V1.C201

"Good" Adrian clapped his hands. "Very good, you guys. You did a good job, but we have to do it again."

He walked up to Renault, who was lying on the ground, looked down for a few seconds, and then waved to the Choreographer: "I think it might take more tomato juice - not on the face, on the back and on the ground."

"Great," said Renault on the ground, as if relieved. "I thought you were going to make me look plasma all over my face."

"It seems better to be a neurotic police officer with a lot of people." Oldman, with a prop gun, raised his hands and looked around in a pose. "At least not all tomato juice."

There was a burst of laughter all around.

"Well, keep your nerves up, Gary." Adrian slapped him on the shoulder with a smile, then returned to his position and was about to shout to start. An assistant hurried up: "Mr. Adrian, Miss Natalie and her mother are here."

"Great. Where is it?" Adrian's eyes brightened, and he immediately looked in the crowd.

"Hi, Adrian." Natalie and her mother, Shelly, soon came up and waved to him.

"You are ahead of time." Adrian said with a smile, then reached out and shook Natalie and Shelley respectively. Frankly, it was nice to hold the girl's tender little hand.

"Just a few minutes." Shelly said instead of her daughter.

"I've got a couple more shots to shoot, and I'm going to have stylists and makeup artists do it for you first," Adrian looked at Natalie. "Are you ready, Natalie?"

The girl pinched her long hair, although some reluctant, but soon firmly nodded: "ready."

"That's it." Adrian said he asked the assistant to take Natalie to the saloon car with the dressing room, then returned to the camera and clapped his hands vigorously: "OK, everyone, let's go on."

It took about 10 minutes to shoot the scene where Renault temporarily put the grenade ring into oldman's hand twice. After the crew entered the break time, the two actors cleaned up their belongings. It took more than ten minutes for the stylist to bring Natalie to Adrian.

She is no longer the girl with long hair, and her brown coat, light trousers and canvas shoes are gone. Instead, she has short, straight, bubble headed hair of the 1930s, a striped vest and bohemian cashmere jacket, shorts and brown shoes at the bottom of her thighs, and her clean legs are exposed. If it wasn't for the movie that her face turned a little dirty and there were some scars on it, it would have attracted a lot of people.

"Good news for you, two. The girl you're fighting for has come." Adrian smiles and introduces Natalie to Renault and oldman.

"Hey, ED, it doesn't seem very nice of you to talk like that." Renault said jokingly.

"It doesn't matter. Adrian is just joking," Natalie pleaded for him, then stretched out her hand generously, without any sense of shyness. "Hello, I'm Natalie herag."

"I'm Jean Renault. You can call me Jean." Renault looked at the girl with a curious look.

"Gary Oldman, just call me Gary." Oldman waved freely.

"Thank you. I like your movies very much," the little girl said with a smile. "Although blue sea and blue sky are only recently seen, they are really moving. Unfortunately," killing Kennedy "and" four hundred years of surprise "are R-rated films. My father doesn't allow them to watch them. I just heard that Gary plays count de Kula very cool."

"Not bad, used to this kind of darker role." Oldman shrugged.

"Well, Natalie, it's time to start cultivating your emotions." Adrian, who has been staying nearby, said at this time that he found that oldman didn't seem to want to talk more about the film "four hundred years of surprise". Before he jokingly called him count de Kula, Alderman's eyes flashed with depression. It seems that he had encountered a lot of troubles when shooting this film. For example, Winona didn't like him - this is Jingdan Nice confirmed it.

"I'll start right away." Natalie quickly replied, smiling at Renault and oldman, and then she sat aside to read the script carefully. Adrian began to arrange for the girl's first scene.

Natalie's part is very simple. It's the scene where Matilda escapes from the exhaust pipe and walks down the street through the underground exit. The whole process is very simple, and there is no line, but it is a test of the actor's acting skills and mastery of the role. For example, it is not easy to look at the tension and worry outside at the underground exit at the beginning, or try to keep calm when she comes out, and the panic when she is photographed by the police to let her go quickly.

"Are you ready?" Adrian, who has arranged everything, stands behind Natalie with the camera. The little girl takes a big breath and nods to him.

"Good." Adrian said, lowering his head to look at the camera and gesturing to the recording.After a delay of five or six seconds, Natalie, with her back to the camera and holding evergreen and a large bag of luggage, immediately began to trot. The patter of footsteps sounded at the underground exit. Adrian, who was carrying the camera, immediately followed, and several assistants were behind her.

As she reached the exit step, Natalie stopped. It took a few seconds for Adrian to turn off the camera and look up. "It's not very good. Let's do it again."

Everyone immediately returned to their original position, and then the little girl started running again. Unfortunately, she still failed and had to start again. In fact, it's enough to think twice. After all, it's just shooting from the back with a hand-held camera. It's very common. It doesn't take much skill to perform or shoot. Even so, Adrian took six shots to finish.

It's not that he wants to make things difficult. The key is that the crew can easily negotiate with the community and the police station to set aside areas on the street for shooting, so we must strive to finish shooting the relevant scenes. This is the first time Natalie has performed in front of the camera. Although her performance was amazing and she was always full of confidence, it does not mean that she can now completely override the role of Matilda. Moreover, this scene requires her to perform with body language and emotion.

So Adrian wanted to use this method to remind her that making movies is not an easy thing. Sometimes, the experience of some things from practice is more impressive than that of others.

It turns out that Natalie is really mature and intelligent. Although she frowned a little at the end of the fourth time, she showed a clear look before the fifth time. Then she took the next two shots very seriously. After Adrian said that the camera could pass, she quickly closed her eyes and began to adjust her mood.

But even so, when shooting the positive lens, she was still ng. Adrian always thought that her mood was not in place and did not express that feeling, especially the picture in his head for reference.

"Don't be discouraged, Natalie. Calm down and think about how Matilda's anxiety, nervousness and worry can be expressed implicitly at this time." After nearly 20 ng sessions, Adrian announced a break, then came to the girl with a plainly depressed expression and said this to her.

"I've been trying to feel it, but..." Said Natalie, drooping her head a little sullen.

Seeing her like this, Adrian suddenly felt that he was a little impatient for success. Generally speaking, he should shoot some scenes with less intense feelings, so that the two actors could communicate with each other, run in and get familiar with each other. In fact, he did plan to do that. In addition to the current scenes, Natalie only had a few scenes to communicate with the special police. The most important one was to say goodbye to Lyon.

Anyway, it's an indoor play, which can be shot at any time, but now it's on location. If you don't take this opportunity to finish shooting, it will be very troublesome to plot out the area like this in the future. You know, it's in New York.

"It doesn't matter. After all, it's your first time in a movie, Natalie. It's normal to feel at a loss. So don't take it to heart. We'll take it slowly over and over again, and you'll catch it. " Adrian continued to comfort, anyway, to shoot here for two days, the division of the area can still be used, the big thing is to find a way to talk with them to rent a few more days, any money can solve the problem is not a problem.

"Well, take a rest and I'll see how they're doing." Adrian said he was about to leave because he had used two cameras to shoot the explosion scene, so he always asked assistant director mastson to take some fragmentary pictures with the extras, so he wanted to take this opportunity to have a look.

"No, I can go on." Natalie suddenly looked up, her bright eyes wide open at Adrian, and her confident look seemed never to disappear.

Adrian picked her eyebrows, looked at her for about ten seconds, and finally agreed to the request: "OK, let's go on."

Then there was ng for more than ten times, but neither Natalie nor Adrian had any other expression and language. After "cut", she calmly returned to her original position and prepared for the next shooting. Despite this, Adrian still saw the little girl's progress, even in the 19th time almost passed, but after thinking about it, he still put up with it.

And Natalie took a deep breath, pinched her fist and encouraged herself, and then she went back to her position again, hugging evergreen, bear cubs and bags in the flowerpot.

PA, with a crisp tap, the camera began to rotate. The girl with disordered hair slightly raised her head to look at the busy police in the street. A trace of anxiety flashed in her eyes and her eyebrows curled up. She opened her mouth but then closed it. Then she lowered her head and pursed her lips and came out along the steps. Her eyes were shadowy as if she were chewing tears, but she tried to bear to make an expression of nothing. She strode forward, only holding the evergreen in her arms more tightly.

"Very good" Adrian looked at all this and finally called out loud.“

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