Chapter 20: The twentieth day of being popular

Chapter 20: The twentieth day of being popular

Not only that, but she also got a good script.

However, Yao Xinxin suddenly didn't dare to say that when she met mother Yao's suspicious gaze.

No, you couldn't let the other party know the truth.

Yao Xinxin finally said: "Yao Bianliang was lucky this time. The show was suddenly noticed by the big V, and then it became popular for no reason."

"Besides, the film she acted in has the same theme as mine. Both are youth films and were compared by netizens. Now, my reputation on the Internet is not good.

People always believe what they wanted to believe.

In mother Yao's impression, Yao Bianliang was a waste, so it was natural she didn't believe that Yao Bianliang could really become popular by her own strength.

Looking at Yao Xinxin's pitiful appearance with tightly pursed lips, mother Yao's felt distressed.

"You acted in a youth film, and she also acted in a youth film. This is clearly against you on purpose." Mother Yao said bitterly.

It was like this in Yao's house, Yao Bianliang would deal with Yao Xinxin everywhere, and would snatch everything.

Now, Yao Bianliang had left Yao's house, but she didn't expect to confront still Xinxin.

Yao Bianliang did this probably because she held a grudge against them and was jealous of Yao Xinxin being the only daughter recognized by the Yao family.

"Mom, there are a lot of comments on the Internet that criticize me. They all say that I am not as good as Yao Bianliang." Yao Xinxin was very sad.

Yao's mother was dissatisfied: "How could you not be as good as Yao Bianliang? Those netizens are really talking nonsense with their eyes open."

In mother Yao's view, Yao Bianliang was just lucky this time. She was lucky enough to be noticed by the big V, and it became popular.

You must know that the rematch situation of "Good Drama PK Tournament" would only be stricter than the primary election.

All contestants needed to conduct closed shooting. During this period, they had to get up at 7:00 in the morning and go to bed at 12:00 in the evening. More importantly, they were not allowed to play with their mobile phones.

This was really painful for people like Yao Bianliang who got addicted to their phones.

She could no longer watch dramas, read novels, watch short videos, or surf the Internet. She could only be filming with her teammates every day and live miserably and isolated from the outside world.

"Please, don't let the heat go up." Looking at the ever-increasing number of votes, Yao Bianliang became more and more melancholy.

What made her even more desperate was that the anchor that made the 10th group get notice refused to give up, and even posted a special video comparing the two youth school dramas.

[Brother Feng's view about movies and television dramas:]

["To Our Youth" vs "Youth is Sweet with You": both of them are youth films, why is it so different?]

In the video, Brother Feng smiled kindly: "Today, I want to have an in-depth chat with you about the two youth films that were currently hotly discussed." "It was not about the camera work; everyone has already discussed these topics."

"So, this time I plan to discuss something else."

Feng Shiyuan paused, and continued: "The current youth films are full of all kinds of puppy love, secret love, and sadomasochistic love, in short, there is no escape from the word 'love'."

"For example, in the drama "Youth is Sweet with You", the scumbag heroine had a crush on the cool male god, In order to catch up with the male god, she studied hard and finally got admitted to the ideal university, and the two finally got married."

"Such plots have long become the mainstream of youth films today. But I want to ask, is this really the case? Isn't it worthy of scrutiny?"

"Why does the heroine study hard to catch up with the hero's footsteps, and not for her own ideals?"

"Why does the heroine have to rely on the male protagonist's guidance to get into a good university, not by her own efforts?"