Chapter 753： Brother Bao's Iron Fist

Conflicts between screenwriters and directors are not uncommon in Hollywood. They occasionally occur in projects operated by Relativity Entertainment, but they are basically controlled within the scope of the crew's disputes, and the contradictions are not allowed to extend beyond the crew.

Film shooting and production are never in harmony. When two people are together, they will have different opinions. Three people can have no water to drink. If the relationship is not good, it is not an exaggeration to say that the crew will explode at any time. .

Not to mention anything else, a group of elementary school students stay together and make noise, let alone adults.

But contradictions and disputes must be controlled within a reasonable range.

Relativity Entertainment is relatively good at controlling this point.

Because of the film project of Relativity Entertainment, the crew must maintain the first authority of the producer and the absolute authority of the director on the set.

If a screenwriter and director are having trouble on the set, expelling the screenwriter is always the first choice.

However, most of the screenwriters and the directors' disputes are basically business. The clear-headed screenwriters know their position in the industry and will not be stupid enough to challenge the director's authority.

But there are always exceptions.

A screenwriter hired by Shahai Entertainment, when Ronan went to the crew of "Life and Death Fighting" that was in preparation, ran directly in front of him and said bad things about Chase director Uvi Bauer.

Since Uvi-Bauer is also the director and producer of the crew, Ronan specially asked for the production manager to handle the daily affairs of the crew and asked about the situation.

"Mr. Belson is not once directed against Bauer." The production manager said: "Director Bauer is more generous in his work, but Mr. Belsen has always believed that there are serious problems with director Bauer's preparations."

Ronan frowned and asked, "What problems does he think there are?"

The production manager recalled for a while and simply said: "He thinks Director Bauer's handling of the plot is too simplistic, and even..." He touched his nose embarrassedly: "Even if he has no brains, he can't highlight the script he created. theme."

"What theme?" Ronan grasped the key.

The production manager said: "Humanistic thinking."

Ronan said directly: "What humanistic thinking is needed for such a game adaptation movie? I'm going to talk to Uvi Bauer."

When he found Uvi Bauer, who was busy with the actor audition, Ronan asked: "A screenwriter named Paulson just came to me to complain to you, what do you think?"

Uvi-Bauer touched his increasingly bald forehead and said, "I hired this screenwriter from outside. I think he is really talented. I didn't expect him to think too much."

Ronan asked, "Is the script complete?"

"It's done." Uvi-Bauer said: "Except for some unrealistic things, he wrote the script well."

Ronan looked at Uvi Bauer, and then thought that the screenwriter could make Uvi Bauer feel that the script was written well, probably not very reliable.

Brother Bao is indeed outstanding, but his level of directorship is a shortcoming.

"The script is completed, pay him a reward and let him leave the crew." Ronan has no hesitation in dealing with such trivial matters: "You should shoot according to your own ideas."

Uvi-Bauer thought for a while and said, "That's fine too."

Seeing that Ronan didn't wait to see the screenwriter, Uvi-Bauer also made a decision, called the production manager, and asked him to tell the screenwriter Paulson to pack and go.

The crew and Paulson signed a screenwriting contract. As long as Uvi-Bauer thinks it is unnecessary, Paulson has no reason to stay in the crew.

This is just an episode. Uvi-Bauer accompanied Ronan into the studio. The crew is auditioning. Since the main roles are mostly women, beautiful actresses can be seen everywhere.

There are many people who look like models.

Women who have experienced professional model training have obvious appearances.

"There is only one theme for this movie." Uvi-Bauer's idea is particularly simple: "Beauty plus cruel fight!"

Ronan asked: "Similar to "Kill Bill"?"

Uvi-Bauer denied: "No, it's not like that." He explained: "The action scenes in "Kill Bill" are mixed with too many elements of kung fu, and they look slick. What I want to use is unlimited fighting. That style follows the cruel and **** line of realism."

If Paul Greengrass said this, Ronan must be looking forward to it, but the realistic and cruel action film made by Bao Ge, just listen to it.

Uvi Bauer’s greatest strength is that he has never been discouraged by external blows: "I have invited two unlimited fighting coaches to act as the action directors of the crew, and I have invited Tracy Stur, who is known as the queen of wrestling. Letus is the actor of the villain."

He smiled and said: "They are very interested in being able to participate in Hollywood film productions, especially Tracee Stratus, who regards her peer Dawn Johnson as an idol, and thinks Dawn Johnson’s path is also Very suitable for her development."

Ronan nodded lightly. Apart from the talent and ability of the director, Brother Bao has done nothing else to say.

"Where is the heroine?" Ronan asked, "Is there a suitable candidate?"

Uvi-Bauer said: "For all the main female roles, I plan to use female models with a certain level of acting skills, especially models who have participated in Victoria's Secret catwalks. Most of them have strong physiques. Boxing is one of their common fitness methods. , Has a certain foundation."

Ronan said: "With the budget of the crew, it is difficult to invite Victoria's Secret Angels."

Uvi-Bauer smiled and said: "Most of the models that participate in the Victoria's Secret show every year are not Victoria's Secret signing angels, and some of them should be interested in filming. After all, many Hollywood stars are turned from models. Yes. As for the pay, I have the confidence to convince them."

Ronan said: "You are in charge of the crew, and you look at it in full control."

"I think the market prospects of this movie are good, and with the reputation of Relativity Entertainment, it is not difficult to attract female models to participate." Uvi-Bauer still wants Ronan to check: "Ronan, beauty and cruel blood. Is the fight match promising?"

Ronan thought for a while and said, "It should be okay. Uvi, the crew used so many actresses, remember to make a fuss about women's rights, especially not at the end of the film where men save the world."

Uvi-Bauer was about to grasp Ronan's thoughts: "Don't worry, it must be a woman to save the world."

His level of directing has not improved, but his understanding of the market environment is more clear: "Ronan, I have carefully watched all female action movies in the past two years, and Hollywood female action roles have become more and more popular and bloody."

Ronan looked at Uvi Bauer: "Talk about it."

He has always had an idea, if the film that Bao Ge made is not good one day, he will not give up this talent, but let Bao Ge enter the film production department of Shahai Entertainment.

This kind of talent who is more reliable in other aspects except the director is a short board, absolutely can not be easily let go.

Of course, nowadays, the director is also where Bao Ge's advantage lies. How many directors dare to challenge film critics on the fist?

In the past, who was not a professional film critic who coaxed himself to be the guiding light of the industry? For any director and actor, criticize or scold if you want.

If the emergence of the Internet has broken the critics’ right to speak in public opinion, then Brother Bao’s boxing match has shattered the film critic’s last protective shell from reality.

Brother Bao’s iron fist, specializing in all kinds of dissatisfaction with film critics.

Uvi-Bauer did research and said one by one: "The two female action films "Angel of the Thunderbolt" and "Tomb Raider" can be said to be the landmarks of the rise of this theme. Both films are very small. Angelina Jolie is okay, Charlie’s three angels are not fighting, they are dancing at all, so the audience quickly got tired of them and the sequel was not successful."

Ronan was somewhat surprised, but didn't interrupt.

"In comparison, the large-scale female action movies in the past two years have achieved good results." Uvi-Bauer said with a stern voice, but it makes sense: "The scales of "Underworld" and "Resident Evil" are very large. , The plasma soared, Quentin Tarantino’s "Kill Bill" made this type a small one in the market."

He said seriously: "Now in Hollywood action movies, there will always be one or two female-type characters appearing. Close fighting movies with the direct purpose of personal injury may continue for a long time in the future."

Ronan agreed: "What you said makes sense."

Uvi-Bauer said: "I specially designed the selling point for the film. In addition to the cruel close combat, the camera will focus on the most attractive parts of the beautiful and **** actresses, so that the hormones in the film will fly!"

This is a very low-level and conventional shooting method, but it is also an effective means of attracting audiences.

The most typical one, in the "Transformers" filmed by Michael Bay, the close-up of Megan Fox's car repairing must have left a deep impression on countless people.

This is the cleverness of Bao Ge ~ www.novelhall.com ~ knows how to attract the audience.

It's not like some directors, whose abilities are just fine. It's a strange thing that the audience can like it.

Uvi-Bauer’s intention is very obvious, that is to make the film plasma and hormones fly together, and there are metaphors of **** and violence everywhere.

Ronan finally emphasized one point: "Although it is a game adaptation, the character design must be done well, close to the needs of real life and fighting, and don’t make it into the film."

A real-life action movie that makes the characters look like in the game, it’s really life-threatening!

"I understand." Uvi-Bauer said with a smile: "This film is said to be an adaptation of a game. In fact, it is more about borrowing the name of the game."

In other words, fans of flicker games enter the theater at that time.

As for whether to destroy childhood, which movie is based on childhood works, which one is not to destroy childhood?