Chapter 454： Stick to style

Subtitles appeared on the slightly rudimentary curtain, some staff turned on the lights and opened the curtains, and the Embassy Pictures used as a temporary pull-up room in the conference room, regaining the light.

Miller, the president of the theater company from Emperor Entertainment Group, gently pressed his eyes. Hand-held photography and fast editing of the film looked very enjoyable, but it also easily caused visual fatigue.

Feeling a little lighter in his eyes, Miller stood up and looked at Ronan: "The Embassy Pictures has brought another masterpiece."

Ronan smiled and motioned to Paul Greengrass, who was very artistic next to him, and said, "This is all the credit of Director Greengrass."

"Director Greengrass." Miller said seriously: "When this film is released, the secret agent film will be completely changed."

Paul Greengrass scratched his head and smiled embarrassedly, as if he didn't know how to answer the conversation.

AMG's senior president Brown took the conversation: "The first "The Bourne" is already very good, even more rare and valuable, and the second is better than the first."

Ronan took the opportunity to say: "Such an excellent film is worth more resources from AMG and Emperor Entertainment."

Miller couldn't help laughing: "It is true. Although the production cost is only 70 million US dollars, this film deserves the treatment of Emperor Entertainment as a first-line production."

Brown said: "AMG will guarantee the number of theaters this film will be shown."

Representatives of other cinema companies also expressed their views.

A sequel to a big-selling movie is relatively easy to succeed. Moreover, the quality of the second one is obviously better than the first one, and the publicity of Embassy Pictures is sufficient.

Ronan did not participate in the subsequent specific negotiations. When he invited representatives from many theater companies at lunch, he was notified by the Distribution Department of the Embassy Film Industry Theater that the number of theaters for "The Bourage 2" will not be less than 3,500. Family.

In the case of "X-Men 2" before and "The Matrix 2: Reloading" later, this can be said to be very rare.

The opening theaters of these two films are just this number.

Every summer holiday, especially in May, is very crowded. If you look at the release schedule of each year, North America can often squeeze into six or seven major productions in May, and in some years it can even reach ten.

Ronan is confident that "The Bournemouth 2" can earn a place in the summer.

Frankly speaking, Paul Greengrass was more radical in the second part than in the first one. Not only did he continue his realistic style and give the film the taste of documentary, he also gave full play to the "hand-held photography quick editing, realistic fighting fist to the flesh." The advantages.

On the basis of the first part, many new elements have been appropriately added.

The reason why this series of films is eye-catching is that it contains suitable fresh elements, which are beyond everyone's expectations. The current action films of Hollywood certainly do not have the "Bourage" series of films. The bold choices made, the way of shooting, and Matt Damon's excellent interpretation.

In the words used on the Eastern Internet, Matt Damon, who was nicknamed "Stupid" by netizens, is definitely the best candidate to play Byrne, and Matt Damon's "natural and dull" expression perfectly matches the Amnesia Byrne. Frequent stunned + serious look.

In the afternoon, the Embassy Pictures held a publicity and release meeting for "The Bourne Shadow 2".

"In terms of propaganda, we can't ignore the importance of Robert Ludren." David Villa, the director of the propaganda department, is preparing to drag the dead out to create a trend: "I have contacted Robert Ludren’s relatives, and they agreed to participate in Robert Ludren’s Memorial event."

Ronan was just watching, and basically did not comment.

Theatrical distribution director Thomas said: "It's best to invite them to the premiere."

Garcia made a decision: "I will personally invite them."

In order for the movie to sell well, all legal methods must be dared to try, and Robert Luther's family is still very active.

We can't beat their enthusiasm.

Offline Distribution Director Terry said: "I think we should strengthen our promotional efforts at various offline rental and sales outlets. "The Bourne" was the best offline rental business in North America last year!"

Garcia said: "The new poster is being printed and will be delivered to you soon."

Terry vowed to say: "I promise that before the arrival of late April, all rental stores in North America will have the poster of Bournemouth 2 posted."

Garcia added: "We have to take various publicity measures to attract offline DVD audiences of "The Bourne" to the theaters showing "The Bourne 2"!"

Before the meeting was over, Ronan left early. Now the Embassy Pictures has matured in its promotion and distribution, and has a stable and reliable operation system, so there is no need to worry about the announcement of a film.

This is a good thing. As long as the distribution company runs smoothly and the distribution channels are still in hand, Relativity Entertainment has the capital to compete with other companies.

Chris' words had already raised Ronan's vigilance.

But Ronan also knows that in a short period of time, other big companies have no good way to entertain with the theory of relativity.

In fact, he has done a lot of work ahead.

Relativity Entertainment has an independent and complete global distribution channel, and it does not need the six major companies to release films.

We have established a relatively in-depth cooperation with CAA, so we don't have to worry about finding suitable actors and directors.

The company's shares are very concentrated, so there is no need to worry about problems caused by the acquisition of shares.

The foundation continues to attract overseas funds, and there is no shortage of investment in production.

Shahai Entertainment has registered the copyrights of many scripts and bought the right to adapt some popular literary works. There is no shortage of movie themes.

For example, Ronan’s latest synopsis about the museum has been completed by the screenwriters of Shahai Entertainment. It has just been successfully registered with the Copyright Bureau, and preparations will begin next year at the latest.

Leaving the conference room, Ronan found Paul Greengrass and chatted for a while, mainly about the third part.

"I'm definitely going to direct the third part." Paul Greengrass remembers clearly that he signed a trilogy contract with Shahai Entertainment: "But starting in June, I need to rest for about three months."

Ronan said: "No problem. "Bourne's Hegemony" is scheduled to be released in 2005, and there is plenty of time." He reminded: "I hope that the third film will still maintain the iconic portable camera shooting method and lightning-like. Quick editing style."

He was a little worried, and when the second film was successful, Paul Greengrass was too innovative and changed.

Paul Greengrass promised: "I will, I will maintain the style of the first two films, and I have the responsibility to put an end to this story. Byrne is a real man living in the real world, but he pursues A fictitious ending, but this ending is real to me."

Ronan felt gratified and happy about Paul Greengrass' attitude: "Paul, you are one of the directors I want to work with most. You are not only an outstanding storyteller, but also a perfect visual style. I know that you will finish the Jason Byrne story with a very sincere feeling."

Ronan finished talking with Paul Greengrass, then called George Clint and asked him to talk about the third cooperation with Matt Damon.

There is no doubt that the two sides will co-produce the third part. With the value that "The Bourne" can create, it is a big deal to pay Matt Damon US$20 million.

Matt Damon can also be said to be an important factor in the success of the film.

This actor is not only cute, he always exudes a precise and reliable breath, giving the audience reason to believe that Byrne is a good person.

In fact, the role of Byrne is very dark, and what he really desires is to be a good person.

As an agent without a high-tech plug-in, Byrne wants to break through the net of heaven and earth, only relying on training results worth 30 million US dollars.

He is proficient in multiple languages ​​and travels on three continents unimpeded; he has superb marksmanship and outstanding combat, and anyone confronts him head-on will be unlucky; he does not have a private car, and travels around the world by train, subway or plane, and steals a few motorcycles or motorcycles if necessary Car use; he rarely carries weapons but can always seize or dismantle opponents' firearms with his bare hands; he misleads the police with electric fans and flashlights, uses elevator switches to delay pursuers, and uses a search engine that everyone can browse To find the most secret information, his way of acting is nothing more than a spy textbook.

Byrne looked very close to ordinary people and never had the ambition of saving the world. He made every effort to survive in the cracks and approach the truth of his identity step by step. This is a struggle of a small person for the right to survive.

Has anyone said that? Only with an ordinary appearance can you hide in the city; only with an inner appearance, can you reach a thousand troops alone.

Of course, as long as possible, the pay must be kept as low as possible, which is a must for commercial companies.

Shahai Entertainment now starts production of multiple films in one year. A leading actor can save millions of dollars in expenditure. Adding multiple films together may make tens of millions of dollars in profits.

The propaganda of "The Bournegro 2" spread quickly, and various preparations were in place.

Entering May, the 2003 North American summer archive officially kicked off. The Marvel superhero movie once again became the opening film. "X-Men 2", produced and released by Twentieth Century Fox, landed on the first weekend of the summer archive. North America.

As a sequel to a successful film, "X-Men 2" did not disappoint, with $85.55 million in North America in the first weekend.

This is also the best opening weekend box office performance in North America after last year's "Spider-Man".

The superheroes of Marvel completely got rid of the suppression of the neighbors next door and gradually became the mainstream of the movie market.

A weekend after "X-Men 2", "The Bournemouth 2" came with the title of redefining the action movie of the agent.

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