At that time, when Lin Xi came to the rostrum, he saw Qin Feng bending over and looking at the object in front of him with a strange look. It seemed that he was amazed and unbelievable.
It was as if he had no shadow in front of him except that object. Even when Lin Xi came to him, he didn't feel it and didn't say hello.
This makes Lin Xi even more curious. The objects that make Qin Feng so obsessed must be genuine ceramics. But what kind of ceramics are they? Even Qin Feng can't see them, and he shows such a strange look?
"Why? This is ··· "
I can't help but wonder. Lin Xi looks at the rostrum, but at the next moment, he is also surprised. In the direction of his eyes, the object that baffles all the experts turns out to be a Tri Color Pottery of the Tang Dynasty.
This tricolor pottery of the Tang Dynasty, which should be called the terracotta Figurine carrying camels, represents a traveling orchestra composed of camels instead of walking and singing, with a lead singer and accompaniment, forming a symphony of that era.
Among them, the camel four feet stand on the rectangular pedal, neck opening for hissing, camel body is hehe yellow, hunchback is padded with green oval blanket, the edge is blue.
On the platform, there are seven male musicians wearing soft scarves and round necked narrow sleeves. All of them sit cross legged on the carpet on Luo's back, playing Sheng, Xiao, pipa, konghou, flute, clapper, panxiao and other musical instruments.
There is also a female figure standing in the middle of the male figure. Her head is slightly up, her face is plump, her hair is in a black bun, and she is dressed in a long skirt with blue flowers on a white background. Her right hand is raised to her chest and her left arm is drooping, singing and dancing.
It can also be seen that this camel carrying musical maids is about 60 cm high and 40 cm long, of which the camel is also 50 cm high. Its shape is novel and its shape is quite large.
Moreover, the camel is strong, the characters have rich expressions, vivid images, exquisite ceramic art and gorgeous colors, which can be regarded as the masterpiece of the three color figurines of the Tang Dynasty.
Even looking at this tricolor camel, Lin Xi suddenly seems to dream back to the Tang Dynasty. He can feel how prosperous and brilliant the Tang Dynasty was in the past. He seems to see that Chang'an is full of exotic customs everywhere.
What's more, it also incisively and vividly shows that the prosperity and exchanges in various fields of the silk road have left us a beautiful picture of the blending of national culture and music.
In addition, the Tang Sancai is exquisitely conceived, exaggerated in shape, meticulous in workmanship, full of artistic imagination and romantic atmosphere, especially the romantic way of setting the stage on the hunchback.
In addition, in the whole work, the characters are vivid, even the camel is calm and powerful, as if walking slowly in the rhythm of music, and the eyes and eyebrows of the terracotta figures are clearly depicted, with different postures and attentive expressions. Especially the terracotta figures holding the clapboard and listening attentively, they seem to be intoxicated and lifelike by the beautiful music.
Even Lin Xi was shocked to see such a beautiful and rare object, not to mention Qin Feng's eyes?
But why is it that several experts can't see this object which is open to the public?
"Mr. Qin, what do you think of this object?"
After carefully reading the Tang Sancai, Lin Xi didn't rush to express his opinion. Instead, he pondered for a moment and asked Qin Feng for his opinion.
Although several experts said that they couldn't see clearly, they asked Lin Xi to come and have a look together, but he was a junior here after all. Qin Feng was an old expert in ceramic identification. He listened to Qin Feng's opinions first, not only out of respect for his predecessors, but also because he wanted to know why they couldn't see clearly.
"Perfect, it's so perfect. It's so perfect that it's almost imitative, but there's nothing wrong with the opening of the film. I can't really see it right ····"
after hearing Lin Xi's words, Qin Feng finally regained his mind, but his face became more and more strange, shaking his head and nodding his head. It seems that he really can't see the Tang Sancai.
But at this time, Lin Xi suddenly realized that no matter how you look at it, it's the Tang Sancai camel carrying musical servant, why several experts say that they can't see it, and even baffled Qin Feng.
Although no matter from the shape, style or glaze color, this Tang Sancai is authentic, but it is precisely because of this, it appears abrupt and strange, because it is too perfect!
Maybe some people want to ask, isn't perfection good?
As we all know, the Tri Color of the Tang Dynasty refers to the general term for the pottery unearthed from the tombs of the Tang Dynasty, rather than just referring to a certain kind of porcelain. Some of them only have single color and double color, and even some objects have more complex multi-color colors. However, in addition to the white body, the Tri Color of the Tang Dynasty is mostly yellow, green and green, so it is called Tri Color of the Tang Dynasty.
In other words, all the Tri Color ceramics of the Tang Dynasty are unearthed cultural relics, which were buried underground for a long time before they were discovered. The Tang Dynasty has a history of 1300 years.
Just imagine that after being buried in the soil for such a long time and suffering from soil erosion, how can it remain bright after being unearthed?
Not to mention the three colors of the Tang Dynasty, any other objects, including jade, bronze, or later porcelain, will be bitten by the soil if they are buried in the soil for a long time, causing slight corrosion.Moreover, none of the three colors of the Tang Dynasty known to have been unearthed is as perfect and bright as this one. It is also the reason why several experts dare not discuss it lightly.
After all, there is a phenomenon in antique shops. As long as they violate the rules, they can be regarded as high imitation forgeries. It's better to be the old punch of the old imitation.
So what really baffles Qin Feng is the sesame chip on the Tang Sancai. That is to say, Tang Sancai has been buried underground for thousands of years. It has been corroded by soil and other minerals all the year round, and naturally cracked over time.
Because this kind of cracking is relatively subtle, only about the size of sesame, can be easily found, it is called "sesame chip" in the industry.
Although today's counterfeiters can use chemical drugs to make sesame slices, so as to make huge profits from high imitation, few people know that sesame slices formed with chemical drugs are not naturally formed in small pieces, nor naturally formed in regularity, and can be easily distinguished.
In addition, there is the opening of Tang Sancai. The formation of the opening is related to the shrinkage ratio of the glaze. In the process of firing, the shrinkage is different after cooling, and then similar cracks are formed on the glaze surface, but closely connected fine lines.
In principle, opening is the most prominent feature in the identification process of Tang Sancai. Even today's counterfeiters can find a way to form this kind of opening, but because it is not formed naturally, it can be clearly found under the magnifying glass that the crack will be much wider than the natural formation.
However, this Tri Color of Tang Dynasty, whether it is sesame slices or open pieces, is the same as the Tri Color of Tang Dynasty unearthed in the past. No matter how you look at it, it is naturally formed.
But it's not as bright as Tang Sancai. It can be called two completely opposite characteristics. Now it's a perfect combination. Isn't it strange?
If it wasn't for such eccentricity, Qin Feng wouldn't be surprised. It's hard for other experts to say that they can't see it.
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