Chapter 321

Oil painting material is a kind of painting material formed by mixing transparent vegetable oil with pigment to create artistic image on cloth, paper, wood, etc. It originated and developed in Europe and became an important world painting material in modern times. The egg color painting in European painting before the 15th century is the predecessor of oil painting materials. At the same time, many painters continue to look for a more ideal blend.

Now the oil painting materials are generally produced by the industrial production, by the pigment powder oil and glue mixing and grinding. Most of them are sold in tube or self-made. The basic components of oil painting pigment, like other painting pigments, are composed of pigment, body pigment, color carrier and some auxiliary materials such as molding agent, stabilizer, slow drying agent or drier.

Most of the pigments used by ancient masters came from soil and minerals, while others came from plants or animals. However, our modern people, even the oil painting masters like Tang Huiqin and Liu Yizhi, seldom use homemade mixed pigments. Basically, they are looking for some special oil painting paint manufacturers to customize. Now Qin Yanran's drawing board and pigments for Su Lin are specially used by Tang Huiqin. She is also a student of Tang Huiqin. She has established a well-known oil painting pigment supply company in China, and will give Tang Huiqin special paints every year.

But now Tang Huiqin almost does not paint by himself, and sometimes he does not use much paint. Basically, these pigments were trained by Qin Yanran.

From about five or six years old, Tang Huiqin has consciously cultivated Xiao Yanran's interest in oil painting and traditional Chinese painting. Qin Yanran really has a high understanding of this, after the age of ten. Basically mastered the painting methods of various painting schools. However, the ideological depth of the work is not enough, but it has been far beyond the peers.

Carrying the paint out, Qin Yanran skillfully placed the drawing board in front of Sulin. The pigments were all put on the ground one by one. Although they were messy, they were still very organized. However, Qin Yanran did not have much confidence in Sulin. She whispered to Su Lin and said, "Sulin, these pigments are for oil painting. It's not the watercolor paint in our art class. You Do you want to use it? "

When you say that. Qin Yanran intercepted several fragments from the memories. These are the ugliness of Sulin's art class. What makes the watercolor paint all over the table? Too much water. Or maybe it's because the cover of the watercolor painting was tightened after the last time it was used up. As a result, "sure enough, Su Lin didn't know oil painting, which is not the same as me. Moreover, Su Lin's words just now are very strange. What can be said to be one painting, two paintings, or three paintings?

People's curiosity is such a worrying thing, which was aroused by Su Linguo's curiosity. Several people could bear to see that Su Lin was busy there for almost an hour.

Puff! Puff!

Su Lin was busy with both oil painting and ink painting. At one time, he colored the oil painting, and then came to ink painting to add two strokes. It's just two purposes at one time, and it seems that there is any connection between the two paintings. From time to time, Su Lin compares the two paintings together, and then nods in a mysterious way with a smile, which makes people at present not understand it very well.

"Sulin, what are you going to do? Tell me quickly? Are you ready? "

Qin Yanran is the most impatient. Before Su Lin's painting is finished, she can't wait to ask.

"Just wait a little longer, you wait and see This is a combination of Chinese and Western painting, which has a good effect. It will have a different effect if it integrates the characteristics of Chinese and Western paintings

Su Lin smiles. This time, his painting creativity comes from Liu Yizhi's words, which combines the characteristics of Chinese and Western paintings. What he wants to create is an oil painting, as well as a Chinese ink painting, and then combine the two paintings.

Western oil painting and Chinese traditional painting ink painting have differences and connections, can be combined with each other. They have their own characteristics and characteristics. If they can be combined in one way, they will have amazing effect. From the perspective of tool materials, the limitations of Chinese landscape painting materials such as ink and rice paper are greater than those of oil painting materials. That is to say, Xuan paper, the main carrier of Chinese landscape painting, can not use so many colors of oil painting, can not create so much texture, and can not be repeatedly modified.

On the other hand, using oil and black on the canvas can basically achieve the effect of ink rendering, and it is easier to pursue and develop the advantages of Chinese landscape painting. At present, the use of comprehensive materials in oil painting is very rich. For example, in the performance of landscape themes, there are texture effects similar to the Chinese "point rubbing and texturing dyeing" technique, and some even paste the landscape painting directly on the oil canvas for processing and creation, so as to achieve the reasonable combination of different materials, like a "oil painting landscape" work. Secondly, there are techniques such as rubbing and inkjet painting to express the distinctive visual landscape. Figure 4.1 well uses the unique Chinese Yunlong paper and Xuan paper, as well as their reasonable combination with the ancient material of rock color. The comprehensive use of this material makes the work rich in expressive force and visual tension. It is very good and effective to enhance the visual effect of the works and the spiritual realm that they want to achieve.This time, Sulin is going to break the rules. The combination of Chinese ink painting and Western oil painting is not only his conception and creativity, but also a great attempt to achieve with the help of his skill of "ingenious pen and flower". As for whether it can succeed, no one has done it before, and Sulin doesn't know. However, Su Lin's more involvement in painting, the more excited he was.

Finally, two hours later, after the success, Su Lin Chang breathed a sigh of relief, clapped his hands, pointed to a pair of oil paintings and a ink painting in front of him, and said to the crowd. Look, this is my painting.

"What? Is this? Why can't I understand it? Sulin, what are you painting? " Qin Yanran was the first one who didn't understand. She felt that the two paintings in front of her, no matter where one was, seemed to have no specific image and meaning? It's not the scenery, nor the portrait, nor the flowers, plants, birds and trees. It's just that four things don't seem to understand! (to be continued.).. )

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