Imperial Entertainment's internal conditions and treatment, as well as the relaxed working atmosphere, are the most attractive to their behind the scenes staff.
From the beginning of shooting to the end, Li Xianzhe never interfered with his power in the crew, and even did not personally review the editing. This strong trust makes Kim Tae ho cherish every day as a director.
Now, with his rising status, MBC has also taken out a lot of generous treatment to retain him.
But these are temporary. He can see that all the reasons are based on his continued cooperation with Li Xianzhe.
Even though the treatment is improved, it is still constrained and managed by the senior management of the TV station. This feeling is what Kim Tae ho dislikes most.
Just wait until the next works are shot, so that his foundation in the film and television industry can be completely stabilized.
At that time, Kim Tae ho would choose to resign and join Li Xianzhe's company to continue directing unlimited challenge in another capacity. This is his future plan.
"Anyway, this is an opportunity. President Li has always mentioned you in front of me. I can see that he hopes to cooperate with you very much, so... Look at the script first."
Luo Yingshi nodded slightly. What Jin Taihao said is not unreasonable.
In the past, I wanted to fight for opportunities that I couldn't get. Now I have no reason to miss them. Even if I have more work at hand, this is a new challenge.
Empire entertainment is now a pastry. Jin Taihao's experience has proved everything.
Moreover, he also believes that this old friend, in his eyes, Kim Tae ho is also a proud person. If he can persuade himself to take the job in this way, the key point is in this script.
The meat in the roasting plate, puffing toward the sound of explosion, was cut into thin pieces of bacon. Driven by the high temperature, it began to release the oil and water in the meat a little, and then gradually deformed.
Turning to the first page, the first thing I saw was a long paragraph.
Luo Yingshi asked himself that he has also read many scripts, but none of them can add a readme on the front page like a preface to a novel.
It's an interesting way of writing. With this idea, Luo Yingshi hung his head. From the perspective of Jin Taihao, he can only see his eyelashes blink occasionally, especially seriously.
"Everyone has his own youth in his life. But memory is not the same. The movie in my eyes is a dream making machine. It can resonate with people and produce a strong sense of substitution.
Today, after talking with a trainee, I thought of a story. I believe everyone's past has such a picture. The reason why I think of this must be related to my communication with that trainee friend.
Therefore, I wrote in front of the desk with a desk lamp. I thought I should give this story to people who have outstanding ability and can understand my ideas. Although there are many excellent people in the Republic of Korea, I can handle such delicate things. After excluding some circles, I thought of a person.
Perhaps, after writing this story, I should find a chance to give it to him. Therefore, this mood is the driving force for me to write now—— "Li Xianzhe"
After reading this paragraph, Luo Yingshi no longer cares about the script as much as he did at the beginning.
According to the above, the birth of this script was thought of because of what I talked about with the trainees around me. But the reason why I started to write it down is to enable people with ability to shoot it.
The screenwriter himself said above that after excluding some circles, why are they excluded, what circles are excluded, and a person thought of later.
A strange feeling appeared in Luo Yingshi's heart, as if the script was written in order to be sent to him.
In other words, it is specially created to be able to shoot by yourself.
what is it? Trust? Or is it a simple regret that I didn't cooperate once before, so I'm not willing to give up?
Just a simple readme, but let Luo Yingshi angry, a strong curiosity, want to wait to read.
He knew that he had fallen into the pit set by Li Xianzhe, but he volunteered.
Xu Taiyu, the hero in the story, is like a red rose with thorns. He is as enthusiastic as ever. He is a bully with many younger brothers in school, and his words and deeds are full of the smell of foolishness.
For his description of his appearance, Li Xianzhe only used the hairstyle of "pineapple head" in the script. Therefore, a figure that is somewhat obscene and black, but more reliable than anyone at a critical time, appears in Luo Yingshi's mind.
The most attractive quality of Xu Taiyu is that he can always adhere to being himself, protect what he cherishes, and will not give up those beautiful things.
This is a charming bastard. When the sky falls, he is also cynical. He has principles outside and inside, which is extremely reliable.
The male No. 2 Ouyang is extraordinary, which corresponds to the opposite color of Xu Taiyu. The other side of red is white. He has a quiet personality, looks beautiful and has excellent character and learning.
In everyone's youth campus life, there will always be such a person around him or in the class.
He often takes the first place in the exam and has good sports talent.
The so-called "school grass" is used to describe such a person, which will appear in any novel or story. The dream lover of the girls in the whole school, many girls will see him as their secret love object. Many men are jealous when they see him.
As for the heroine Lin Zhenxin, this is a very simple name in Luo Yingshi's view. In Li Xianzhe's description, she wears thick eyes and a messy explosive head.
The grades are counted down in the class. In class, I always copy the lyrics behind my teacher's back. At some times, I am very flower crazy and clumsy.
Two male protagonists and one female protagonist are the standard routines in youth novels, but Luo Yingshi feels that they should not be the only ones.
I have to say that although there have been several youth films in the Korean film industry these years, why do you say a few, because in the eyes of Korean directors, youth films are like unpopular minority themes.
The audience likes to watch those who abuse more and more dog blood. It's best to abuse them to heartache and burst into tears.
You can also say that these people like to find abuse. They bear too much pressure in life. As a result, they also like to go to movies and TV dramas to find abuse.
But "abuse" or "darkness" or "violence", or through the adaptation of real events, refract some problems, which is the mainstream of building Korean films at present.
The top ten films that appear on film websites every year are basically commercial films.
In the final analysis, youth films are the category of literary and artistic films. Taking the number of film viewers as the box office statistics, many directors who try to make literary and artistic films or the film makers don't want to lose money in the end.
In addition to an unexpected Award for Miyang, most literary and artistic films have directly become areas that some directors are unwilling to involve, let alone campus films that show one's youth and the daily life of young girls.
If you want to watch high scoring youth films, you can only watch those from other overseas countries.
As for South Korea, the index of breaking hands is Pei Xiuzhi, introduction to architecture by Li Dixun, sunny by Shen enjing and min Xiaolin, or hot blood youth by park BAOYING and Li zhongshuo.