V1.C202

With the explosion of Fulton street, the shooting of "the killer is not too cold" finally started. Although some things were delayed due to some small problems, the crew still completed the shooting outside the street within the plan.

The next shooting is basically indoor drama. First, it completes the part of the special police's encirclement and suppression of Lyon, such as the fierce gun battle and how Lyon disguised as a special police officer and then mixed up.

"Scene 94, act 45, ready" with the sound of the recording, the prop gun started shooting. Similarly, compared with the big screen firefight, the shooting scene is really bad enough, especially Adrian, in order to be safe, in addition to some shooting close-up, even empty bullets are not allowed to use, which looks even more fake. This is similar to the explosion drama. It will have an impact only after it is processed in the later stage. Now it is not too much to say that it is playing games like this.

Of course, the actors don't think they are playing games, and they are all absorbed in the firefight. Although Adrian has directed a gunfight before, it is the first time that such a large-scale firefight scene is taken, so Masterson is still needed to help steer.

This part of the scene took about half a day. Adrian, who has made many films, is already very good at learning in shooting. In addition, his head still has many classic pictures for reference, so everything goes smoothly. He even made a few suggestions, which he analyzed with the motion design team, to make Jean Renault's shooting more aggressive.

But with the lessons learned, some scenes were delayed, even though Natalie had a good performance that afternoon. So the next shots are fragmentary scenes of life, such as Matilda shopping home, or cleaning Lyon's room to maintain guns, or Lyon sitting sleeping with sunglasses, and so on.

Although Lyon and Matilda have changed their homes twice in the film, the apartments rented for filming are all nearby, and at most, it is a bit troublesome to run around.

As the shooting went on, Adrian began to add the main lines of stories to the trivial scenes of life, the most important of which was Matilda sitting on the floor of the stairs smoking and then meeting Lyon.

"Remember, Nada, all you have to do is hold up the cigarette, don't put it to your mouth." Adrian sits next to Natalie and tells her what's going on. He redesigned the scene here. He intended to show that the girl was smoking by moving her cigarette carrying hand away from her face. He didn't want Matilda with cigarette on the screen, which could blur the audience's impression. As long as it was well adjusted, it would be good for the film.

"Why can't you put it to your mouth, ed?" Natalie asked, "don't you think it looks fake?"

"It's not very real even on the lips," Adrian laughed. "And audiences don't like to see a 12-year-old girl smoking, even on the screen."

"But I don't really smoke." Natalie curled her mouth and spread her hands. Although she didn't think much of her small face, she was lovely and mature.

"Yes, but other people don't think so," Adrian could not help rubbing his hand over her head. "Well, smart little fellow, you have to understand that unless you never get in touch with others, you have to think about other people's opinions."

"Well, well, I see." Natalie shrugged and then gave Adrian a grimace. "How many times has this been, ED, does my head feel good?"

Adrian chuckled, shook his head, and then told everyone to get ready to start. After a period of time together, Natalie, with her delicate and lovely appearance and her maturity far beyond her peers, has initially established her own popularity in the cast, and has become more and more familiar with him and the other two leading actors.

Renault and oldman are both very interesting guys in private. They often like to make fun of each other when they have a rest. Natalie's intelligence is not less, and they have a good relationship with each other. But Adrian is the most harmonious. As he said before, when a girl shares her most intimate things with you, she will automatically regard you as her most trusted person.

In fact, after the shooting that day, Natalie secretly told Adrian that the reason why she was able to perform so well in the last time was that she did not want to let him down in addition to the idea of not admitting defeat and simulating the feelings of her parents' death. That's a good sign, isn't it? So after a few days, they've called each other by nicknames.

"All in place, ready." With the voice of the deputy director, the whole crew immediately started to work. This time, Adrian did not fight against the camera, but stood quietly watching.

Lyon didn't like to take the elevator, so every time he came back to his room, he took the stairs. He was wearing a black windbreaker, round sunglasses and a small round cap. This makes him look a little rustic, but at the same time gives people a different feeling, so it attracted the eyes of the girl sitting in the corridor, and said hello when he passed by from behind.

Similarly, this young girl with a lonely body also let Lyon's eyes fall on her body involuntarily, looked for several seconds and then asked, "why hide the smoke?""There are mice all over the building," the girl replied in a low, soft voice. "I don't want the old man to know. There's enough trouble."

Lyon immediately noticed the dredging of the corners of her eyes and bent down: "what's going on?"

"Fell off the bike." The girl avoided his eyes.

Lyon didn't say much. He got up and went to his room, but the girl stopped him again: "don't tell my dad about smoking, OK?"

Lyon looked at her. Although she still did not speak, she continued to walk to her room, but the girl knew that he had agreed, so her eyes remained on him until he entered the room. The initial contact and trust were thus established.

"Very good, very good." Adrian couldn't help clapping his hands, and suddenly he burst into applause.

"Are you talking about Jean, ed?" Natalie then regained her old spirit, blinked at Adrian and asked with a smile.

"Well, Nada, you know what I'm talking about," Adrian rolled his eyes, but added, "you're all very well, especially you, Nada. Matilda is almost tailor-made for you."

That's right, with the increase in shooting time, Adrian can basically identify that. Matilda and Natalie have too many similarities, such as that rebellious that stubborn, such as trying to make the green self more mature and so on. Of course, Natalie is smarter than Mathilda. Although she is less than 12 years old and is still a little girl, she knows what she wants and will strive for it. She also knows how to compromise and how to express herself.

But the fit with the role is very high, from a certain point of view, she can also be regarded as the original performance.

"Well, it's your turn, Gary." Adrian gave Natalie a thumbs up, followed by Alderman, who was preparing, and then came the evil cop Stan's debut.

As an anti drug officer, Stan gave a bag of drugs to Matilda's father for safekeeping. However, two months later, when it was obtained, the purity of 100% became 90%. It is needless to say that there is something fishy about it. But Mathilda's father was so dizzy that he insisted that he didn't know, and eventually brought about the tragedy of killing the family.

It has to be admitted that oldman's ability to control this role, when the minion failed to negotiate with Matilda's father, he had to disturb Stan who was listening to the music. He turned around, and his neurotic and evil eyes gave people a sense of oppression, and even the fat actor who played Matilda's father could not help but take a cold breath.

Although it was funny to hold each other for a while, when his deep voice rang, the feeling of oppression did not diminish: "do me a favor and find out who did it."

"It turns out that my judgment is right. These characters are perfect for you, Gary." After taking these shots, Adrian half joked to oldman.

"Watch your words, ed." Oldman took a look at him, reached out his hand, and nodded in the air, still in that low, oppressive tone. Obviously, he is still immersed in the character's emotions, not completely pulled out.

"It's a great actor." Natalie came to Adrian at this time, looking at the water bottle from the assistant, looked up at Alderman who drank a lot, and said with envy.

"It's not the best," Adrian shook his head. "Do you know Judy foster? After that, not only can she eat a big sandwich, but she can quickly get back to the scene. "

"Really?" Natalie asked curiously.

"Of course, when you come to Los Angeles to make a movie, you can ask her in person." Adrian said with a smile.

"Go to Los Angeles to make a movie..." Natalie rolled her eyes and didn't know what she was thinking.

"Well, don't think so much about it. Let's go to the dresser to change clothes. Next we're going to shoot the most important scene for Matilda and Lyon." Adrian said.

"The rescue play?" The little girl's eyes lit up, "aren't you going to shoot again in a few days?"

"Because you did a great job today, I think you can try it." Adrian stares at her, making Natalie feel embarrassed.

"And, of course, because I don't want to add to Gary's burden, we'll be in trouble if he spends a lot of time adjusting every time he's finished." Adrian suddenly changed his words, "otherwise, if he is too deep in the play, maybe one day he will find a gun and kill us all."

"I said, ED, the next time you say something bad about someone's back, don't let them hear you." Oldman, who has recovered from his illness, said sarcastically.

"I'm sorry, Gary, I didn't speak behind my back. I spoke to my face." Adrian's hands once, immediately for a burst of laughter around.

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