Chapter 153: Intelligence Gathering by the Infiltrating Furball

Chapter 153: Intelligence Gathering by the Infiltrating Furball Intelligence Gathering by the Infiltrating Furball

* * *

So, I’m currently clinging to the ceiling of the manor’s hallway, moving around while organizing information with Extra-sama.

Occasionally passing by servants below, concealing my presence as we continue our inaudible conversation.

<Now, from the previous loop, it seems Karashia’s death is not the trigger for the loop.>

Yeah, that’s right.

Even though she was just unconscious in that last loop, time still rewound.

Speaking of which, fundamentally...

Karashia is the one who goes berserk from enduring her miserable circumstances, massacring everyone in the manor.

Is such a person really the protagonist? Objectively considering it, that seems rather doubtful.

In other words, Karashia is not the story’s protagonist.

Her death is not the loop trigger.

<However, that raises the question of who is the protagonist then?>

That’s true.

Moreover, in the previous loop Karashia was just unconscious, so the tragedy didn’t occur.

Does that mean there’s a protagonist who dies unrelated to that tragedy?

<That possibility is high.>

Mmm.

<We’ll just have to do this methodically... Somehow find the protagonist and prevent that person’s death.>

Yeah, we have no choice but to do that.

Continuing my conversation with Extra-sama, I crawled a bit further along the ceiling until arriving at Karashia sobbing in a dejected huddle after having her ring taken by Keranko and the others.

For starters, I dropped down in front of Karashia’s face, placed my hands on her cheeks and turned her to face me.

“Eh?...Hih!?”V/\IssịT n0(v)eL/b(i)(n).co/m for the b/est novel reading experi/en/ce

Then from point-blank range, I met her gaze and unleashed my murderous aura.

Using 【Intimidation】.

Karashia fainted and collapsed.

Alright! If Karashia remains unconscious until the tragedy occurs, it won’t happen!

If more people die, it will become unclear who the protagonist is, so while unfortunate for Karashia, this is a necessary measure.

<You know, we’ve gotten quite practiced at knocking Karashia unconscious by the third time...>

Yeah, I’m confident I’m now the world’s best at making Karashia faint.

In any case, after carrying Karashia back to that library and discreetly letting her sleep there...

What should we do from here?

<First, let’s identify what kind of people are in this manor.>

Understood, Extra-sama.

Then shall we begin our “protagonist search”?

After discreetly leaving the library where I left Karashia, I leapt up to the ceiling and began exploring the manor.

* * *

A few minutes later.

The loop still hasn’t occurred.

First, Extra-sama and I took a quick lap around this manor.

As the word “lap” implies, this manor is roughly U-shaped with a courtyard in the center.

It’s covered in snow right now, so the courtyard can’t be seen at all.

And this manor is actually only one story.

While it has the height of a two-story building, the ceilings are simply unnecessarily high.

With me clinging to the ceilings, the extra height provides more hiding spots which is convenient.

<Those high ceilings are actually one of the key features of the Sancolic style along with the gaudy red and yellow exterior. That open feeling was highly popular among the wealthy aristocracy back then.>

It certainly does give an incredible sense of openness.

<The nobles of that era competed to build manors with higher and higher ceilings. The ceiling height of this manor is quite modest. It was said “the height of the ceiling represents the breadth of the master’s magnanimity” in that era.>

I see.

<However, the higher the ceilings, the more heat escapes upward making it difficult to warm the interior. So this architectural style was not really suited for cold regions like this originally. The Sasamosa style that became popular as a reaction against the Sancolic style emphasized compactness and actually originated in the northern countries.>

...Extra-sama, you seem oddly knowledgeable about these details, but where did you learn all this from?

<Of course, from the Architecture God’s isekai reincarnation broadcast!>

This world really does have all sorts of gods, huh...

Well, getting back on track.

From our quick look around the manor, we identified 10 human inhabitants.

First, the sisters Karashia and Keranko.

The “Mother” and father.

The servant Doj.

I was already aware of them from eavesdropping.

Additionally, there were 5 male and female servants like maids and cooks.

10 people in total.

* * *

As for the results of my subsequent exploration.

To summarize the conclusion, apart from the 10 people I had already confirmed, there were no other inhabitants in this manor.

After that, the rooms I checked were some vacant rooms, the male servants’ quarters, the bath, and Fateu’s room.

Fateu? That’s likely the “Mother’s” name.

Since no one seemed to be inside, I entered and looked around – it was outfitted with women’s items like dresses, accessories, and cosmetics.

Overall, nothing particularly strange about that room.

There was also a room called Sarelka’s room.

Peeking inside after gently opening the door, there was a plump man with navy blue hair glaring at some documents while scratching his head.

On the wall was the sword Karashia had been holding when she caused the tragedy – the magic sword “Agzeliary.”

Meaning this man must be Karashia and the others’ father.

<So the current head of this manor is named Sarelka, and his wife is Fateu. We’ve finally gotten the names of the main figures.>

Well, just knowing their names doesn’t mean much though.

The problem is, all 10 of the people I’ve currently confirmed died in that first loop.

The father Sarelka was killed first, while Keranko, Fateu, and Doj definitely died too.

Plus, the number of servants I saw lying dead in the hallway before reaching Keranko’s room was 5.

In other words, all the servants I confirmed during this exploration were killed in that tragedy.

But isn’t that strange?

In the first loop, Karashia was the last to die.

But her death wasn’t the trigger for the loop.

Yet these other people died before Karashia.

If the deaths of people other than Karashia triggered the loop, shouldn’t the loop have occurred partway through the tragedy?

<There was likely some time lag between the protagonist’s death and the loop occurring. For example, “The loop occurs 5 minutes after Keranko dies.”>

Ah, I see... A time delay... That would explain it then.

But... Something still bothers me.

I feel like I’m overlooking something.

What if there’s some suspicious item causing the loop, you know?

Is that possibility ruled out?

<I can’t say for certain. But if there was such an amazing item, I think I would be able to sense it as suspicious just from a glance.>

Hmm.

But from our quick look around the manor, there weren’t any suspicious items like that.

<In any case, the premise of “the loop occurring when the protagonist dies” itself doesn’t need to be doubted yet. If that’s the case, then our course of action narrows.>

To ensure no one dies and simply keep watch over the manor’s inhabitants?

<Right. Even if Karashia is unconscious, something will still occur that causes the protagonist’s death. If we prevent that something from happening, the loop shouldn’t occur.>

But you know, apart from Karashia, there’s no one else who really seems like a protagonist candidate, is there?

While Karashia herself is questionable as a protagonist in many ways, Keranko, Fateu, and Doj definitely don’t seem to have protagonist-like personalities. And the manor’s master Sarelka doesn’t either, right?

The other servants also seem to lack enough distinct characterization to be protagonists.

<But that’s just an outward impression. For example, Keranko may seem like a selfish younger sister abusing her older sister at first glance. But perhaps there are actually circumstances behind her acting that way, and she’s a protagonist-like character at heart.>

Haah? What kind of circumstances?

<I’m just hypothesizing here! When conducting this kind of exploration, it’s important to observe things without preconceptions. I learned that from the Detective God’s isekai reincarnation broadcast.>

And so, as Extra-sama and I were debating while clinging to the ceiling of the hallway, what suddenly appeared before me was a manor with an outwardly “strange” appearance.

First, the roof was bright red. Bright crimson red. Additionally, the window frames and other key areas were also painted red.

The walls were coated yellow, with red polka dot patterns drawn here and there.

With only pure white snow piled up around it, its outward appearance stood out bizarrely.

<...Well, we’ve looped again.>

Yeah. We did.

...We failed.

If I had stuck with observing someone, I could have at least confirmed if they were the protagonist or not.

In any case, I was able to loop again while retaining my memories this time too.

I should be glad about that at least.

But this situation continuing is bad.

I don’t know how long I’ll be able to keep looping while retaining my memories.

<Don’t panic. Let’s just do what we can.>

...You’re right.

For now, I opened the manor’s front entrance doors.

At this hour, none of the manor’s residents were near the entrance, so I could brazenly infiltrate without being spotted.

The spacious, unadorned lobby welcomed me.

<Alright, time to take action.>

...Understood.

Then shall we continue our protagonist search?