Chapter 329： Self torment

Hugo's performance is over, he has been in his car, and the shooting has been completed just now, but the scene is still silent, since the shooting of the gun, the scene has been a little frightening. As a last resort, the driver who played the role of the driver drove the car out and swayed for five yards before hearing Steven's voice coming from behind, "Card!"

This voice quickly broke the tension on the scene. Hugo just got up from the sub-seat, and saw four or five people in the staff area suddenly come out. The front is a grumpy principal and one gold. Slee, "You 30 dog. Mother. Raised! I won't hack you today, I'm just a dog!"

Hugo was naturally inexplicable when he saw this scene. He still didn't understand what happened. He just stood in the car and cast doubtful eyes in Steven's direction, and then saw these people swarming. Running in his direction, Hugo was startled, "Is it because he did something wrong?"

Fortunately, before these people arrived in the Hugo's car, they were pulled by a crowd of staff, and then they heard someone say, "That's Hugo, that's Hugo-Lancaster!" The voice only persuaded a few impulsive people.

Ben-Kingsley tidyed up his slightly messy hair, then looked up at Hugo standing in the car. After brewing for a while, he said angrily, "You just acted so terribly. Annoying! I can't wait to kill you directly!"

Hugo was scolded by others pointing his nose, but he always felt that the words seemed to be right. Hugo frowned and looked at Ben, and asked in a question, "Uh...I should put this sentence Is it a compliment?"

Ben seemed to be a little embarrassed because of his impulse, and pulled his flattened jacket again, "If you want..." Then he turned and walked back.

Hugo got out of the car, followed everyone in Steven’s direction, and then asked his own inner question, "Steven, was my performance good or bad?"

"I really want to applaud for you, but I don't want to applaud for you, so... stick to your way of acting, I think you are on the right path." Steven hesitated, said with discretion, and then He took the script and walked to the other side, each arranging the next scene.

Hugo finally felt relieved at this time, his performance just now was an absolute success!

In Hugo's view, he just wanted to use A'Meng's cruel calmness to'stimulate' the fear in people's hearts. To A'Meng, killing is not a big deal. These Jews are in Afghanistan. 'Meng' eyes are moving targets, without any pity. But on the other hand, Ah Meng hopes to use politeness, wisdom, gentleman, and gentleness to disguise himself, hoping to rely on these qualities to gain a foothold in the so-called upper-class society, and not to make himself look like a grassroots from the country. He also used arrogance to conceal his deep-rooted inferiority complex. This is also an important reason why A'mon is willing to trust Schindler. Even Schindler can repeatedly persuade A'mon later, there are also psychological factors in this aspect. .

So there was the performance of Hugo just now when he first appeared on the stage of "Meng", elegant "smoking", gentleman's handkerchief, gentle eyes, decent language, all of which are so perfect. But when someone tried to challenge his authority, especially when the individual was a Jew, the coldness in Amen's bones became apparent.

These mixed emotions are the result of Hugo's long-term research. He carefully studied this kind of "sex", combined with the similar people in his past life, and then sorted out a set of behaviors in life. Infiltrate one's own behavior little by little, making it a kind of habit and a kind of'sex' personality.

It can be seen from Hugo’s performance that, in fact, there was no special acting flashpoint in the scene just now, but Hugo’s performance shocked everyone present, and spurred Ben and the others because of the previous ones. The anti-Semitic became sensitive and nervous, and broke out completely, and then he lost his reason and rushed forward.

It can be said that there is no doubt that Hugo has grasped the ‘color’ and ‘essence’ of A’mon’s character!

More importantly, through the brewing and performance of the role of A'mon, Hugo's understanding of performance seems to have gone a step further. During "Night Sleep in Seattle", Hugo vaguely felt his own emotions. She also put forward a new point of view when she interacted with Celine Hepburn. The overlap between personal experience and the role of **** is impossible to achieve 100%. So in the corner of A'Meng this time?

Hugo used the huge information obtained from all sides to virtually construct the role and **** of Meng, and then supplemented the role and **** of A Meng based on the dictation of all insiders, and finally formed a The complete character'color'. In fact, in this process, if you have used all the understanding of acting skills in the past, you can study the role of **** itself, substituting your own understanding but not limited to your own understanding. Simply put, it is to stand from the perspective of the role. 'Completely built.

But why does Catherine say that the overlap of personal experience and the experience of the angle is unnecessary in this sense?

Hugo felt that he had taken a step further in the exploration of acting skills and then discovered that in fact, he was still just the tip of the iceberg. But it must be conceded that this process is really exciting, recreating a real or simulated character image, and then let the audience empathize with it, this kind of taste is really ‘great’

But compared to the joy of acting, staying in the "Schindler's Name" crew is a huge torment for Hugo!

With Hugo entering the state the first time, the filming of the entire crew went smoothly, but as the plot progressed, Steven’s situation became worse and worse. Fourteen hours of shooting per day made the crew more and more troublesome. Everyone's emotions became tense, and in order to reproduce the true paintings of the Nazis persecuting the Jews, the entire crew was shrouded in a terrible mood of pessimism and anger.

While shooting a scene in the afternoon, Steven suddenly took the scene and turned to leave. Neither the assistant director nor the screenwriter, including Steven’s wife Kate Capshaw (kate. Later, the scene was completed under the supervision of the deputy director.

In fact, it is more than Steven. Many extra actors in this scene are on the verge of collapse. This scene is about entering the Plasov concentration camp, A'mon received the order and needed to "eliminate" a group of Jews again, so A'mon decided to perform a simple physical examination on the Jews in the concentration camp. They were healthy and adequate. The ones who continue to work will stay, while the others will be driven into the gas chamber, locked up in Mu's name, and then all executed.

During the filming of this scene, most people had to take off. The clothes are inspected, and then the Nazi doctors decide whether the person should continue. When seeing some old people, the doctor will even ask the old people to run to determine whether the old people are healthy.

When Steven saw that the old man played by Regina was asked to run, he couldn't help but left the set directly, his emotions never calmed down.

For Steven, he was "lucky" because he could leave the field and calm his emotions; but for Yuguo, it was a torture. He was the supervisor of this health check, and he even Walking into the'playground', these uprooted Jews were judged: Who is healthy and who is sick? This easy act of determining other people's lives is so simple and neat in A'mon's actions. But Hugo, he is not A "Meng"! Even if he plays the role of a scene again, he is not A "Meng" after all.

When he saw that Regina was forced to run, Hugo also had an urge to run away. He looked at the kind person who usually joked and talked with him, but now he was called by a beast, and his dignity threatened his life. The text in front of him was not worthwhile, which made Hugo only feel a tingling pain in his heart. He went into a play in an instant, and immediately switched from the state of A'Meng back to the state of Hugo.

But Hugo can’t escape because he must stay to "command the scene..."

After the filming was interrupted once because of Steven's departure, the scene was interrupted three times because Hugo was unable to enter the state. Prior to this, to Hugo, entering the state of'Meng' was like walking in a hand and walking in the garden. In fact, he could not get into the state well at the beginning of the filming of "Smell the Fragrance and Meet the'Female'". Hugo's concentration in the drama has always been without any problems, but today, Hugo has never been able to do it.

This made Hugo very frustrated. His heart was like suffering in a frying pan. He was constantly wounded in spears and shields, and he was devastated. But this is his job, and he must stick to it, "I, I can't... …" This is the first time Hugo gave up the idea of ​​giving up, unprecedented, "Do I have to be here for this scene? Can't I replace it with another lens?" Hugo looked helplessly at the left-behind deputy director. .

The associate director of the crew is not a professional at all, but a survivor of the Auschwitz concentration camp. He couldn’t bear to see Hugo’s pain at this time. It’s hard to imagine. In real life The kind and gentle Hugo has to play the most feared devil in the movie. This kind of suffering is no less than Steven's decision to cruelly restore these unbelievable scenes. But he has no way to make a decision at this time, because Steven still has not appeared, and his knowledge of the film is really limited, because he has no way to respond to Hugo's request.

"Hugo, hurry up, how many more can you let me drag my body to run in this weather? Please, you are not a child who doesn't know how to take care of the elderly, are you?" At this moment, Regina's voice called Hugo His attention attracted the past.

Regina's thin body was still shivering in the cold even though it was wrapped in a coat. In fact, shooting is similar to the torment of the slap in the face. The most respectful performance is to do it in one step. It saves the politeness, struggle, and entanglement, and simply shoots the whole scene and minimizes the damage. This is the most intelligent and professional approach. .

Hugo looked at Regina in front of him, and he realized that his pity, sympathy and suffering were actually not important at this moment, because Regina, who experienced everything in person, would be a hundred times more painful than him. He has no right to escape

Take a deep breath, take a deep breath. Hugo stood up again, gritted his teeth and said to the deputy director, "I'm ready!"