the Dragon Kingdom, they are also experiencing the same path that the fans of Madoka Magica in the parallel world have walked.

After all, this work has been on the air for a month, and the people who followed this animation from the first or two episodes have forgotten the anticipation, joy, and entertainment that they felt when they watched this work.

Those dead houses who want to watch gorgeous magic girls transform into plots, have not seen the plot they want to watch until now.

On the contrary, Bamami, a senior sister who has always had a good reputation, took the lunch directly.

The charm of this work lies in this, although it is very different from the animation plot of the magical girl type you imagine.

But as long as they insist on reading the third episode, there are not many who have abandoned it, but it is true.. Now when they see this work, many fans have already felt a little depressed.

Even in the first episode of the animation, when the animation op was broadcast, many people who had watched the plot behind the scenes were crazy barrage and the various cute healing scenes in the op did not appear in the feature film once.

So before the broadcast of the fifth episode of Puella Magi Madoka Magica, Shui Xin Weibo updated the dynamic, "The story of love and magic has officially begun!", many people were puzzled.

Didn’t you say that the keynote of this work is hope in endless despair?

Why is it now love and magic?

Can these elements be mixed?

Anyway, those fans who have been abused by Chu Yu's works before are very suspicious whether Shui Xin is planning to produce a huge gloomy work to harm others, and many people have also started discussions on this issue.

Some people think that Chu Yu's work is at best going in the direction of **** hunting, and it may not be another masterpiece for melancholy.

After all, the dark, **** and melancholic style of the work are two completely different concepts.

Take Rurouni Kenshin Remembrance as an example. When Kenshin kills his enemies, he usually kills his enemies with blood. There are many scenes in which the enemy is split in half by Kenshin. .

These pictures are dark enough and **** enough, but most readers of this manga not only have no fluctuations in their hearts when they see these pictures, but they also feel like they want to laugh.

But Jianxin slashed Xuedaiba, and the scene where Xuedaiba finally died has caused countless fans of this comic to feel heartache, and even have endless resentment towards the author in their hearts.

In many animations, the protagonist died with his family, and even the protagonist received a lunch box, which is not as uncomfortable as the scene in which the five-centimeter-per-second nobility tree leaves after seeing the train passing by.

A work that only relies on blood and curiosity, and the style of painting cannot make the audience touch.

In the third chapter of Magical Girl Madoka, it’s not the **** scene of Bamami being eaten by the witch that really touches the audience’s hearts, but the mutual expressions between her and Madoka before Bamamei’s death, and let the audience understand that she’s hidden and strong. , The fragile side under the mask of optimism, at the same time, let the audience understand what kind of person she is, what is her purpose and thoughts?

In that episode, most viewers not only liked the indecisive but kind-hearted protagonist Kamen Maru, but also the somewhat arrogant but enthusiastic senior sister Mami.

And when the audience just developed a good impression of this character...

Animation uses a **** and cruel way to make the senior sister sacrifice.

The depressive mood of the audience is just like this, in front of the audience, the things that the audience thinks are beautiful are destroyed in an extremely cruel way.

Shui Xin’s past works basically make people feel that the plots of depression are all based on love stories.

At the speed of five centimeters per second, Mingli made the audience feel gloomy after the train disappeared. Her behavior made Guishu's 13 years of persistence just like a joke. At the same time, it also made the audience feel that Guishu did not choose Sumida and produced a huge The regretful feelings.

Similarly, I have not heard of the Meizi and Renta in the name of the flower, and Jianxin and Xuedaiba in the remembrance chapter. Their stories will make people feel sad, and they are all similar.

Therefore, the impression that Chuyu nowadays in the Longguo comics and animation circles left people who are not familiar with him is... a master of romance and an old driver.

If not, why did he think of so many heart-wrenching love stories and comics with the initial D?

The problem with Puella Magi Madoka Magica's work is that it has no elements of love. The theme of Puella Magi Madoka is more routine, and Shui Xin hasn't added the idea of ​​her own love story.

From the first episode to now, there have been two males, one is the blue-haired woman Sayaka’s childhood sweetheart Kyosuke, and the other is Madoka’s father-in-law. Obviously, these two men are only supporting roles... .. How can their stories touch people's hearts?

So nowadays, many people who think that Puella Magi Madoka’s work can only stop at the top ten of the October animation, basically based on this, in their opinion, perhaps the subversion mentioned by Shui Xin should be the magical girl Madoka’s work has been turned into a **** combat animation. In that case, this work will definitely not achieve too high a score.

Another small group of people are believers of Chu Yu, known as the "Warrior of Love", and they always believe that it is impossible for Shui Xin to create animations other than melancholic themes.

In the week after Episode 4 was broadcast, people of two opinions argued endlessly, but after all, only the follow-up plot of the work can confirm their thoughts So after the fifth episode of Puella Magi Madoka Magica went live, Those who were attracted by this work clicked on the fifth chapter of Madoka Magica.

When it comes to the fifth episode, the animation doesn't hide anything. At the beginning of the scene, it is the rooftop of the contract between Kewpie and Sayaka.

The dim light, the light red sky...Kewpie’s ears stretched into Sayaka’s body, and then she brought out Sayaka’s soul crystal.

Is this the scene of the conclusion of the magical girl's contract?

Why does it feel so like a cult altar!

not only has no sense of sacredness, but also feels a little scary.

Then there is the interaction between Sayaka and her favorite boy, Kamijou.

And the plot at the beginning of this episode also tells the audience very clearly that Sayaka's wish to become a magical girl is to restore the hands of the violin genius Kyosuke Uejo.

On the rooftop of the hospital, Sayaka and Kamijou’s parents and the hospital doctor congratulated him on the healing of his hand injury. Sayaka looked at Kamijou’s ecstatic and happy face holding a violin, as he thought.

"My wish has come true! How could I regret it, I am now...... I am extremely happy."

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