"Simply let people know that it is a trap at a glance." Jiuyu Mai concluded.

"Even the trap must be gone. If you let that guy go on fooling around, the disaster will not be comparable to a holy grail war." Keishi said.

Keishi did not go alone, but used [hint] to encourage the police to leave the team and prepare them to do the finishing touches.

Although he didn't know what Caster's master was making, his opponent did teach him a trick.

This power of using the world is a power that he has been neglecting before.

Kei Si is a humble and studious person. Since his opponent taught him this trick, it would be very rude if he didn't respond.

Without being stopped by [Search], Kirisugu quickly found Usei Ryunosuke who was thrown away by Shiro in the abandoned factory.

Without saying much, Kiriji was fifty steps away, and a "origin bullet" was directly shot into the abdomen of Yusheng Ryunosuke.

Origin bomb, this is Kirishu's ceremonial costume, and it is also the most true portrayal of his origin and name.

The magic attribute of Kei Si is the dual attribute of "fire" and "earth". The detailed classification is the compound attribute of "cutting" and "combining". That is the form of his soul from which he was born, that is, the true nature of "origin."

Therefore, his father Juxian Wei Gong gave him the name "Kiriji".

Cut, heir-called "destroy and rebirth" there is a slight difference. Because the origin of Keiji does not mean "repair".

For example, the thickness of the node will change when the line is combined after being cut. In other words, the behavior of "cutting and heir" will cause irreversible "deterioration" of the object.

When making his own ceremonial costumes, Kiritugu made the most use of the extremely peculiar "origin" he possessed. Both the left and right first and second ribs of his flank were removed. Grind the ribs taken out into powder, then condense them with Soul Engineering, and seal them into sixty-six bullets as the core.

And this is the origin bomb.

This bullet will realize the "origin" of Keiji to the "hit" object. If it hits the creature's body, there will be neither wounds nor bleeding, but the area where it hits becomes like a necrotic old wound.

The surface layer looks like healed, but the nerves and capillaries are not regenerated accurately and their original functions are lost.

Moreover, this bullet with the function of conceptual armament will pose a more serious threat to magicians who have a magic circuit that resembles nerves.

The impact of the "origin" in the bullet will be severely fed back to the magic circuit of the operator, causing the magic circuit of the operator to "short-circuit" and causing its magic to run away and completely destroy the circuit. Not only can it cause damage, it can also make it impossible to use magic again.

The amount of lethality depends on how many magic circuits the target activates at the moment of hitting the target. Because what destroys the surgeon's body is the surgeon's own magic.

Therefore, it can also be said that as long as the bullet is shot into the magician's body, the inhuman magician who activates the magic circuit can be easily and completely destroyed.

Before coming to Fuyuki City, Kirishu had consumed 37 of the 66 bullets. But there is no waste in it. Using bullets made from part of his body, thirty-seven magicians have been completely destroyed.

It can be said to be the best portrayal of the killer of Kiriji magician.

However, although the origin bullet has extraordinary lethality against magicians who use magic, it is an ordinary non-lethal bullet for ordinary people. It is not an exaggeration to "cut" the shot through the body and repair the wounds because of the "heir".

However, it is absolutely impossible for the origin bomb to be ineffective in this Holy Grail war.

The reason is very simple. The magic power of the slave comes from the master, and the magic power of the master has been continuously provided from the moment the slave is summoned, and it is naturally in the special attack of the origin bomb.

Therefore, when this origin bomb hits the master of Caster, the master is bound to be attacked by the magic power provided to the slave.

And the magical aura of this Caster's lord is almost so strong that it can be said that the magic is released, so the origin bomb will be especially big for his special attack, even if the body explodes directly.

Keishi had already seen the ending, but to his surprise, the caster master, who was full of magical aura, could be said to have stood up again, without a trace of the magic circuit being blasted!

"This--, what's the matter?"

Kei Si couldn't help being stunned.

...

...

ps: py a book~!

"As a mercenary, I was kidnapped"

In the barracks of Moulia, Lin Ge put down the hot ak in his hand and lay on the bed.

"This summer job is really tough, if only a tougher brother can come tomorrow."

Lin Ge thought tiredly in his heart, and then fell asleep.

When he woke up, he realized that this was not a familiar ceiling. He was in a narrow room.

The room looks like a grocery store with scattered items.

"How dare even mercenaries kidnap? It's interesting."

Lin Ge decided to wait for the opponent to show up and let him taste the fist of pressing ak with one hand.

However, after waiting for a long time, he didn't see anyone enter this room.

Until he found a line of words appearing on the back of his hand.

"Welcome to the confinement amusement park."

Chapter 47 Generous Karma [Second More]

Although Yusheng Ryunosuke doesn't like **** and violent movies, he can understand the necessity of that kind of entertainment.

For him, it's not just a horror movie. There are war films, disaster films, and even simple adventure films and serials. These fictitious entertainment shows always take the trouble to describe the death of human beings.

This may be because the audience can observe these fictitious deaths from a safe angle, and this fear is reduced.

Human beings are proud of their wisdom, but are full of fear of the unknown. But no matter how terrifying the object is, as long as it has experienced it and has some understanding of it, then it can conquer terror with this rational knowledge.

It's just that death is something that you can't experience when you are alive. It is impossible to truly understand. Therefore, human beings who have nothing to do can only rely on observing the death of others to try to understand the nature of death and carry out a simulated experience.

Worthy of being a civilized society, human life is respected, so death can only be experienced by relying on fictional content.

However, no one wants to watch a horror movie in the kind of work that records wars where people around them are blown out by bombs at any time during meals.

Similarly, whether it is physical pain or mental pressure, fictional entertainment can work for all misfortunes in life. If you need to take great risks to experience those things yourself, then rely on observing others to gain understanding, so as to overcome fear and eliminate that anxiety. Therefore, the movie screens and TV screens are full of tears of sorrow, sigh and sadness.

Therefore, the audience always feel that death is nothing great. If you become the protagonist in these works, it will not be a problem to overcome death and difficulties.

Ryunosuke used to be like these people, full of fear of death. Those horrible corpses and splashing pink blood foam perfectly reproduce the stale death with their lifelike acting skills. If you watch these can conquer the fear of death spiritually, then Ryunosuke should also become a fan of horror movies. Right.

But for Ryunosuke, he seems to have a keen ability to distinguish between the truth and the false of death.

To him, these fictional horrors seemed a bit ridiculous. Whether it is the plot or the picture, there are pediatric things everywhere. From these things, the so-called nature of death cannot even be experienced at all.

He is a painless person, but he has a keen ability to distinguish between the truth and the false of death.

Perhaps this is also a lot of thanks to his drunken father who was overwhelmed by reality.