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"One day, no matter what..."
"Five of us..."
"Make..."
"Animation..."
"Works!"
Five soft girls with the same hobbies and dreams are striving for the same goal, surrounded by the pink and bright colors they send out, as well as the soft and comfortable BGM, which symbolizes their beautiful dream.
At first glance, let the audience think that the next is a few people began to fight for their goal story. However, the picture suddenly turns, without any transition. In an instant, it turns to another picture, and BGM stops abruptly. It seems that he is having a beautiful dream, but suddenly wakes up.
Two and a half years later, Gong senkui's face is not the same as everyone's dream. He seems to have a bright expression of boundless fighting spirit. He is tired - he seems to have been spoiled.
Driving, at the silent intersection, waiting for the red light to pass.
Many people who have already participated in the work, see this scene, their hearts all move at the same time, and then smile, as if to see who they used to be. With only one turning point and two pictures, people can see the differences between campus and society, dream and reality.
Liu Chang with a love of animation, but also entered the animation industry, joined a small animation company, "dream eater: white box" in those various problems, let him as if to see the shadow of his own company. Always busy because of all kinds of problems.
Every day after work, it's late at night.
"Dream eater: the white box" was broadcast in the prime time, and he never had a chance to see the premiere one day. But now the TV has playback function, every day he will set well, come back to see the animation, and then a day of busy and irritable, always disappear without a trace.
Looking at "dream eater: white box", he recalled his original intention when he stepped into this industry. He likes these things. As long as he has love, no matter how busy his life is, it will only enrich him. All the people in their company are brain powder of "dream eater: white box". The first thing before they come to work every day is to talk about the story in yesterday's animation.
In the story, Tianman animation company, who incarnates as a cutting-edge animation company, is closer to their life. From the shadow of the protagonist, they can often feel the ordinary bits and pieces of them, and often unconsciously pick up the self buried in the memory; It's like walking in the autumn path, picking up a beautiful maple leaf from the foot.
……
When Gong senkui got off work, he received a call from his mother. My mother was very happy to say that she saw the name of Miyazaki at the end of the animation. Although she didn't understand it, she saw it many times. While saying this, he also told Miyazaki to pay attention to his health, eat well and sleep well, and not to be too tired.
Almost everyone who works outside often receives such calls. Every time parents pinch the time, calculate the children's off-duty time, when they have nothing to call, wordy, but full of love.
As like as two peas, he said, "the mother's tone in animation is almost the same as that of her mother."
And Miyamori Aoi's reaction as like as two peas, she did not want to worry about her parents, or to be brave. She never told her parents any trouble, obviously she had lunch or some fast food, but she said she ate well and did not need to worry.
It's a very short scene. There's no tearful BGM, and there's no deliberate expression. It's just like the ordinary conversation of millions of families, but it makes many people working outside wet their eyes.
Some people who study or work abroad are in tears, and their parents often call them. In order not to affect them, their parents will pinch the time to call them when they are free, but because of the time difference, it may be late at night in China when they are free. While many people are sleeping, their parents look at their watches, count the time, call their children and listen to their voices.
"At the beginning, I felt sorry for mewson. Every day I was so busy that I didn't touch the ground. The most common sentence I said every day was" I'm sorry. ". But in the end, I found that Jingxiang was the most pitiful! Miaoshen and huama have started to do animation work, but xiaojingxiang doesn't even have an animation dub, so it's hard to get a audition, but her opponent is a big star! Inspirational do a dubbing, but have to work in the tavern to survive! What a miserable word
Jing Xiang's experience has won the infinite sympathy of the fans. They are all good friends who get together. However, it's a tragedy to see that others are already on the road of their dreams, but they haven't set foot on their dreams.Although the mouth did not say anything, but this gap has a great impact on the heart, and finally drunk, it makes people feel sad for her.
Hard work makes a living.
These eight words are not just words, but a true portrayal of a cruel society.
"I never knew that the competition for dubbing was so fierce and cruel."
"Yes, I'm also a voice player. Before I received the main character of an animation, the one who competed with me was Tianman's yezhongmeng. I can understand Jingxiang's mood, for the sake of dream, but I'm not as good as others. That kind of reluctance and heartache is too hard. "
"Fortunately, most of Tianman's main dubbing is only for Tianman's works, and occasionally others will come out to receive extra money, otherwise, the competition will be more cruel."
Some people lament it.
In particular, compared with Jingxiang, there is Meibao in dream eater: pop man. In hechen's cartoon, the two people join the same company, Tianman entertainment.
Meibao goes all the way from supporting role to protagonist, but Jingxiang doesn't even have the chance to play a supporting role or even a dragon. The contrast between the two makes people feel more sad for her.
There is an important theme in white box, that is, the dispute between hand painting and 3D, which is a very direct conflict in the original island country, and also a big problem in the animation industry. This is not just a dispute over ideas, but also a social problem. If 3D is used in all of them, what kind of survival problems will the massive painters in the industry face?
This is a very sharp contradiction.
However, in hechen's case, the contradiction is not obvious, because hechen only cares about "whether we can make the animation more wonderful", and doesn't care what kind of expression methods we use. As long as it can bring wonderful performance to the audience, hechen will integrate any new technology.
The sea embraces all rivers. Only continuous progress can bring more and more wonderful animation to the world.
Whether it is the transition of persistence and hand painting, or the transition of persistence in 3D, it is a waste of the essentials. Such signs have appeared in hechen's world, so "white box" just came on the stage, put this problem on the stage, help people regain their original intention of making animation, put out this sign, and let the animation industry grow healthily.
The only difference is that some people have crossed the bottleneck, while others have been blocked out.
For creators, they can better understand the bottleneck of painting - they can't draw, even they lose confidence in themselves. They put too much pressure on themselves, so they collapse. Even what they can draw before, they can't draw at all.
Wu Cheng as like as two peas, neither fish nor fowl is a man who has a similar feeling. He has no idea of how to write, but he wants to write better. But he writes it out of the blue, and the pressure inside leads to his writing. That kind of pain and suffering, let him want to open his brain, the brain crushed, put some pepper, soy sauce, coriander and then eat.
It doesn't work to build a car behind closed doors. The master took Juma for a walk, opened his mind, broadened his vision, and personally felt what he wanted to draw. Under the guidance of the master, Juma got out of the bottleneck.
This is the story that comes from life. Sometimes when Calvin is gone, Wu Cheng will go for a walk, walk in the community, or go to the park to see the world. Sometimes the inspiration is to look for it intentionally, but it comes out unintentionally.
It's easy to say, most people have heard of it, but when they really need it, they will always be forgotten and ignored.
After the abuse, it was Meisha's turn.
The experience of painting hemp can be regarded as a bottleneck in work, and Meisha is more miserable than painting hemp. It should be said that it is a wrong way in work, although it is not the original intention.
I'm afraid that the novice job seekers who have just learned will encounter this situation. They walk into a company full of expectation, but in the end they find that the company is not the same as what they are looking forward to.
Meisha doesn't have the talent to draw mahogany, but she is also eager to do animation with everyone, so she learned 3D. But after entering the company that I had been looking forward to, I found that what I was doing had nothing to do with animation. Tires, tires, tires, all kinds of tires, advertising, film and television, but it had nothing to do with animation.
However, this company is really good, with good salary and high welfare. If you want to change to another animation company, the salary and welfare will definitely decline.
This is the reality. It will never be exactly as expected. It will always be full of all kinds of "misunderstandings".What is the compromise to the reality, so for the sake of life, sitting in the work they do not want to do. Or to dream, give up all this!
The experience of Meisha is exactly the problem that countless people have to face before, now or in the future.
Jiang Yan once faced this problem, and she chose the latter.
How many times can you fight for your dream in your life? If you don't even dream about it, what's the difference with salted fish? r1152
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