The passage behind the door was only one meter high, and Jiang Le had to squat on the ground and crawl all the way.
It can be seen from the fact that there are no murals on the passage wall that this place is definitely not used for people to walk around where it is built.
After climbing for about seven meters, Jiang Lecai finally saw the end of the channel. Outside was a room with normal height. From the situation where a large number of bottles and cans were placed, it seemed to be a storage room.
When he climbed out of the passage, Jiang Le suddenly felt light and the whole person became relaxed.
I didn't stay in a narrow environment. I really can't feel the oppressive feeling.
If you have claustrophobia, the feeling may be more serious.
"The design of this passage is really strange. It doesn't seem to be used for people at all, but if it is only used to breathe inside the temple, this passage looks too big." Jiang Le looked back at the channel and said.
[I also think it's strange. At this height, children can go in and out freely. I don't know what the target is]
[my opinion is similar to brother Jiang's, and this passage looks really sinister]
Many bullet screens in the live studio expressed the same views as Jiang Le.
After coming out of the passage, Jiang Le immediately began to check all kinds of bottles and cans in the room, and planned to see if there were any valuable clues left in it over the years.
However, when he opened the first pottery pot and saw the contents clearly, Jiang Le widened his eyes.
Inside the jar was a human skeleton soaked in an unknown liquid.
Judging from the size and shape of the bones, the deceased should have been only about five or six years old.
Open the slightly larger jar next to it. There is also a corpse immersed in it, but it is slightly larger than the one next to it.
Looking back at the many bottles, bottles and cans in the whole room, some are as tall as a person, and the smallest is only Jiang Le's calf. If not surprisingly, the bottles, bottles and cans in the whole room should be filled with skeletons.
This is a Mayan morgue!
There are more than 50 bottles and cans in the whole room, which shows that more than 50 lives have died in this place.
Ordinary people of the Mayan civilization had their dwellings, and the temple was generally built for sacrificing and offering sacrifices to gods. Therefore, when these bodies appeared in the temple, Jiang Le immediately understood its significance.
Maya civilization has been discovered by modern humans for decades, and there has never been a definite phenomenon of sacrificing living people.
But today, many human skeletons in this room are irrefutable evidence that Maya civilization once had live sacrifice.
Unexpectedly, even the higher Mayan civilization, which can be built with things that are difficult to explain by modern science, will do such inhuman and inhuman things as living sacrifice.
It really opened Jiang Le's eyes. At the same time, it will also be a great breakthrough in human archaeology.
Mayan civilization has a living sacrifice.
[I'll go. What the hell is this place for? It's so cruel that people are soaked in earthen pots]
[now the question is whether it's the living or the dead]
[no wonder when brother Jiang came in, I felt the place was gloomy. It turned out that there were so many corpses here. No wonder the spirit was heavy]
The other jars Jiang Le no longer opened one by one to identify. The unknown liquid in the jar has not evaporated for so many years. It must not be ordinary water.
Jiang Le is not sure whether this liquid is poisonous or not. It will be troublesome in case of physical discomfort caused by too much smell, so it's better to contact less.
Find the corridor leading to other places in this room, and Jiang Le quickly left here.
……
Although the temple looks small in appearance, in fact, the internal area is not small.
According to the survey of terrain detector, the whole temple has eight floors above the ground, and there are three hidden floors underground. The terrain of each floor is complex and like a maze. No wonder ankson said that he only explored less than 30% of the temple area when he came last time.
From the perspective of Jiang Le's present God, he is not exaggerated, but may be modest.
Leaving the room, the hallway wall suddenly appeared the characteristic murals of Mayan civilization.
One of the most remarkable is the figure of a huge winged long snake. There is no doubt that the identity of this figure is the feather snake god.
Kukulkan is the name of the feather snake god in the Mayan civilization, but in the whole Central American civilization, the feather snake god is a god believed in. The most common image is the winged giant snake with feathers.
It can be said that the feather snake god is an important totem of continental American culture. It has even been used as classic material by many fantasy novels, films and comics.
In the Mayan civilization, the feather snake god dominated the morning star, invented books and legislation, brought corn to mankind, and also represented death and rebirth. The feather snake god often comes with the rainy season, and the rainy season extremely coincides with the time when the Mayans planted corn. Therefore, the feather snake god has become a God highly respected by the Mayan farmers and has a high position in the whole Mayan civilization.