Chapter 457： Sonata of Sadness

Mu Qiu, who was in front of the piano, was completely absorbed into the mood of the music at this moment, and at this moment, the piano had become an extension of his soul.

Every delicate feeling and thought in his heart was faithfully conveyed by the piano under his ten fingers. At this moment, he is using the piano to talk to the audience!

With both hands on the keys once again, an agitated sound flow was set off. At this moment, Mu Qiu suddenly opened his eyes and looked down at the keys under his hands.

There was an extremely firm conviction in his calm eyes. The power of the whole body was transparently transmitted to the ten fingers, and a few decisively and coldly chorded, this "Moonlight Sonata" was brought to an end.

After one song was played, the whole audience was silent. The last few chords, like a few heavy hammers, smashed through a period of hypocrisy and ugliness, and awakened the muddled people!

"Papa!" On the side of the stage, Jun Yuelan looked at Mu Qiu's figure, watching this "son" clap her hands rhythmically, tears already covered her cheeks.

The applause was like a fuse, instantly igniting the enthusiasm of the whole venue. This third movement full of enthusiasm and strength completely conquered all the audience present.

People have used their warmest applause to express their gratitude for bringing them music performance!

Surrounded by applause. The expression on Mu Qiu's face. But as calm as ever, he was like a real master, standing there quietly.

At this moment, Kissin knew the meaning of Mu Qiu's words. He also guessed that Mu Qiu was the piano player who played and made his soul tremble.

"Mu Qiu? I really didn't expect that there is still you in the world. I thought that my performance today can beat you. It seems that I am not sure yet."

Levi's looked at Mu Qiu incredulously. He didn't believe that besides Kissin, there were people in this world who could surpass himself.

He looked at Mu Qiu with a hint of playfulness in his eyes, and said with a smile: "What a fun night, Mu Qiu and Kissin, I'm really getting more and more excited."

"I'm really eager to see, what other works do you have? Are all your performances your own original songs? It's really interesting."

In the face of applause and cheers, Mu Qiu was like a piano master, bowing politely in thanks. Afterwards, he looked at Kissin and the audience, pressing his hands.

With Mu Qiudi's gesture. The audience gradually became quiet.

"Next, there are two more pieces of music, these two piano pieces are my original works, and this piano piece, his name is-Sadness!"

The heavy chords of music, Li Hai makes the atmosphere in the concert hall serious and cold!

It can be said that the sadness is Beethoven's piano sonata, which began to enter the middle and early ages, that is, the beginning of the transformation of Beethoven's piano music.

There are too many piano pieces of Beethoven, but it is impossible for you to use them all in today's competition. Therefore, the best way is to choose two pieces and then come up with an original one!

After much deliberation, Mu Qiu chose Moonlight, Sadness, and these two piano pieces, and the styles of these two piano pieces can be said to be different.

We must know that starting from sorrow, more and more reality has caused Beethoven's suffering, prompting it to think more deeply about society and life.

The works have become more and more full of contradictions and dramatic conflicts, with a distinct Beethoven style! It can be said that this piece of music is the most familiar to Beethoven fans in the previous life.

This is exactly what the fans of Beethoven in the previous life, except for the Moonlight Sonata, are the works of a time that all music fans like the most!

"Boom." A deep and solemn bass sounded suddenly! The transparency of the artistic light fully expresses the intensity and timbre required by this chord!

Originally, Kissin was still somewhat confident, but after listening to the chord just played by 6-dimensional, he felt a sense of shame and shame!

The difference is too big! Although it is only a chord, Kissin has played countless times, but he yearns for an unattainable effect!

That chord is clearly in my mind, and I have described it countless times! It's just that no matter how hard Kissin himself worked, he never heard such a voice under his own hands.

A very weak, indecisive melody sounded tentatively, like that heavy chord brought uneasy thoughts.

"Boom!" Two more discordant chords ruthlessly broke this imaginary temptation, and revealed the heavy reality to people more ruthlessly.

Every note of a strong dynamic chord. It was accompanied by a huge shock in Mu Qiu's body! This kind of chord needs to transfer the weight of the whole body through the control of muscles to the fingers in an instant, and the required technique is not inferior to those high brilliance!

Pay attention to weight rather than strength. This is the most difficult part. Many pianists will unconsciously increase muscle strength in order to pursue heavy effects on these strong chords.

But the direct result of this approach is that the sound is up, but it is dull, without the transparent and shocking feeling of music!

The use of weight is different. The weight of the whole body is transferred to the fingertips through the wrist without frustration in an instant, and then accurately reflected on the keys. This kind of playing method can truly achieve the kind of rich, full and not dry effect!

Just such chords in the Zhuangban part have already made those audiences fascinated by it, and they are not amateurs. Their ears are far more picky than ordinary people, but the sound they hear is simply impeccable!

After the heavy Zhuangban. The melody of the Allegro sounded, the second theme most familiar to people, fluently from the light of art

The ten fingers are rising and falling on the keys with a sense of rhythm, and the left hand constantly high-frequency tremolo sounds like the thunder rolling in the sky. The change in intensity makes people feel that the music is suddenly far and near.

There is a strong sense of movement, and the right hand alternates between fast and steady two-tone upward and fast little huacai. The hands close to the keys look powerful and full of movement!

"Boom." A thunderous chord once again pulled the music into the heavy Zhuangban, but after the second theme before, this Zhuangban theme reappeared. It sounds more profound!

Let's relax and relax. The sound screen is always in a questioning mood, and it pauses just right, leaving people with unlimited thinking space.

Watching this performance, Kissin and Levi's eyes lit up! The handling of this paragraph was something they had never seen before, and the proper rest that Mu Qiu used here was simply magical!

In other words, no one has ever dealt with music like Mu Qiu. It can be said that Mu Qiu has completely broken all conventional thinking.

Rest is a very common means of expression in music works. Sometimes, proper rest will produce better results than continuous music.