Chapter - 468 Mediating Disputes (13)

Guo Xiang regretted her words. She was childishly thinking that she was doing Yang Guo some good. She did not remember that Yang Guo was a Chivalrous Hero (Da Xia), therefore, he would not want anybody to look down on him. Quickly she approached Yang Guo and said, "Big Brother, my mistake …" and then she came to the old man and took his arm out of the belt. She said, "Old Urchin, with his single arm Big Brother will defeat you. If you don't believe me, go ahead and try."

Without waiting for his answer, Yang Guo leaped and chopped out a left palm. Zhou replied with a left fist and didn't use his right arm. He felt it was unfair to use both arms.

Twenty stances passed. Yang Guo was upset since even with one arm the Old Urchin was not easy to defeat. The 'yang'ness [from yin-yang: yin – soft, cold, yang – hard, hot] in Zhou's fist and palms gradually surfaced. This type of energy was opposite to Zhou Botong's 'yin' energy of the "Vacant Fist" technique. Yang Guo noticed the change and suddenly recognized the "Demon Subduing Fist" of the "Nine Yin Manual" in the tomb. Yang Guo shouted, "What's so special about the 'Demon Subduing Fist'? Use two hands and take my 'Melancholic Sad Palms [An Ran Xiao Hun Zhang].

Zhou was shocked; one, Yang Guo actually knew what technique he was using and two, what in the world was 'An Ran Xiao Hun Zhang'? Zhou was knowledgeable in the martial arts from the various sects of the world but he had never heard of this martial art before. He looked at Yang Guo and saw him with his arm bent, his eyes seemingly far away. His legs seemed to float and his front was completely open – his form contradicted martial arts norms. Zhou went forward to test him out and threw a fist towards Yang Guo's stomach.

He was afraid that he would hurt his opponent so he only put thirty percent power in his fist. Just as his fist was about to make contact, Yang Guo's stomach and chest contracted and then extended outwards. Zhou leapt back in shock – skilled fighters contracting their bodies to avoid attacks was fairly normal but he has never seen someone use their chest and stomach to actually attack someone. He was utterly surprised and shouted, "Uh, what kind of technique was that?"

"This was An Ran Xiao Hun Zhang's thirteenth stance, 'Muscles Jumping with the Frightened Heart' [Xin Jing Rou Tiao]," came the answer.

"Huh? I've never…never heard of such technique before," he said.

"Of course you haven't," said Yang Guo, "I developed this 'An Ran Xiao Hun Zhang' myself. This technique has seventeen stances."

As we remember, after being separated from Xiao Longnü at the 'Broken Heart Cliff', with the eagle's encouragement, he trained against the tide's waves. Apart from gradually strengthening his internal energy, he practiced no new martial arts. He couldn't forget his wife and as time passed, he was more and more depressed from loneliness. One day while walking by the sea, out of boredom he started to throw a few fists and kicks about. By now, his internal energy was at a very high level – anything he threw out contained great power. One of his light palms landed on a turtle's back and smashed its shell. From then on, he developed a complete set of palm techniques that were completely different from conventional martial arts. The palms relied on internal energy and not on complicated fist techniques.

Yang Guo had learned various first class martial arts from several experts since his childhood. From the Quanzhen, he learned the purest nei-gong techniques. From Xiao Longnü, he learned the "Jade Maiden Sword and Palm" techniques. From the manual inscribed on the Ancient Tomb's walls, he learned the "Nine Yin Manual". From his adopted father, Ouyang Feng, he inherited the 'Toad Stance' and the 'Reversing Blood Flow' techniques. From Hong Qigong he got the 'Dog Beating Stick', from Huang Yaoshi he received the "Divine Flicking Finger" and "Jade Flute Swordplay". Except for the "Solitary Yang Finger" from the Southern Emperor, it could be said that he had mastered the specialty of the Eastern Heretic, Western Poison, Northern Beggar and the Central Divinity. By analyzing and combining these various techniques, it was not too difficult for him to create a brand new fist technique.

Because he had one arm, he did not try to achieve victory with variations in stances but instead he deliberately chose to go against martial arts norms. Also, the names of this palm technique came from a line in one of Jiang Yan's works (a poet of the Southern Dynasties). This was the first time that the palms have met such a strong opponent as Zhou Botong.

Zhou Botong became even more excited when he heard this was a palm that Yang Guo had invented himself and said, "Good! I want to see this brand new technique." He continued to fight – with one hand. Yang Guo faced the sky as if he didn't even notice that Zhou was there and arched a palm towards his face and then downwards. The palm's power dispersed all around.

Zhou knew that there was no way to avoid the palm's power and sent out his palm to meet it. The palms collided and Zhou wobbled; he felt his chest tighten – his martial arts were not weaker than his opponent's but palm for palm, he could not compete with Yang Guo's heavy and overbearing palm. "Good!" he praised, "What was that stance?"

"It was 'Causing One to Worry' or 'Overbearing Sadness' [Gei Ren Yau Tien]." Yang Guo called out, "Watch out! The next stance is 'Out of Nothing Came Something' [Wu Zhong Sheng You]."

The Old Urchin laughed heartily, "Interesting! Very interesting!" he shouted, "Kid, how did you come up with those weird names?"

Yang Guo hung his arm down in a completely unprepared form. As soon as Zhou's fist came near him, Yang Guo suddenly moved everything; his left palm, right sleeve, kicks, head, butt, even his chest, back, stomach and waist attacked – they all contained a level of energy capable of injuring an opponent.

Zhou could never predict a move such as this. In a flash, over ten different stances came at him at once. 'Out of Nothing' was one stance but it contained tens of variations within. Even someone with martial arts as high as Zhou's, he was forced to step back. In this situation, he couldn't help but also use his right arm to fend off the attack. He had to use all his efforts to block this attack, counterattacking never came into the equation. Nevertheless, he managed to block all the attacks and quickly leapt back in case of some more weird moves.

"Old Master Zhou!" cried Guo Xiang, "Two arms are not enough! You need three!" The old man laughed heartily and repeatedly nodded his head as a very high compliment to Yang Guo.

Yang Guo was impressed that Zhou was able to block all these profound sudden attacks and called out the next stance, "Watch this next stance: 'Dragging Mud with Water' [Tuo Ni Dai Shui]."

Both the old man and the young girl cheered, "Very nice! That sounds very nice!" he shouted.

"Don't you praise me just yet. Take this one!" Yang Guo countered. His right sleeve flowed like water and his left palm slid out heavily like flowing mud and sand.

Zhou recalled something that his apprentice brother Wong Zhongyang told him about Huang Yaoshi. Huang Yaoshi had a palm technique he invented called the 'Palms of the Five Elements', the five elements were contained within the palms. Right now, Yang Guo's right sleeve was like North's water and his left palm was like Central's earth, light and swift along with heavy and fierce. Zhou did not dare delay and immediately used the 'Vacant Fist' with his left hand and the 'Demon Subduing Fist' with his right; light against light, heavy against heavy. After the two attacks came together, they both shouted and moved back a couple of steps.