Chapter 842

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The highlights of dream eater: pop man can be shown in cartoons. However, the rest of the works can't be like this, such as white box, where the original painting will be colored. If the original painting is painted in black and white, people simply can't see the changes of the original painting directly, and can't understand the charm of the original painting, so they have to go to the brain to make up for it.

Of course, this can also be used to show the color diffuse, add one or several color assistant, hechen can launch the color diffuse, for hechen, this is nothing. But in addition to color, the most important thing is sound - animation has sound, BGM sound, dubbing sound.

Caricature can't show this in any way.

Just using pictures and words to make the audience's brain fill is never as profound and more real as listening to them with your own ears. Dubbing is a very important part of animation. It is also a protagonist in this story. If it's just a cartoon, then everyone can show it, but she can't show it, so she will lose the flavor of the protagonist.

Another example is "K-ON". As a cartoon, it can only be regarded as ordinary - because there are no songs in the cartoon. Although "K-ON" is amazing for its "cute", the songs in this work are very important bonus items for it, which is one of the reasons why the cartoon is popular. It can even be said that if there is no animated version of "K-ON" and those songs, there will not be that cute overlord "K-ON" in the future.

So the remaining works of "dream eater" category (white box, K-ON, lovely, idol master) are all animation first. The planning of these works is even earlier than that of "dream eater: pop man" - because there are advantages in these stories, no matter K-ON or idol master, If he Chen's newcomers are trained first, and then "play" the green and astringent effect of newcomers, even if they can have the master level of Yi Jinghui's light driving, it is far less than their ignorant recording of newcomers - no matter how they play it, they can't be more like newcomers than a real newcomer.

Therefore, the dubbing of several works has started completely before they have received systematic training. For example, sakamu Jingxiang in white box, when she applied for dubbing as a new person in the story, is the original performance of the new person selected in hechen's new plan only after the initial rough training. She finished this part in the early stage, Then, after the training, the front part of dubbing can be reversed, so that people can easily show a sense of growth.

It's the same with everything else.

The cost of this is very high, and the cost is very high. Most people will not make great efforts to do such dispensable things in order to make a work appear "real". However, it is not difficult for Tianman, because Tianman has its own university, excellent talents for them to choose from, a mature training system, and a large number of works for Tianman's newcomers to practice. Tianman can achieve the goal of hechen without any effort.

And this is also Tianman's unique advantage over everyone. If he has an advantage, he won't be punished. Why doesn't he make such a "perfect" work?

Animation, animation, animation and comics, both have been inseparable. One "dream eater: pop man" is a cartoon story, while the other "dream eater: white box" depicts the story of a group of behind the scenes animation practitioners who are almost never noticed.

Since they are both "Dream Eaters" series, the theme of "dream eater: white box" is naturally dreams.

This is a shallow and extensive theme. However, the outstanding feature of white box is that it does not tell the process of pursuing dreams and realizing dreams in a single thread, but discusses and promotes the big concept of dreams from many aspects in this group portrait play.

In fact, the five protagonists represent five different realistic dreams: mewson is a person who looks forward to making animation but has no obvious skills. Although he has been engaged in the animation industry, he has no clear goal, and often feels confused when he sees that people around him have dreams; Juma has the talent and dream of painting, and has indeed become the original painter, but in the work encountered many practical difficulties, has been stumbling forward; Jingxiang has always been determined to be a voice actor. Although she has entered the office, she has never been able to make her debut, but she is still on the road of pursuing her dream; Although Meisha was engaged in the dream of 3D production, she found that the monotonous work in reality was contrary to the original idea; Little green, who has not yet graduated, is the initial beauty and the most idealized embryonic stage of her dream. She is still in front of the gate with a vision of the future excitedly. Although the five women are holding the dream hand in hand, they have different realistic situations, representing the different situations that everyone really encounters when chasing their dreams in reality.

There are two story lines in white box, one is bright and the other is dark: the bright line is the pursuit of each and the common dream of the five members of the high school community, while the dark line is the animation world's various states implicated in the production of Tianman's two animations.Tianman still advertises for himself. He has no shame to be named Tianman. He is clearly a big Mac in the industry, but in the story, he is just a small company with the second level wandering in the middle and lower reaches. Tianman is the founder, founder and leader of this industry. For itself, the stories in the story will never happen to Tianman. The system is too complete. Even if there are problems, there are mature emergency remedies. Therefore, Tianman's animation will never have such and such problems. However, Tianman has produced a story that countless small companies have more or less experienced.

For those small companies who are still struggling with dreams in their hearts, the significance and moving of this work to them is self-evident. Although they do not appear in this story, for them, this work is to describe their story.

On the surface, the story of white box looks warm and simple as an idealized Utopia, but it also reflects the reality of the industry. It is difficult for individuals with their own persistence to simply divide the conflict between right and wrong values. How to compromise reality and dream, how to choose ideal and survival, everyone is facing similar problems, but also has different answers.

Compared with young people, those who are slightly more mature, especially those who have just entered the society, feel more about this work. r1152

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