Chapter 162

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"I'm sorry, Kerry."

After hearing Kerry Mulligan's sobbing description, Mike sighed with sincerity, "it's my client who got the heroine."

Kerry Mulligan immediately looked over, his eyes wide open.

Mike had already figured out what to do. "You know her, Jessica chastan, Murphy's former assistant. She's my contract client now. "

"She?" Kerry Mulligan's gloomy face darkened. "You..."

It seems that he didn't see Kerry Mulligan's face or hear her words. Mike said to himself, "Kerry, don't complain about this kind of thing, and don't go to Murphy. Jesse has worked for him for a long time..."

He specially accentuated the words behind, "personal assistant, isn't it normal for him to choose Jesse to give up others?"

This immediately distracted Kerry Mulligan, who turned back and looked away in silence.

"That's what Hollywood is like." Mike added, "everyone will choose someone who is close to them."

Kerry Mulligan sat in the co pilot's seat, not knowing what he was thinking. After a long time, he said, "Mike, can you take me to Santa Monica?"

"Of course." Mike nodded without hesitation. If you remember correctly, Murphy Stanton's new home is there.

Among the agents who walked out of the mailroom together, he was the most promising one, and his ability was also recognized by the company and the public. Otherwise, Bill rosis would not have asked him to visit potential customers, but everything has changed recently.

He knew what Bill rosis depended on for his present position.

These may not be able to drag down Murphy Stanton, is bound to affect him, and he does not need to do anything.

Leaving Kerry Mulligan in the valley of Santa Monica, Mike drives happily toward century city.

After opening the door and returning home, Kerry Mulligan walked into the living room of the main building, kicked off his sneakers and saw Murphy's photo frame on the porch. He grabbed it without thinking about it and threw it out. Fortunately, it was on the carpet, which didn't break.

Her cell phone suddenly rings, takes it up and looks at it. It's bill rosis, the agent. After connecting, she hears a few words from the other side. Her gloomy face doesn't get any better. "Just for these inexplicable things? Liz is my best friend! How can you do that? "

Kerry Mulligan's voice rose again, "don't tell me what Hollywood really is like! I can see it myself! I'm not blind

Hang up the phone, she immediately put the phone is still on the ground.

Falling down on the long sofa, Kerry Mulligan's face was buried in a pillow, and tears kept flowing down. He only felt deeply wronged and didn't know how to explain to Elizabeth Banks.

Liz is so kind to her. Although she only talked to Kayla Knightley when she had a conflict, she stood on her side after that day without hesitation and defended her.

How could they treat such a good friend and such a good person!

After receiving a call from Bill rosis, Murphy went straight home. When she walked into the small building, she saw Kerry Mulligan, sobbing on the sofa, sitting beside him.

"Still angry?" Murphy caressed her shoulder.

Kerry Mulligan looked up, his face was worn, but he glared, "I don't want to talk to you!"

"Hey, honey." Murphy had no experience in dealing with this situation at all, so he had to appease, "don't be angry, OK? I didn't mean to drive you away. The situation at that time was not suitable to talk about it. "

How could a woman listen to these reasonable explanations at such a time? Kerry Mulligan turned over and sat up, with no more tears on her face, just a dark, gloomy face.

Murphy said patiently, "bill called you?"

Kerry Mullen still glared and didn't speak at all.

"I did the same..."

"For my sake?" Kerry Mulligan interrupted Murphy. "People all over the world are for my good! Julian firos is like this! My parents are like this! So are you

With that, she grabbed the pillow, threw it on Murphy, turned and ran up the stairs.

When Murphy picked up the pillow on the ground, there was a huge sound of door closing upstairs, which seemed to shake the whole building down.

Just wanted to go upstairs and explain a few more words, Murphy saw the mobile phone still on the carpet. After picking it up, she found that there were other things near the coffee table.

The mobile phone was put on the coffee table and bent over to pick up the frame. Murphy turned over and had a look. The frame was not broken, but there was a big crack in the glass outside. It just passed through him in the photo and divided him into two parts.

"Bang! Bang

There was a loud noise upstairs. Murphy sighed, put the photo frame in place, picked up her mobile phone, and walked toward the stairs.This is the first time that there has been a real conflict between him and Kerry Mulligan. At the beginning, Murphy can patiently persuade him, but later, Kerry Mulligan has also aroused his anger. His experience on both sides of the Strait is only in his early twenties, which is also a time of youth. Moreover, from the perspective of him and bill rosis, Kerry Mulligan is more like making trouble out of nothing.

In the next few days, when Kerry Mulligan got home, he locked himself in the master bedroom and did not speak to him. Murphy simply moved into a bedroom in the auxiliary building for the time being and planned to have a good talk when Kerry Mulligan calmed down.

But the girl's rebellion was just as Murphy had expected. In nearly a week, she didn't say a word to him.

At the beginning, Murphy was still creating and looking for opportunities to ease contradictions and make up again. But as time went on, there were more and more preparations for "planet of terror". Although there was no need to be a part-time producer, many things needed his personal participation as a director, and gradually put it aside for the time being.

Together with Erica Steinberg, Kim cleman, Paul Wilson, Philip Raschel, David Robbie and Helena espora, he left Los Angeles for a wilderness on the border of California and Nevada to explore suitable location for shooting.

Completely different from the previous two films, "planet of terror" has a lot of location shots, and quite a lot of action plays have to be shot on location.

Two business cars stop at a bridge. Murphy is the first to get out of the car and walk to the bridge. Holding the rusty metal guardrail, he looks down at the blackened river. Then he looks to the opposite bank, where there is a piece of barbed wire, and behind it is a large typical open field. He can't see the end at a glance.

"Helen, Philip," Murphy said to them, pointing to the barbed wire. "How about the barbecue over there?"

"There's no problem with the scenery." Helena espora said.

Philip Raschel looked up at the piercing eyes. "The sun is direct on this side in the afternoon, which will affect the long-range view and make the later color matching difficult."

Murphy nodded. "Fine tune the plan and put the long shot in the morning."

All the shots of this film take place in the dark, but the shooting will not do so. Basically, they will be shot in the daytime, and then the color will be adjusted through the Da Vinci palette later.

Erica Steinberg also followed. After a simple discussion, four people decided that this is the first choice for the location of the barbecue.

"What about the town?" Helena espora asked, "do we shoot in the background, too?"

"No, no, no!" Standing behind four people, Kim cleman, who had not spoken for a long time, jumped out and said, "the cost of setting up a scene is too high, it will exceed the budget!"

Any plan that may exceed the budget is the object of his strong opposition.

He stood on the bridge and pointed to the East. "I've been here once before. There's a small town over there. It's a remote place, and there's no one to repair it all the year round. It looks very dilapidated..."

Seeing a few people looking at it, he said, "Murphy, I think that town fits your requirements."

Prior to Murphy's arrival, representatives of the guarantee company and one of Erica Steinberg's location producers visited many places nearby.

It's better not to take the scenery. Murphy nodded and walked toward the car. "Let's go and have a look."

The town is about five miles away. It's very small. Maybe it's more suitable to be a small village. Murphy and his party made a circle in it and made sure it was OK. They got in touch with the management of the town. Unlike Hollywood movies, people in remote places are always hostile to outsiders. On the contrary, they welcome Murphy and his party very much and are very happy We agreed to cooperate with the shooting.

In fact, the situation is not complicated. The crew is not shooting here for free. It will definitely bring a sum of money. Moreover, so many people eat and drink Lhasa, which can also bring some income to the town.

After five days in California and Nevada, Murphy finished all the location shooting and returned to Los Angeles. Apart from continuing to prepare the film, he also met with the international distributors brought by Harvey Weinstein. After all, some of the follow-up investment in the film came from overseas pre-sale. It is also necessary to give these distributors some confidence.

"Director Stanton, we're looking forward to your new work."

A representative of a film company from Israel showed great enthusiasm. "Chainsaw is very popular in Israel. If possible, when horror planet is on, I hope you can go to Israel with the crew for publicity."

"I hope so, too." Murphy can only respond vaguely.

This is a film invested and released by Miramax. Whether it will be publicized overseas or not, and if so, how it will be formed will be decided by Miramax.

Seeing off these overseas distributors, Murphy gave the crew a Christmas holiday. The new year has just begun. Murphy led the crew out of Los Angeles and started the shooting journey. (to be continued). )