Chapter 610： Twist dance

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After Christmas, Hugo sent away Adam and Taylor's family, and once again devoted himself to the filming of "Pulp Fiction". Almost the entire crew can feel Hugo's relaxed mood, which makes the shooting of the crew full of joy.

Quentin even said without hesitation, "Hugo, I don't know what happened at Christmas, if you made it. If you are in love, I sincerely pray that you will make it every day. Love." Laughing.

Hugo didn't care at all, so he just replied, "Then I got off work early to find someone?" Quentin was so choked that he couldn't say a word, he could only smile, "Just make a phone call. Well, the work is still to be completed, and everything else can be temporarily pushed back or pushed back."

Originally, the shooting of "Pulp Fiction" went very smoothly. Quentin's picture in his mind was very clear, and he had drafts for the lens and the positioning of the structure, so as long as the actor's performance passed, the shooting of a scene can be completed quickly. Now the cooperation of the entire crew is very smooth, and the shooting process has finally entered the right track.

Hugo and Bruce also had a few games against each other. In fact, the last time he met Bruce at the Golden Globes, Hugo felt that Bruce was still very bold. Although Demi-Moore seemed to look at Hugo not pleasing to his eyes, Bruce was very happy. I don't mind the past. Even if you mind, it’s okay to drink two glasses of wine between the men, so everything went smoothly for the two of them.

The rivalry between Hugo and Uma has also been officially launched after Christmas. In the script, the only connection point between Vincent played by Hugo and Mia played by Uma is the gang boss Masha, and Vincent is Ma Sha's subordinates, and Mia is Ma Sha's wife. Because Ma Sha was worried that Mia was too bored, he asked Vincent to accompany Mia to relieve her boredom. This is how Hugo and Uma played against each other.

Vincent mentioned before that a man was thrown from the fourth floor by Masha because he gave Mia a foot massage. It is precisely because of this that Vincent intends to treat himself as a follower, and Mia as a It's Masha, serving well, but there are no other ideas. Under such circumstances, the relationship between Vincent and Mia is also somewhat alienated and strained. Mia wants to liven up the atmosphere and relax, but Vincent is a little wary. He doesn't want to be a suspicion of Masha. Object.

It is this relationship that makes the shooting of the rival drama between Hugo and Uma very smooth, because the relationship between the two of them and the script are similar.

Hugo did what he said, he did what a professional actor should do, and successfully completed the shooting of various scenes; and Uma was also fully committed, although occasionally a little out of state, but due to the excellent performance of the opponent actor Hugo The performance made Uma's performance a lot easier, making the filming unfold smoothly without any problems.

Quentin first filmed the next few scenes that were more emotional, that is, Mia's drug overdose caused Vincent to rush to rescue her part, and after the filming was over, he came back to shoot and it was a little soothing and warm. Ambiguous scenes.

Today’s shooting is Vincent taking Mia to dinner. Mia chose a happy restaurant full of retro style. There is a big dance floor in the middle. Next to the dance floor there is a deck in the shape of a retro car. There is also a bar in front of the bar. The waiter who imitated Marilyn Monroe won a round of applause.

Hugo and Uma have completed all the scenes in the car deck. The next thing to film is the scene of the classic retro twist dance competition. There is no line in this scene, but Vincent and Uma are standing there. Dancing in the center of the dance floor, but it is a kind of emotional communication between two people, which breaks the originally slightly embarrassing and silent atmosphere between the two people, but it also breeds a little warmth. Ambiguous atmosphere.

This scene is not only a simple tribute to retro, but also a tribute to the twist dance culture that swept the country in the 70s. In addition, it is also a psychological change and struggle of Vincent's character: he does not want to be with the boss. The woman danced, but he was asked to make Mia happy again. This was a contradictory proposition. In the end Vincent was convinced by Mia and stepped onto the stage. From the beginning, the restraint, the movement range was also very small; but then the movement gradually stretched out, which also gave a little emotional communication between Vincent and Mia.

In fact, any drama can be remembered by the public, it must be because it has the value of existence, not only classics, but also memory points. It’s like the tango in "Scent of a Woman". If you take this dance out alone, it’s actually a blind old man leading a young woman to dance jerky. Compared to those professional tango, it’s basically It’s not a big deal, but after looking at the front and back, the audience will find that this simple tango condenses the energetic heart of the blind old man. His care and love for women is as if he has withered. A rose bloomed again in my lost life.

When Al Pacino performed this tango, his acting skills were exquisite and warm, perhaps not as conspicuous as the subsequent emotional scenes, but it showed his profound acting skills.

The stage of "Pulp Fiction" is the same, it shows a delicate change in Vincent's psychology. Many people have always thought that Vincent's character is too thin to be as memorable as other characters in the "Pulp Fiction" story, including Hugo. But after Hugo's careful analysis, he knew that it was not that Vincent had no bright spots, but that the original actor John Travolta had not been able to dig deep enough. Although John’s performance was already commendable, Still lacking heat and depth.

Leaving aside all the background that Hugo had created for Vincent, just take this twist dance, in fact, the changes in Vincent's movements, eyes, and posture are all traceable, which can dig out the heart of this character. Changes, including Vincent's treatment of Masha and women's personality characteristics, have subtle manifestations, making the entire character complete and three-dimensional.

Quentin did not give too much space to the role, but still left a certain amount of space. As for whether he can grasp it, it depends on the actor's skill. This is why Christopher Waltz (Waltz) was able to rely on Quentin's works twice to win the Oscar for Best Supporting Actor Award. John Travolta failed to show the depth of the role, so now that Hugo plays this role, can he make a breakthrough?

For Hugo, he finds it very difficult because he is a dance idiot. He really has no talent for dancing. Now he has to not only dance, but also show the character through dancing. To make matters worse, he must also There was an emotional exchange with Uma, which made the twist dance scene suddenly full of uncertain drama.

"Hugo, are you okay?" Quentin said while standing behind the monitor, some gloating, usually watching Hugo perform a performance always looks like a man, but now Hugo's embarrassed appearance is too rare. Now, especially after Hugo had just experienced the dilemma of learning to dance on the spot, Quentin became more and more embarrassed, "You look a little pale."

Hugo did not speak, but raised his **** to make Quentin laugh.

Uma looked at the nervous Hugo, and saw him pursing the corners of his mouth slightly, looking at his feet seriously, and then trying to twist his body. In fact, this kind of dance is really not difficult. The most important thing is to twist with one joint. Move that part, for example, use the left ankle as a support, twist the left foot; or use the waist as the support, twist the buttocks, and then match some hand movements. There is no strict dance step, it is just a match. Enjoy the twisting dance with music.

But the magical thing is that such a simple dance was performed by Hugo, and it magically jumped out of a sense of joy, which made Uma quite a little bit of laughter, and said, "No, you don't twist both feet at the same time, first Just start with one. You know, if you twist at the same time, it looks a bit like a crab."

After Uma finished speaking, she saw Hugo scratching her head with some annoyance, showing a depressed smile, "I think I'm a little physically uncoordinated." This innocent smile silenced Uma, she said. Miss such a Hugo. Unfortunately, Hugo didn't see it, and he didn't even give Uma more time to react. "Anyway, let's try it first, Quentin?"

Hugo took a deep breath. Although this is not his area of ​​expertise, he still has to work hard to find out. The point is that he is an actor, and all the actor needs to do is to break through himself in difficult situations. Hugo clenched his fist secretly, cheering on himself.

"Are you ready?" Quentin's voice came over, then looked at Uma and Hugo standing in the middle of the dance floor, and then said, "Start shooting!"

From one of the most influential music festivals in the history of rock and roll, the classic Chuck Berry (.berry) classic song "You can never predict (.never.can.tell sounded, and the strong blues style and country elements were blown away. Then, the retro atmosphere of the sixties immediately permeated the surroundings.

Hugo took a deep breath With a drooping shoulder and an expression of reluctance, he glanced at Uma and saw that Uma was already in a dancing posture. Then he clapped his hands helplessly, and then also Started to jump. I saw Hugo put his hands on his waist, his left foot stood on tiptoe, centered on the toe, and then began to twist.

Originally, there was no problem with this movement, but Hugo’s muscles were too stiff, with his hands tightly clamped between his waist, like fried chicken wings; while the right foot supporting the body was completely stiff, like A wooden stake; the twisting left foot has no sense of rhythm, it looks like a robot swaying a bare iron rod...

What’s more serious is that Hugo didn’t have a sense of coordination all over, but there was an inexplicable sense of joy, especially the slightly frowned brows, slightly raised lips, and some helplessness in the tension. After people watched it, they really didn't know what to do, and the laughter overflowed from their mouths.

Hugo vividly performed the definition of the term "dancing idiot" on the spot today!

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