209 Traps are things to use.

- Time goes back when I quit between glances.

"Now let me show you"

The samurai walks out with her gaze on me. The attitude was slightly prickly, and the brother of the escort glanced slightly.

Oh, you don't have to worry about it. Ningro, because it's easier for me to do this privately if you behave like this.

I don't know if you're just making it look friendly or sincere! The easy-to-understand attitude of hostility from anyone's point of view favors this one, including the presence of witnesses.

Even if they do something, they say, 'It's worse over there! You can sue me!

Even if I did, I'd have to find out!

He's the magician Sayle told me was a 'livestock', me. Its belly and thought circuit are in pitch black instead of just black. ♪ Hairy black cat ♪

Dear Red Hero, I admire you! I can see the direction at a time when Rudolph-related incidents and others were judged to be so.

Seems like a compliment, by the way, Sail. As far as his personality is concerned, you'll know very well that it's generally not something to be commended for. I'm not ashamed of myself either.

So I think we need to do these small jobs in the future. The cause, of course, was an earlier one.

So far I haven't found out that magic is possible without chanting...... I think. But my earlier exchange with Lillian made me think of myself as' an otherworlder who doesn't even know common sense '.

Then I don't care how many cards you have against them.

Around the corner, King Sarovara showed us his own policy of 'welcome'. In order not to be blamed for disrespect in my future actions, I have to make up the fact that they are responsible.

... Yeah, 'make it up', right?

'You mean you can fit in!?' Or 'it's called backwork!' I feel like a penetration is coming, 'but it's my fault.

It's my fault, it's my fault! If you keep your mouth shut, you won't find out, and even the Al's won't say anything.

Sneaking a sneak peek of the escort's brother, apparently the samurai of the guide, as opposed to the surroundings, is also on alert. After all, he thinks it's awkward to take an earlier attitude after seeing it.

The samurai doesn't know her expression because she's looking forward, but she doesn't look favorable if she's wrong.

And he seems oddly nervous...? Are you freaking out at the sight of a knight coming from behind?

I was observing as I thought about it that way, and the brother of the escort called out to the samurai with a surprised look.

"Wait. Seems like a different path if you just go back to the room where the Demon Master is staying...?

The samurai perfectly fits the voice, stopping and looking back. That look remains as faceless as ever.

"You know what happened between the two of us, right? If you go straight back, the princess and the magician may face each other again."

"It's... yes, but"

Apparently, there's a subtle overlap between our way back to the room and Lillian's way back to his room. Sure, if you hang out with me again where the corner settles... the second round could start. And Al isn't here.

In the first place, that place was done to that extent because there was King Sarovara and the First Princess.

Two people who can flatter Lillian and who I can't ignore. In the absence of these two - at least, I can't count on King Sarovara now. I'm having an important conversation with Al and the others - what happens if Lillian makes a statement that pisses me off.

I also know what Sarovara wants to avoid as a person. Neither the samurai nor the brother of the escort seem confident in glorifying Lillian, and they have an obligation to report to the King. Where I shut my mouth, they can't be silent either.

The samurai turned her gaze to me without trying to go on with any more words, as she would also know from the knight's expression that she was not very convinced.

"As you asked, Master Mage. I'd like to take a moment off if you don't mind. Of course, we'll get you a room."

"Is that permission out there?

"Yes.... the princess still seems to be a little, uh, mentally unstable right now."

With that said, the samurai leans down. There was certainly a seeping of color there caring for the 'princess'.

Even so, because I need a minimum of confirmation.

I pulled the sleeve of my brother the escort with a difficult face a little bit.

"Does what she's saying fit? I don't know the princess's room, so I can't judge."

"Uh... Oh, oh, yes, that fits. By the time we get to the room where everyone in Ilfena is staying, it's possible we'll be in Lillian's sight."

……

What we are staying in is a room away, but we saw a passage across the garden. Including 'into sight', you mean the samurai's statement isn't a lie either?

It's only around the corner that I'm likely to see in person, but I don't know what route Lillian will take to get back to his room. A little change of mood in the garden... what a suggestion. If I had around my sister princess, I would just run into her.

Besides, if I look at one person, Lillian, the emotional priority, could storm in. I hear the samurai is afraid of that.

Brother...... I feel raw and warm as soon as I take confirmation of the 'Knight who is ordered to escort the Magic Master'.

Lillian... you, the knight and the samurai think you're a creature that moves with emotions...?

Is emotional behavior noticeable from day to day?

The mission takes precedence over what is ordered. I mean, even this knight decided 'that's possible'. It's judgment as a responsible position, not out of personal emotion.

As a royalty, I think it's quite a problem, but is that the kind of personality that gets judged? Lillian is.

Well, maybe I can't help thinking about it between glances.

Now Lillian is in the midst of heartbreak and humiliation when he was defeated by another world. Pride is probably Zutaboro.

I was scolded and depressed, but my sister was comforting me. If it is resurrected with that, it is suspicious if the depression continues.

Even these two are perceived as' having a lot of emotional behavior '. I mean, I guess this has happened more than once before. Otherwise, it will not be recognized.

I guess samurai means' I don't want the princess to behave in a way that demeans me any more '. And in order not to, he said,' people from different worlds should care '.

Yeah, this samurai is an otherworldly despiser. There would only be minimal courtesy in treating me, including the meaning of Lillian's lover enemy.

However, the knight remains harsh on the samurai. This one hasn't been heard of = a samurai's discretionary decision? It appears that the suspicion persists.

I know who gave you permission - a sister princess or something - but you think it's odd that you don't have a word on yourself being ordered to escort you.

You're a pride as a knight proud of your work. This isn't wrong either, so I don't have a word to convince you either.

... Normally?

"Fine, let's go"

"Lord Commander!?

When I say the word of acceptance, the knight shouts out in surprise. Something happened earlier, did it seem surprising to snort into the words of a samurai?

Yeah, I don't think you should normally snort. I wonder if other countries, and things that are not heretically friendly north, are also not alert in the sense of self-defense.

So... su!

This could be the mastermind trap......!

We have to go. Hey! Only move on!

At present, there are too many potential masterminds to identify. Moreover, the event "Making Lillian Give Up Love" has ended in an act between glances.

In other words, the possibility of 'returning home without a mastermind clue' has surfaced!

As a person who has lived up to everyone's expectations, I want to bring this place to a new development. Besides, a knight suspecting the samurai's actions - with a witness on Sarovara's side.

Whatever the samurai thinks of me, it doesn't matter if it moves on someone's instructions. If anything happens now, the theory that 'Sarovara has a mastermind' is confirmed.

The point is that it didn't move as a 'country'. 'Cause as Sarovara, there's no point in targeting me. There have been rumors so far, as well as connections with countries. I don't care what you think of getting your hands on.

It's also unlikely that Lillian will use someone to go into action. I frightened you earlier, and there are words from the king and Al himself. If you were prepping for it, you wouldn't have to rush it between your eyes.

She's like a kid who can't come up with those vicious hands, and I wonder if she'll flatter Lillian around her. Something that means self-preservation, but Lillian's position would suck if I made it any worse.

The possibility of you setting me up at the moment, and then all you can think about...

· "In the case of the King and the Second Princess, then the First Princess"

Sarovara will be in an awkward position, as will Lillian. There would be no advantage rather than the disadvantage being greater.

There is also Al's formal 'no', and the possibility of entering into marriage is disappearing. It doesn't make sense where I disappeared. Therefore, the king and the second princess are excluded.

The First Princess has no advantage if she sees herself as the next king. Unknown as an individual.

· "In the case of a nobleman neglected by another world"

You wouldn't set me up if I didn't care more than accompanying you as a member of Irfena.

Because this time it is not a 'civilian', but a 'companion from Ilfena' treatment. Therefore, it is unlikely that the nobles will set it up.

If you want to maintain your current position, you can't turn Irfena against your enemies. If we do that, it will affect the 'country' called Sarovara. No doubt the killer will be offered to Irfena by the king.

- There is therefore a 'possibility of coming up with a setup', and 'only the mastermind has an advantage in erasing the demon conductor'. However, it is unclear whether it is a new incident or a cover-up of the kidnapping.

The action of the mastermind (tentative) is a good opportunity for us not to wish for a counterattack.

Who decided the target was unhappy? Am I welcome? I already have a priori in a kidnapping case.

After you survive, it's the beginning of fun! I will try to meet everyone's expectations......!

Then, because the knight of the escort knew nothing, he told Sarovara, 'Find the killer and show your sincerity. I will stay until then' I can demand. This will be good enough for us.

More than that, I'm the victim! The Magic Instructor Even in the sense of avoiding turning the 'disaster of the world' on enemies, Sarovara must show sincerity......!

King Sarovara didn't suspect, did he? The knight of the escort is what he tried to protect me. But it's true that you've been annoyed, so prove yourself innocent and show me, okay?

This is what it looks like to interpret. Sarovara is in a hurry and a lovely situation where we can observe things raw and warm.

I don't know what to say, but what others can do in Sarovara is known. But what if it were done at the initiative of the King to 'prove the innocence of a country called Sarovara'?

Naturally, it would move me crazy to death. We can be sure that you will be thorough until we are unable to step in.

Ilfena is the opponent, he's buying the wrath of the magician, he can't imitate 'tailoring and deluding the killer'.

If you don't move well, you'll understand the awkwardness of the situation if you whine about the kidnapping and say '... maybe the south will turn to the enemy'. If you do badly, the damaged countries will intervene, let's be scared!

Does that qualify as blackmail?

Are you sure you don't want me to take the liberty of spreading information?

It's okay! I'm the one from The Other World who runs it. 'Just slip your mouth through the breadth and expose the information you get' cause!

Don't end up being returned with 'not all the information that she has' even if Ilfena asks you, maybe. It is only 'information that even the other worlds know just to be protected'.

And as a result of the inquiry, Sarovara would be more painful about the poor situation. Because I can confirm that the possibility of 'the South turning to the enemy' is not a lie.

It's a bunk blackmail, if you want to do it, you want to show me a twist.

"... you seem convinced. Most importantly. Well, let's come."

Without even knowing how I feel, the samurai walks out again. The knight of the escort also thought he had no choice but to be recognized by me, and he began to walk with vigilance.

- I looked at those two backs right behind me, and I hung up the corner of my mouth.

... so.

The samurai brought us to the rooms where we were staying and the rooms where the colour did not suck.

Positionally it must be near the room where I was staying. I can see the garden through the window, and I can see the aisle beyond it.

"Here you can see if the princess has returned to her room. One moment, please."

That's what the samurai says. She peeks out the window.... eventually finished checking, the samurai urged me to sit down.

Rigorous expression escort knight right next to me. After all, they're alerting the samurai.

But the samurai doesn't even seem to care that the knights are on guard. Prepared tea pale and offered me a teacup.

"Go ahead."

"Thank you"

After a short detachment, the samurai goes down to the position of the painting on the wall. Too far apart to refrain, like?

"I don't want you in the sight of the princess."

Once again the samurai tells me. After all, she seems to be from Lillian's side. A knight's temple hangs on a unilateral word.

But she moved faster than the knight uttered the word.

"So, you don't need it, Master Magic."

My vision switches at the same time as the word. The magic I felt for a moment... metastasis!?

But behind my unexpected retrospective is the figure of the knight of the escort. Besides, we're 'falling' for some reason.

At this point, I thought… it's true that the moment looks like slow motion.

Immediately activate gravity reduction and hold the knight's arm in. In the unlikely event that gravity abatement doesn't happen in time, you won't die because there are boundaries.

The knight looks surprised, but now he has no time or room to explain. Survival is our top priority for now!

"Lord Magic Master!?

"Shut up! Because you're controlling gravity!

"Ha, ha"

A knight questions the slower rate of fall. That question is especially true, but right now I'm in control of myself and the knight... I don't want to waste my time. Seriously.

And we got downstairs safely.

You're not used to sudden floats, the knight is stiff for now. I'm the one holding the arm, but I'm stuck on the reverse.

Explore the small lumbar compartment while the knight hugs you, take out a few scum demon stones and put in an image of the 'light'. And at the same time as throwing, scum demon stones turn into simple lights to illuminate their surroundings.

"Lights, but..."

"Yes, yes, calm down -. You can leave now."

…… ..................... sorry!

Because of the lights, or because of the firm footing, the knight left to jump when he returned to sanity.

Meanwhile, I'm still observing the perimeter.

Cave...... that's artificial too, isn't it? They contain something in the rock component, and the surroundings gradually become brighter whether it was influenced by scum demon stones. The walls and the whole perimeter are glowing.

It's not a blue and white light or anything, it's a warm color with a slightly orange white light system. In addition, scum demon stones, which turned into simple lights, were scattered, to such an extent that it was not indissoluble to walk even dimly.

Of course, our surroundings are brighter thanks to the simple lights we have. There will be no problem moving forward with this.

Hmm, if you turn the scum demon stone into a simple light and walk in pieces, you won't be able to avoid going through the darkness. I can see even if something is there, I saw that it was possible to respond adequately. By a trap, it doesn't seem to be that serious.

To be clear, the dungeons in the game that were faithfully reproduced were darker. Maybe that's why I don't feel too scared either.

Life may be in danger, but the mood is dungeon exploration. I feel like I'm on my way to exhilaration, including the 'fun' I'll refrain from after this......!

With one inside thriving like that, the knight was looking around and trying to grasp the situation. And he knew what caused this brightness, and he raises his voice.

"This is... Demon Light Stone!? Does that mean it's in the basement of the castle, a mining site trail?

"Makouseki? I mean, there's a place like this in the basement of a castle called Sarovara?

With a voice of doubt raised to me, the knight looks surprised for a moment... and nods as soon as he is convinced.

"Oh, you're not familiar with the exorcists, are you? Demonic stones are objects used as lights before demonic props were developed. They used it a lot because it glows in response to magic."

I mean, that's a different world version of a simple light. It's easy to tell when you can metaphor a demonic stone or magic power to make it glow into a battery. It's certainly safer than a fire or a lamp.

I'm guessing it's not the Demon Light Stone itself, but this mining site trail seems to contain Demon Light Stone, even if it's low in purity. You mean the demon stone was thrown down there, albeit scum stone, so much brighter?

Besides, the place is under the castle. The castle will have more than one magic prop or something, and maybe it won't be complete darkness because it's under the influence of twitching and magic.

"Is the mining site trail under the castle? Partial, of course."

"Yeah. Not everything in the basement of the castle is like this, and it's not like it's cavity right down there. Surely to secure this mining site, and…"

So the knight cut the word once.

"I hear a castle was built to be used as an intruder control for thieves and other things. For escape in times of need, and then"

"Use it as a trap if you get broken inside, right? It's hard to get up there, but it's easy to drop down there."

If you say so sarcastically, the knight drips his head with a sorry face.

Yeah, it's definitely the trap that activated it. Because it was thrown out in the air - if you can't use the magic of levitation, it's out.

In addition, we slowly fell due to the reduction in gravity.... Normally, isn't that the kind of distance that chants can't make in time, from where they appear to the bottom?

I just have some good information. If this isn't a cave, if it's a mining site, then there's an exit. In addition, there is no mistake in seeing that we are able to secure air.

Above all, there is the castle you were just in. 'Underneath the Castle' is a slippery mouth, this guy. You don't have to be so nervous knowing this.

Nevertheless... did I try to slip through anything other than registered objects around where I sat? That samurai also left when the trap was activated, then only intruders could be sent underground.

That's a little intriguing as a magician. Well, now seal it with curiosity.

The only thing that's clear is that that room has a trap maneuver to drop it underground. But this was enough proof of bad faith.

I mean, we're missing without a trace. Zero witnesses, too.

If the mastermind and his subordination have security implications, he disappeared without jokes.

It's malicious, isn't it? Even if it comes to the possibility that a trap has been used, it is unlikely that it will live if time passes.

"I don't need it" is only taken to mean "forced eviction with a mouth seal"? Now I can't go through with accidental accidents or no malice.

... but I'm 'out of standard' even from the people of the south.

If you hit it up there, you can make sure it gets out, right? I think so. Too bad!

I'm not exactly going to do it on this occasion - it would be a hassle if measures were taken - so I'll walk a little.

I guess I never dreamed of using a hand like that. If you're a normal magician before you escape, you could be dead just dropping it, and even if you were alive, it's a long way to get out. If we don't hit the top, we're gonna go down and die without knowing where we are.

Mistake in judgment because you didn't know that I use magic without chanting. Adding what the Knight of Guards knew about the trap is deadly.

The knight honestly also speaks of 'escape in times of need'... this is a fairly limited piece of information that people know. Looks like that samurai knew 'cause the main culprit taught'.

I mean, the mastermind doesn't just want to make the magician a deceased, it's called 'The Salovara People Who Know More About the Existence of Traps'.

Yeah, things are going great! There's no injuries, there's witnesses, and I'm the victim and confirmed after the still uncharted mastermind figure has become clearer. Sufficient results.

All right, I don't need you anymore. Shall we get out of here? When we get back up there, securing the samurai is our top priority!

That's what I'm going to say...... I notice a knight expressing his whole body of sorrow and turn a raw warm eye. If I thought it was quiet, he was still depressed. I'm serious.

Mr. Knight... Your words have shown us many different ways to escape.

I mean, I'm deeply delighted with the advantageous developments ahead.

Maybe you felt sorry for me and explained to me that it was my country's people who put it in the trap. I wouldn't normally say this lightly.

Well, even traps are in that state. The entrance and exit for escape are not available in a normal way. I think I could have spoken because I also know that information.

With that in mind, looking at the knight with raw warm eyes.

It's a corner, so why don't we put a little bit less into his guilt? That's why I think.

"... so. I'd like you to explain what the samurai did earlier."

Ugh! And I asked with a laugh, Biku! and the knight makes his shoulders jump.

I'm angry, it's important to show that attitude. I need this man to be my witness!

"Well, I'm so sorry..."

"Before that. Please use this attitude as an excuse. Please imitate me."

Block the knight's words, I sit down and show them. It's called a front seat. The knight also obeys me adulterously, unfamiliar.

"It's the attitude used in my hometown in the original world when showing the finest courtesy or apology. Get your hands on me like this and keep your head down."

"Here's the thing..."

imitated me, and the knight got the same attitude.

People call it a dungeon. It is in a pose that is very clear which force relationship is above.

I stood up and put my arms together and looked down at the back of his head with my head down.

"Now, give me an excuse. It was the king who put that samurai on...?

"Well, that's true. I'm so sorry!

Underground illuminated by soft light, in the traces of the Toito mining site.

The desperate voice of the dugout youth began to sound.