Chapter 859： Yanyu Jiangnan

Liang Lao received the bright flashlight from Chen Yan, and was about to start the identification process, and valued the crow skin Huangyuan stone in front of him.

At this moment, Ye Tian stood up and smiled and said:

"Two elders, Brother Chen, you are busy first, I will go to the exhibition hall upstairs to say hello to my family, and I will come down to appreciate this crow-pitian yellow later!"

Since Ye Tian is interested in this piece of Tianhuang, Ye Tian is not suitable to stay here at this time. In that case, Manager Liu and Lao Liang will be hesitant, and Chen Yan may also be suspicious.

In order to avoid unnecessary trouble and to make everyone feel comfortable, he would find an excuse to leave.

"Okay! Xiaoye, you can go to the exhibition hall upstairs and enjoy the fine paintings and calligraphy in our Rongbaozhai collection. We can do it in ten minutes!

Old Liang smiled lightly and nodded and said, his eyes full of appreciation.

Manager Liu also nodded slightly, Chen Yan naturally wouldn't say anything, he wished Ye Tian would avoid it sooner.

After that, Ye Tian turned and left the rest area on the first floor, and walked to the stairs.

In a moment, Ye Tian came to the second floor exhibition hall.

It is still the antique decoration style, the environment is elegant and quiet, and there is a fresh and natural scent in the air, from the top grade agarwood, the smell is refreshing!

Mom, Betty, and Linlin, the three of them are standing in front of the famous "fishing song", admiring this masterpiece of Li Keran's landscape painting.

At this time, they are all immersed in the wonderful artistic conception created by this painting, fascinated, and totally unaware of Ye Tian's arrival.

Raymond stood a little later, responsible for protecting their safety, while also admiring Chinese paintings and calligraphy hanging nearby.

Ye Tian didn't disturb his mother and them, but quietly walked behind them, stood quietly, and enjoyed the modern painting and calligraphy in front of them with them.

After a while, my mother and the others just walked out of the artistic conception of the painting and woke up.

Then Betty asked in a low voice curiously:

"This painting is really beautiful! The scenery on the painting is beautiful and fascinating! Are Chinese villages so beautiful? It's like a fairyland!

But one thing I don’t quite understand is why this famous painter adopted this composition method? It was unexpected and very bold! I have never seen it before! "

Mother thought for a while, and was about to answer, but Ye Tian's voice came from behind.

"My dear, this peculiar and bold composition method is the highlight of this "fishing song", and it is also the perfect embodiment of Master Li Keran's excellent painting skills and genius."

Everyone turned their heads and looked over, but did not say anything, and continued to listen to his explanation.

"What this painting presents is the beautiful scenery of the Jiangnan water town, an ideal home after sublimation by the painter. In the eyes of every master of Chinese painting, there is such a fairyland-like Jiangnan water town!

The real Jiangnan water town is also very beautiful, especially after a light rain, the hazy feeling of mist and rain is indeed beautiful, and everyone in it will have a feeling that is not human! "

"Wow! What you said is so beautiful! I must go to the Jiangnan Water Village to have a chance to experience and appreciate this kind of fairyland-like beauty!"

Betty exclaimed, then said very yearningly.

"My dear, there will be opportunities in the future! As long as you want, you can live there without leaving!"

Ye Tian chuckled and said in a low voice, also full of yearning.

Immediately afterwards, he said back to the painting in front of him, and his mother and the others also turned their heads, listening to his explanation, while admiring the fine Chinese painting in front of them.

"The composition method used by Master Li Keran on this "fishing song" is completely unexpected by ordinary people. One side is real and the other side is imaginary. It is very dangerous and other people dare not do it.

The left half of this painting is the real side. Master Li Keran used the ink-splashing technique to perfectly create the feeling of moist and wet mountains and forests after the rain. The light ink is transparent and the charm is lasting.

And those southern houses with white walls and blue tiles and the small fishing boats docked by the river have added a lot of popularity to this landscape painting, which seems to tell people that this is a fairyland on earth!

The right half of the painting is a fictitious side. Master Li Keran used the technique of leaving a large area of ​​white space, using only four or five fishing boats floating in the river to fully show the beauty of the Jiangnan water town.

Thickness without losing dexterity, indulgence without losing rigor, Master Li Keran's true thoughts, true intentions, true feelings, and true scenes are perfectly embodied, which shows how dedicated the creation is.

It should be said that this is a unique creation. Among the paintings of Master Li Keran, this is also a very representative work. It is undoubtedly a top-level artwork, and its artistic value is extraordinary!

Everyone knows that Master Li Keran’s landscape paintings have always been mainly black, but this painting is just the opposite. It is mainly light, allowing people to see the other side of Master Li Keran,..."

Following Ye Tian’s explanation, everyone felt that they were once again immersed in the wonderful artistic conception created by the paintings, as if they were in the misty and rainy Jiangnan water town, strolling in the slanting wind and drizzle, enjoying this intoxicating beauty!

With regard to this Chinese ink and wash landscape painting, everyone has a deeper and more transparent understanding at this time, and also a better understanding of the content and emotions that the painter wants to express, as well as the extraordinary genius.

Two or three minutes later, Ye Tian's explanation just stopped, but the mother and the others hadn't woken up yet, still admiring the painting in front of them ecstatically.

After a long time, several of them woke up one after another.

Immediately afterwards, my mother turned her head, looked at Ye Tian appreciatively and said:

"Unexpectedly! Your kid has such a deep understanding of ink and wash landscapes, and he speaks so well, like a few treasures! What a surprise!

Is this still my son? I doubt it now! When did my son become so good, his knowledge of Chinese learning is so profound, it is incredible! "

"Yes! Are you still my brother? I am also a little skeptical. Why didn't I know you understand this before?"

Linlin also interjected in a lively way, her eyes full of curiosity.

"Mom! Don't worry, the one standing in front of you is definitely your son. It's not half false! Isn't there an old saying in China, don't you think it is your son!

After getting in touch with the antique art collection, I discovered that I was absolutely wrong in the past and wasted so much time. Now this profession is the best for me and what I want to do the most! "

Ye Tian said with a light smile, his eyes full of confidence, and his whole body was shining.

"That's right! The profession of an antique art appraisal expert is indeed better than the previous job. You can learn a lot of knowledge and make your life colorful, rather than becoming a string of money!"

My mother smiled and nodded and said, eyes full of relief.

After a few chats, Betty pointed to the traditional Chinese landscape painting in front of her and said:

"My dear, this painting is so beautiful! It's fascinating! Can we buy this painting? Take it back to New York and hang it in the study!

If we can, we can enjoy the beauty of this fairyland every day, which will definitely make our life better and more moving! "

Half a step forward, Ye Tian put his arms around Betty and said with a chuckle:

"My dear! It is almost impossible to buy this original Chinese ink landscape painting! This is the fine collection of Rong Baozhai. It is not an exaggeration to say that it is a treasure of the town, and it is absolutely impossible to sell!

However, we can buy wood watermark replicas. Don't look at them as replicas, but they are very well made, very similar to the original, very realistic, and the beauty of the paintings is not different! "

"That's great! Let's buy one later and bring it back to New York!"

Betty said excitedly, a little impatient.

Later, Ye Tian accompanied his mother and the others to admire another masterpiece of traditional Chinese painting, Chen Shaomei's "Xue Ji Tu".

As before, he once again acted as an interpreter for everyone, introducing this fine Chinese painting.

"Among the modern Chinese painting masters in China, Chen Shaomei is a master of inheriting traditions. He treats all fine painting traditions with pious heart, and perfectly integrates the Northern School and Southern School.

His achievements in landscape painting and figure painting are particularly outstanding. The painting in front of him is one of his representative works of landscape painting. The style is elegant and elegant, with softness and masculinity,..."

It is already five or six minutes after explaining the painting.

Seeing that it was almost time, Ye Tian said to his mother and the others, then turned and left the exhibition hall on the second floor and returned to the first floor!

There is also a piece of crow skin yellow, of course not to be missed!