Chapter 1367

Many days later, Yehong saw similar murals in Qiyang palace and Yaojia stone room in Taiyi Palace on guanque peak.

Night Hong dare not neglect, quickly observe the content of the mural in front of him.

The mural depicts a very chaotic scene.

The first thing to see was a palace familiar to Yehong.

"Why? Isn't this the Qiyang palace in Kyoto? "

The Qiyang palace in the painting is shrouded in the flames of war.

A total of forces from both sides fought each other inside and outside the Qiyang palace.

In front of the palace gate, a Taoist priest in a black Taoist robe, holding a long sword, all looked up to the sky, his face was dignified.

On the chest part of the Taoist robe, there are two conspicuous characters - "Taiyi".

Yehong's heart is moving again. Are these Taoists the earliest masters of taiyigong, the disciples of taiyizong?

Following these disciples' line of sight, Yehong looks at the top of the mural.

There seems to be the location of the sky, but at this time there is an endless hole.

The cave kept flying out of the shadows.

These figures landed on the ground and fought with the soldiers in Qiyang palace and the Taoists in front of the palace.

It can be seen that the people on this side of the Qiyang Palace are obviously weak in combat power, and are pressed by people from the sky step by step.

If there were no miracles, Yehong believed that the painting would end with the total annihilation of the people in the Qiyang palace.

After seeing the whole mural, Yehong touched his chin and fell into meditation.

Obviously, these murals have something to do with prehistoric civilization.

Combined with the information that Yehong knew before, he arranged the murals in three places.

At the top of the list is the chaotic war picture in front of you.

Yehong speculates that those mysterious people from outside the sky may be invaders like aliens?

Their invasion is the key to the extinction of prehistoric civilization?

In the second place is the picture of ancestors ascending to heaven in Qiyang palace.

Yehong speculated that it was because of this invasion that the ancestors of prehistoric civilization had no choice but to go to heaven and leave behind the devastated land.

Then there is the creation map.

The mysterious man in the hood finally appeared on the earth and saved the world.

Can think carefully, night Hong always feel wrong again.

Because if it is arranged in this way, Qiyang palace and taiyidaozong must have been completely destroyed. It is impossible to explain such a complete trace left by Qiyang palace and taiyidaozong in this world.

Ye Hong shook his head and arranged the three scenes again.

This time, he changed the order.

At the top of the list is the picture of ancestors ascending to heaven.

He speculated that it might be some kind of disaster similar to the extinction of dinosaurs that caused the ancestors of prehistoric civilization to go to heaven and leave for refuge.

Time comes to the second scene, and the mysterious man in the hood waves to rebuild the world.

I do not know how many years later, the land of ancient Yan developed a human country, and Qiyang palace is the palace of this country.

As for taiyizong, maybe it's the state religion of this country.

In this way, we can explain the disappearance of that country in the relevant records of today's burning state.

It is said that Qiyang palace is the first imperial palace of Yan state, but somehow, that mysterious country disappeared without trace in history, leaving no records, only left the Qiyang Palace on the earth.

According to Yehong's conjecture, we can conclude that the disappearance of this country is related to the invasion in front of the mural!

Even Yehong boldly speculated that the mysterious people who invaded Qiyang palace in the sky were the so-called ancestors who had gone to heaven before!