In addition to these, others are either the life and death of love, occasionally mixed with a little fresh "my savage girlfriend", or they look beautiful. In essence, what they shoot is "if love has God's will" of the current young people's concept of love.
These films were made many years ago, but compared with recent years, there are only a few love films that can be called classic. On the contrary, what progress has been made in the theme of Korean films is just wandering around in a circle.
Korean dramas talk about dog blood, while Japanese dramas talk about aestheticism. Similarly, movies, romantic films, or little fresh Korean really can't compare with RB.
Many times, Luo Yingshi talked to some friends in the film industry about why there is a "lack of youth" in Korean youth films.
But when he slowly fell into the plot of my girlhood, he understood the problem. All the questions were satisfactorily answered by Li Xianzhe's exquisite writing.
The hero in the story, Xu Taiyu, is like himself when he was young. Although Luo Yingshi asked himself that he liked hip-hop when he was young, there is a certain difference between him and Xu Taiyu, there are also rebellions at that age.
From the appearance of Xu Taiyu to the description of daily campus life, struggling with teachers, seeing the image outside the favorite personality, moss sprayed wax layer after layer, learning the lines of the male protagonist in the film or his handsome appearance,
Or choose snacks in a small supermarket. Luo Yingshi wants to say that this is the epitome of his youth.
Every man and woman has experienced their own youth, girlhood, which is the best time.
Although the whole story looks very dog blood and ordinary, the "sense of substitution" in the story brightens Luo Yingshi's eyes.
"What is my youth and how can the audience find the memory of their youth in the film is actually the sense of substitution of the story."
This is like the original "building modification wheel". Many people saw the shadow of their first love from Pei Xiuzhi. Therefore, the film will be a great success.
In terms of character setting, Li Xianzhe's "my girlhood" directly broke the stereotype of previous youth films that "male and female protagonists must be handsome and beautiful, and high-value people have youth".
But in fact, most people have ordinary or even bad hairstyles when they were students.
After watching such a youth film, people will only feel that the hero is so handsome and the heroine is so beautiful. Instead of their own youth, it used to be the same.
In addition, Luo Yingshi also found a problem pointed out by the other party in this story. In recent years, there are few youth films born in the Korean film market, and there are many examples of remaking.
Almost all the films are adapted from TW, Huaxia or RB.
Moreover, many directors of youth films or romantic films are purely based on the stories written by the screenwriters, shooting from the perspective of onlookers, rather than "shooting their own stories".
The director of introduction to architecture graduated from architecture and wrote such a script with his own experience. Because he could not understand the story better than the original author, the film succeeded.
But in the eyes of more people, the professional knowledge mentioned in introduction to architecture is not much. The director focuses on the first love.
Li Xianzhe's "my girlhood" chose a form that everyone can understand, such as the stupid things that the heroine Lin Zhenzhen did, messy hair and clumsy appearance. When Luo Yingshi was young, there were such girls around him.
She is very stupid. She doesn't even have the best academic performance in her class, but what she does most of the time will make you think of it and feel very cute.
Another example is Xu Taiyu's reform and hard study, and his test scores are good, but he is questioned by the teacher. This is a situation that every student with poor grades will experience after really working hard, and Luo Yingshi himself is no exception.
In his time, when hiphop was just brought to China, countless boys learned to dress up with Xu Taizhi and children.
Wearing bell bottomed pants, combed nondescript explosive head, wearing a headscarf and talking about rhythmic rap, they are regarded as aliens by teachers who like trot and slow love songs.
It's like seeing yourself do the same stupid thing as the hero in the script.
In the whole story, the biggest egg and core is the heroine's idol, the girl age.
The heroines in the script, in order to win the tickets for the concert in their teenage years, madly buy the drinks, fried chicken or albums they spoke for, just to have the chance to draw a lottery.
During the outbreak of the Black Sea incident, I clashed with others and listened to them sing "say your wishes" in front of my bed.
She felt that this was sung to their fans when she was a girl. Although she didn't come to the scene in person, she just listened to the voice from the machine, but the heroine burst into tears.
Especially at the end, Li Xianzhe wrote that after many years, when the performing arts circle ushered in the replacement of the old and the new again and again, many new people worked hard to be active on the stage, while many old people withdrew from the circle, or dissolved themselves, and no longer repeated the glory of that year.
Girlhood is like a shining mountain, still located there.
A few years ago, when she was a student, the heroine spent too much time and energy for a concert ticket, but in the end, she still ended up in failure.
A few years later, she became a hard pressed office worker. When the tickets of her girlhood were just on sale, they were robbed, and she didn't even have a chance to start.
The heroine's sentence "Why are you still so popular after so many years" seems to be asking herself "why, after so many years, I'm still doing what I did in those years and like the people I used to like."
This script, no... this story really depicts the young people's feelings for idols in place.
A few years ago, I bought CDs and star posters, and then decades ago, I bought tapes and stickers. I dreamed of going to the concert in person.
Each of these people who have experienced star chasing have done it more or less.
The only difference is that Lin Zhenxin, the heroine in the story, likes her girlhood. Another example is briefly summarized by Li Xianzhe. The same table is super junior's powder, claiming to be "so and so's wife".
Luo Yingshi also saw his own shadow on them. Their generation likes Xu Taizhi and children and Xuan Zhenying.
More than ten years ago, since Hyun Zhenying brought hip-hop into South Korea, he hung up the whirlwind with a song "you in fuzzy memory", from the initial deviant to later recognized as the mainstream of current culture.
Until Xu Taizhi and the children made their debut, like everyone's live song I know, to let the younger generation know what kpop is, then how to sing, comebackhome, and then hot, crystal boy