v4 Chapter 66： Both form and spirit

As early as December came, Schelling had mastered the body transformation technique.

Human body transformation is really difficult, even among the students in the improvement class, few can master this ability before graduation. In the original book, Krum is a seventh-grade wizard, and he is also an adult. He is the strongest Durmstrang appointed by the Goblet of Fire. Such a character can actually change a shark head, but in the end he cannot Points are deducted for turning back on one's own, which shows how difficult the human body transformation is.

Schelling in the previous life has often exchanged this question with other fans in the official Harry Potter fan club-after Voldemort became the disgusting look with no nose, why didn't he return to his handsome look through body transformation?

At that time, there were many inferences from fans. Some believed that his red-eyed snake face could better deter enemies in battle; some believed that the destruction of his soul made him lose his humanity and distorted his aesthetics; some believed that he wanted Let go of his past, the face inherited from his Muggle father; some people think that without hair and body hair, they can avoid being pretended to be a compound decoction...

Now, if anyone asks Schelling, his answer will be-Voldemort has not completely mastered the body transformation technique.

Looking at the entire original series, plus the magical beast movie, apart from the natural disguise of Magus, it seems that Grindelwald is the only one who can completely become another person without the help of potions.

Of course, now there is another Schelling.

Schelling is Disguise Magus himself, and has experience in the use of magic at the cellular level. What he didn't know was that although his magic power was not the most powerful, it was much more flexible and changeable than anyone in the wizarding world. In a thousand years, he was the first to create the "three-in-one". "One" human wizard, his magic power can adapt to any changes, and there will be no magical stagnation or magical rejection due to body deformation.

This is why he can master the body transformation technique so quickly.

After consulting Professor McGonagall many times, he can change his height, facial features, skin color, hair color, and pupil color at will. Under the **** of Professor McGonagall, he even tried to perform some deformations on his body that transcended the limitations of human form, such as the back A pair of huge wings appeared in the ribs, such as a tail with a ferocious snake head in the tailbone, and two arms in the left and right shoulders...

Professor McGonagall's gaze was brilliant. She knew about Schelling's talent in the field of transfiguration, but Schelling's speed of progress still shocked her, and Schelling's various ingenious uses of body transfiguration made her amazed.

After learning the transformation art to this point, Xie Lin can be said to be a master.

"Schelling," Professor McGonagall's eyes were full of admiration and kindness, "To be honest, I have nothing to teach you. The future path of transfiguration, I am afraid you will need to explore alone."

"You are the most gifted student of transfiguration I have ever seen," then her face tightened, she became serious, and whispered: "I hope you don't waste this talent and use what you have learned. On the right way, you know?"

Schelling is full of respect for this professor who is fair, caring for students, and willing to impart his own stunts unselfishly. He replied from the bottom of his heart: "Professor, thank you very much for your care and teachings these days. In private time to show me my favor, I will always remember it. Although I am a Slytherin, but the professor is as respectable to me as my dean. Professor, please rest assured, every word you say I will keep it in my heart."

That was what Professor McGonagall was waiting for, and she smiled relievedly.

Back in the dormitory, Xie Lin began to think about where he would go in the direction of Transfiguration from now on.

He knew clearly that his transformation technique was far from reaching the peak of the world.

For example, Animagus would not. This is a transfiguration involving the soul realm. The preparatory work is very time-consuming, and it is an arduous test for the heart and will of the operator, but it is effective. But it is quite tasteless, it can only become a non-magical creature, without the magic power and the ability to cast spells, at most it is used for stealth camouflage purposes.

Although Schelling is not interested in Animagus, it does not mean that he intends to stop at this level of transfiguration. In fact, he is very eager to improve his knowledge in human transfiguration.

Schelling has studied the content of "Abatel Volume IV", which mentioned a kind of transfiguration that existed in the ancient century.

This transformation is a bit similar to the combination of Animagus and human transformation—Although Animagus is convenient, it also has great limitations. After Animagus becomes an animal, there is no way to use the ability of a wizard. , And after becoming a human, the advantages of animals will not be reflected.

The human body transformation technique can only change the shape of the human body, such as a shark head, a pair of wings, and a tail, but it cannot obtain the specific abilities of the animal. For example, the Viktor, who becomes a shark head, can breathe underwater, But they can't get ****, such as ****, ****, ****, etc., so Harry will take the lead under the Black Lake.

This ancient metamorphosis technique allows the caster to have the advantage of Animagus' animal form while preserving the basic human form.

For example, Professor McGonagall’s Animagus is a cat, UU reading www. If uukanshu.com can let her have the ***** only **** under *****, then her combat power will be greatly improved. Another example is the Animagus of raptors, such as eagles, owls, etc., if the operator can be based on ****, such as turning the back ribs into bird wings, and **** at the same time I also get the **** and **** of **** to ****, isn’t it possible to **** on **** without resorting to ****? If you can still get the **** of **** or the **** of ****, it is even more powerful.

When Schelling discovered this magic, he was very excited.

However, at the end of this chapter, the harsh conditions for learning this transformation technique are mentioned-the caster must have a very strong *****. The learner’s **** is more **** than other wizards, specifically speaking, there must be **** of ****. Simply put, the best performer is a *********!

And Schelling fully meets the conditions for learning this magic.

In the following time, Schelling decided to devote himself to the study of this magic, and he named it "*****"!

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