Chapter 1145

It was a stone statue of an old man with a gentle expression.

He has a square scarf on his head, long beard and beard, and looks like a fairy.

The most let Night Hong notice, is the old man holding a Cuan in his hand.

This Cuan also opened ten holes, which was very similar to the one brought by Yehong.

He looked up at the sky and made a wind Cuan.

A spirit of compassion for all sentient beings came out of him.

"These are the statues of our ancestors of the Yao family, and the tallest one is the one of our ancestors."

Yao Kuang, with a face full of emotion, introduced the way with night Hong.

Then Yao Kuang held the bone Cuan piously and came to the stone statue of the ancestor.

He led Yao Qianshu and Yao Ling and worshipped the stone statue one after another, chanting words.

It's about asking the ancestors not to blame them for their disrespectful behavior.

Ye Hong began to wonder why Yao Kuang wanted to say these words. Then he saw Yao Kuang take out a jade knife and come to the stone statue of his ancestor.

He explained to Yehong: "this is a Yao family from generation to generation to identify the method of ten hole bone ridge."

One side has already stretched the jade knife to the Cuan in the stone statue's hand.

Night Hong this just saw, Yao Kuang unexpectedly also brought a small basin of water in.

Yao Kuang carefully scraped some powder from the Cuan on the stone statue into the water basin with a jade knife, and then put the ten hole bone Cuan into the water basin piously.

Then there was another chant.

Night Hong see this process is really lengthy, can not help but continue to look at the stone room environment.

In addition to those stone statues, the surrounding stone walls also attracted Ye Hong's attention.

These stone walls are not bare, but full of murals.

This kind of mural style, all of a sudden let Night Hong Mou son fine awn flash.

"Have I ever seen this style of murals anywhere..."

in meditation, Yehong suddenly pats his head.

He finally recalled where he had seen the same style of murals.

When he first went to Kyoto, he had seen similar murals when he visited Qiyang palace.

With this wonderful state of mind, night Hong can not help but close to the murals to check up.

In the light of the night pearl, a picture full of wonderful artistic conception, slowly entered Yehong's eyes.

The beginning of the mural is a scene of the end of the earth.

The sky covered with thick clouds, the cracked earth, and volcanoes erupted everywhere.

Before the natural disaster, the tiny human beings fled all over the earth.

Night Hong looks at, suddenly double eyes a congealing.

Because he found that these human beings in the murals actually wore clothes of modern style.

And above the earth, there are also faint debris such as vehicles.

But because of its long history, the murals are a little fuzzy, and Yehong is not sure if he is wrong.

He frowned and looked at the second mural.

The location of this mural is actually empty, as if it had been dug away.

Yehong frowned deeper and continued to look at the third mural.

The third mural is another scene.

In the same scene of doomsday, there is a man in a robe who can't see clearly, standing alone on the top of the mountain.

He held the bone Cuan with ten holes in his hand and played to the chaos in front of him.

In the silent mural, Yehong seems to be able to see the sound of Cuan penetrating the heaven and earth.

A black dragon and a Xuanfeng fly out of the endless chaos.

Cang Long's mouth holds the sky and dispels the thick clouds.

Xuanfeng spits out the earth, repairing the sores between heaven and earth.

This is a scene of creation!