Chapter 63

At this moment, how do others think about face? I don't even need to think about it.

According to Mo Ming's nth law of pretending to force:

we must clearly grasp the emotions of the people around us and make good use of them!

What do you mean?

Let's start with the idea of "Mastering the emotions of the people around you". No one can do it independently This needs cooperation!

According to Mo Ming's experience, if you want to complete a match, you need at least two people: the protagonist and the villain!

That is to say, the so-called "pretending to force the party" and "the pretended forced party", or can also be called "the person who slaps the face" and "the person who is beaten"!

This is the minimum condition for pretending to be forced!

Minimum conditions!

Minimum conditions!

(this place is the key point

Under such conditions, the most direct and straightforward force is the most direct and straightforward. Moreover, it is very easy to install a force and hit the other party by the way. There is no technical threshold.

However, from an artistic point of view, the forcing under such conditions is very monotonous, the plot is thin, and there is no so-called "rhythm" problem.

How to say

There is no such thing as That kind of cadence, can not give others any sense of surprise!

What's more, what's the biggest problem in this situation?

The biggest problem is "aesthetic fatigue". At the beginning, I may feel that this kind of straightforward dress is forced to be cool to the end, but over time, it will be boring.

It's just like eating instant noodles. Maybe the first time I eat it, I think it's really delicious! It's delicious! How exciting!

Even feel that people can be hungry in this life, cook a bowl of hot braised beef noodles, happiness to the extreme!

But!

Attention is "but"!

The first time he eats instant noodles, he may feel very delicious. The second time he eats instant noodles, he may feel that the taste is beginning to fade.

And on the fourth and fifth time, he would gradually feel that this thing was not tasteless.

As for the latter part, it's needless to say. It's estimated that he won't even look at instant noodles next time. If you force him to eat, he will throw up

Does that make sense?

It's easy for people who watch you pretend to be forced to change from "exclamation" to "no feeling" and finally to "nausea and vomiting"

Therefore, in the process of pretending to be forced, the turning point and rhythm are necessary!

To put it bluntly, pretending to be forced is the same as telling stories, making movies and making TV dramas. Cadence is necessary!

So, how to ensure the cadence of the plot?

This requires the "third party" to join!

But pay attention, this "third party" is also fastidious!

If you often watch those people pretend to be forced, you will find that in the process of the protagonist pretending to be forced, there will be a lot of "passers-by" who will sing down the protagonist and suppress the protagonist. Then when the protagonist finally turns over to fight, they will be surprised, exclaimed and surprised

The purpose is to set off the atmosphere and give the audience a pleasant feeling of "salted fish turning over" and "slapping people in the face".

This is a common means of pretending to be a recidivist. When I look at it for the first time, I may feel that it's really cool, but the second time or the third time, it's not interesting.

Many pretending criminals know how to use "passers-by" to pretend to force, but few people know that this "passer-by" is actually divided into several categories!

According to Mo Ming's nearly 40 million years of experience, this "third party" can be basically divided into two categories and four categories!

The first is the common third party. Basically, people who often watch others pretend to be forced to know this kind of existence. They are the most common third parties. They are purely used by the protagonists to set off the atmosphere. Basically, there is no other significance of existence.

This one can be divided into three categories:

the first is the followers or supporters of the villains.

This kind of person, basically from the beginning to the end, has only three lines:

villain force!

Villain blast!

Protagonist trash!

(if you ask them to say one more word, they can't say it!)

The existence of this kind of people is for comparison:

before the end of pretending to be forced, all kinds of whistling, all kinds of boasting and all kinds of complacency go up to heaven!

After the end of pretending to be forced, all kinds of people were beaten in the face, all kinds of gnashing teeth, all kinds of anger dare not speak

Then, the second category is the real passers-by.

A group of people who don't know why they come to watch the drama are just like the group watching the war under the martial arts stage.

Passerby a, passerby B I don't even have a name, but I still feel like the real oneThe existence of this kind of people is to help the upper class to set off the atmosphere and increase the sense of hierarchy. However, the treatment of this kind of people is slightly better than that of the above one. There are five lines in the process of pretending and forcing:

ah, the protagonist is so weak that the protagonist is doomed this time!

Ah, the villain is so fierce that the protagonist is doomed this time!

After pretending to be forced:

ah, the protagonist actually defeated the villain. It turns out that the protagonist is so powerful!

Ah, it turns out that the protagonist has hidden the bottom card. It's really something that can be made!

Ah, the protagonist is so fierce that we can't provoke him in the future!

As for the third category, it is like Yan Ningxue who supports the protagonist.

Why is it that people who support the protagonist are also included in this category?

This is because, although this kind of people are on the side of the protagonist, there is no essential difference between them.

The significance of this kind of people is: To compare the two types of people before!

Similar to the above two categories, this category is basically the whole process of downplaying the leading role, but because they are on the side of the protagonist, their treatment is better than that of the previous two categories. There are about six lines.

Before pretending to be forced:

the villain is so fierce, (protagonist) if you can't, just give up!

In the process of pretending to be forced:

it's over. The villain has been forced to such an extent that (the protagonist) is bound to lose!

it's over. At such a critical moment, the protagonist is in danger. I can't help but fight (in fact, what I really want is: I won't do it, I see how you can get me!)!

After the installation:

ah, you are so powerful!

Ah, the original protagonist you hide so deep!

Ah, I'm glad to see you so strong!

For example, the ordinary pretending criminals only know the existence of the first and the second categories. Those who are a little better will find a third type to set off.

However, there is another kind of special "third party", which few people know and even less use.

For one reason: it's very difficult to master such "third party", and those who don't have enough skills can't control them at all!

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