v2 Chapter 720： Crazy movie

"Compared with James Bond's action scenes, it is the cream nanny's fist and embroidered legs, and the car chase scene in "Fast and Furious 4" is like a kindergarten kid driving a bumper car."

I don’t know who spoke this point of view in English, but after Guan Yadi understood it, he agreed with him from the bottom of his heart. If he asked him to rate it, he would definitely give Duke’s new film 120 points!

Where the judges of the Palais des Festivals sits, Natalie Portman’s face is a bit ugly. The screening is nearing the end. She has realized that she has missed a great and even great female character. It is not an exaggeration to describe Hollywood as extremely rare.

Ferrosa is more brilliant than the male protagonist. This is something fools can see. Everything she does is not to find love and other messy reasons, nor does it need a man to rely on. She fights for her own survival, and has Ability to fight on.

The pair of bright eyes concealed by the smoky make-up clearly reveals a murderous spirit and compassion for life. Natalie hasn't seen such a real female character for many years-no need for delicate looks , See-through clothing or tights, women who only win the respect of everyone by their own ability.

That bastard's "Furious Road" may be the best portrayal of female characters among all the films in recent years. It is flesh and blood, sentimental and righteous.

She even thought that the annoying Charlize Theron might be nominated for an Oscar for Best Actress again!

In a movie where the whole film relies on action scenes to drive the plot and few lines, full of fanatical bloodthirsty men, and a movie flooded with male hormones, Charlize Theron takes the best qualities of women-delicate and tough. , Repetition, sympathy are all manifested, and there is no action scene that is dizzying. Overwhelmed by the steampunk scenes and the violence of ghosts and animals on the screen, it is too rare.

Those feminists in Hollywood will definitely regard her as a banner!

In recent years, the feminist movement in Hollywood has gradually flourished and has become a huge force that can be supported by this part of the force. Only good for the future...

And this power actually passed by himself!

Natalie Portman turned to look at the front row and saw the tall vase. She believed that if she were to play Ferrosa, she would be even more brilliant!

However, these now belong to Charlize Theron only.

Even she had to admit that Charlize Theron, who once again worked with Duke, brought a sturdy and cool heroine to this summer, when her bright eyes shone through When the camera looks directly at you. You will not fail to be attracted.

And what is more fascinating than this appearance is the power of wisdom, bravery and love that she exudes through the characters in the film, which is gradually flooded by weak female images and **** male images. At the moment of the silver screen, she injected a potion of strong liquid, which showed strong power like a fire-breathing engine.

Charlize Theron is the same as Fury Road. It will be an unforgettable surprise this summer.

Natalie Portman can easily draw this conclusion from the reaction of theater audiences.

Next to her, sitting at the Cannes Film Festival’s jury chairman Isabel Huppert, from an angle that no one else can see. There was an unusual smile on her mouth.

Because the people of Warner Bros. did not lie to her, because the film's display of women has exceeded her highest estimate!

Isabel Huppert is a feminist!

Yes. The film does have various deficiencies in its treatment of women, but it is already very rare in the current world film circle.

The protagonist of this movie is a woman with a broken arm. It fully expresses feminism!

This is Isabel Huppert's view.

What is feminism in the film? Give the audience a bodysuit super heroine they want. Let her kill the Quartet in the sexiest way to save the world on the screen. However, in reality, the actor is asked the most about how to maintain a good figure and who she has an affair with, and no matter how hard she tries, her colleagues will still "Just kidding" said her character is a vase.

More films with combat-type female characters resumed the "traditional" and seemingly unchangeable model at a critical moment, that is, men deal with the biggest enemy, and women deal with those little ones.

A lower-level movie like "Jurassic Park" also has a heroine. However, the two-minute preview tells the audience that this is a traditional muscular man who rescues a noble and glamorous scientific research and academic woman on paper. The story, her life must be saved by him, and they must watch the sunset together at the end.

This is not feminism. In Isabel Huppert's mind, it does not contribute much to the promotion of feminist awareness.

"Furious Road" is a real feminist film. Perhaps the director himself did not intend to make a feminist film deliberately. Everything is based on the plot of the film. On the other hand, perhaps he is a feminist himself, subconsciously There is no difference in equality between men and women, so the film naturally promotes feminism without showing any traces-no matter what environment you are in, you can make a choice according to your own will, and this will has nothing to do with men or love, just about Take control of your own destiny.

These alone are enough, enough Isabel Huppert recognized Warner Bros.'s rhetoric and decided to support the movie.

Ferrosa led the Women's Army to capture the fortress of Undead Joe, and the male protagonist Tom quietly left, avoiding the audience's association of whether the male protagonist would become the next tyrant and open the harem, and the film ended.

The audience stood up, applause resounded like thunder, and many people in the guest seat walked toward the position of the crew to send their routine congratulations.

But Quentin Tastino didn't. He and Duke were acquainted, knowing that he didn't care about it.

He just wanted to find a place to be quiet. This was his first reaction after watching "Furthermore".

After watching this movie, all the past car chase movies, including Duke Rosenberg’s, suddenly became something like "Drive for Miss Daisy" in his mind... …

Standing up, Quentin Tastino walked out. He needed a quiet environment. There were more than two thousand spectators in the Palais des Festivals, but at the moment it was unimpeded, because excluding a few people, more than 90% All of them stood in place, applauded vigorously for "The Road of Fury", with no intention of exiting.

"Duke Rosenberg should have done one thing this time, directly creating a whole new type of film,"

Quentin Tasino said to himself as he walked out, "Its name is... uh..."

He knocked his head, "I haven't figured it out yet."

However, he can confirm that because Duke Rosenberg has magnified countless details of the film infinitely, forming a brand-new violent aesthetics, dedicated to the action scenes of film history, and this film proves that the work of the film director, The terrible creativity can still be released in the pipeline mode.

"If it's ordinary viewers, go to the theater to watch it a second time, and watch it the third time..."

Before walking out of the theater, he looked back and could imagine the breathing of the 2000 spectators in the Lumière Hall of the Palais des Festivals, "Is this really him? It's a fascinating and crazy movie!"

Park Chan Wook did not wait much. Taking advantage of the fact that the Festival Palace was not too congested, he left Lumiere Hall with a few of his friends. He felt like he was continuously hitting the front door with heavy punches. Yes, from the theater back to the hotel where I stayed, I was speechless with my friends along the way.

Because I don’t know what to say, I can’t find a suitable adjective...

The feeling of this movie is really shocking. He is really perverted and angry. Every pore in the film releases a breath of perverted rage, but it is so charming!

The first long shot of the whole film was shocked. The endless desert gave a desperate beauty. Because he just ran 250 kilometers across the Sahara Desert last month, he saw the endless yellow color. The son was held fast.

The key is that those car chasing scenes are unheard of, tyrannical, crazy, hysterical, but there is a beauty in the contrast of the protagonist’s steely and calm will, making him look stupid in the end...

The palm of his hand was a little painful. Jiang Xiaojun, who hadn't walked the red carpet at all, stopped applauding. His sitting position was extremely inconspicuous and too far back, so few people noticed.

He actually didn’t want to be noticed because he didn’t have any work to participate in this film festival. He just wanted to see the latest developments in the world’s film industry, not like those thick-skinned Bingbing in the Himalayas. The role, without the invitation of the organizer, brought a photography and planning team to come to the red carpet in Cannes.

Especially those who have been so slow and drove by the organizers, really humiliated the national filmmakers internationally...

No, where is the other person? She doesn't deserve this title at all.

Thinking of this, Jiang Xiaojun discarded these messy thoughts and continued to look at the big screen, slightly dazed at the missing subtitles.

If he is asked to comment on this film, two words are most appropriate-Niubi!

In addition to Niubi, what other words can describe this Duke Rosenberg movie?

Everything in "Furious Road" left an extremely deep impression on Jiang Xiaojun, and he even felt that he would never forget it.

The sharp editing, the tight atmosphere, the sound rhythm, the sensational music, plus the super-textured pictures and the clear narrative make the whole movie look like sitting in the fast-moving car driven by Charlize Theron The truck was very happy all the way, and there was no pee.

But what is more impressive than these film techniques is that it has constructed a cruel and convincing doomsday world, and exported a world view full of new ideas. (To be continued~^~)

PS: Ask for monthly and recommended tickets!