991 Creative Collision
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"Hey, young man, pay attention to what you say, my thoughts are normal...".
"Fuck you, it's a simple story, then you have to put some big truth in it. Are you bothered? This is a cartoon, not a literary movie. Read it with me--*--*--net please keep in mind"
"According to you, cartoons can't have connotations?"
"You've got water in your head, when have I ever made an animation that can't have connotation, I mean don't be so red fruit, you can convey this meaning through the shaping of the characters and the narrative of the storyline, so that the audience can understand it for themselves . This is much better than what you teach there."
"…………for example?"
"I mean, even literary and artistic movies don't like the big truth there. If you can express this kind of people's concern too much, it will be too redundant, and the story will lose its due flavor. You This problem can be solved completely through characters. For example, imagine what human beings will look like in seven hundred years. Have you watched the Japanese cartoon 'Doraemon'? I think the narrative in it is good... "
"Obese? Use a computer for everything?"
"You are too paediatric. You can imagine that all the food that humans eat is artificially synthesized. They have no way to eat real food. They can only rely on the taste of liquid food to relive the food we enjoyed seven hundred years ago. Oh, food, French food comes to mind, let's have French food tonight."
"Cough, Evan, this is not the production team of Ratatouille..."
"Oh, sorry, my head is still on Remy the rat, by the way, where have we been? Yes, food. You think, the lack of food itself is a kind of irony for the destruction of the earth's environment, and liquid foods are It's a satire on the lack of exercise in humans. It's a hidden message that can be thought-provoking but doesn't feel like teaching, which is great."
"Yes, for example, all human beings ride on a flying car. They have never come down from birth to death, and they can't even walk..."
"Can't walk? It's such a great idea that they can't even stand. Then they use their brains to watch exercise videos, even if they exercise..."
Standing at the door of the conference room, you can hear the sound of intense discussions inside, one after another, it is very lively. Even if you don't stand in the conference room, you can clearly describe the scene where everyone's face is red and red. If people don't know the situation, they think they are going to fight each other. w..t
***network
John Lasseter didn't open the door of the conference room and arrived with a smile, "It seems that Evan did a good job, and Brad was so happy when he came out just now. I haven't seen Brad smile that much in a week. Happy."
"Are you serious? Evan is as smart as our entire Pixar studio? John, you're freaking me out." Standing beside John Lasseter was Steve - Jobs, he looks a lot thinner, his whole cheek is sunken, but his spirit is not bad. After last summer's surgery, Steve Jobs is back at work, but in poor health.
John Lasseter shook his head with a grin, "It's not like that. Brad did a great job, and Andrew did a great job. Just you know, Evan always has a lot of new ideas, maybe he doesn't. There are ways to replace Brad and Andrew, but the ideas he puts forward can always make Brad and Andrew have countless novel ideas..."
"You are, chemistry?" Steve Jobs walked towards the conference room next door. He came to Pixar today to discuss the future development of Pixar with John Lasseter.
Fifteen months have passed since the fallout with Disney, but Michael Inas remains firm and has no plans to ease relations with Pixar. Of course, Pixar is not worried, they have the capital and can afford it. It’s just that Steve Jobs didn’t want Michael Inas to think that Pixar had been inactive and was waiting for Disney. studio. Pixar is never short of options. Steve Jobs had a story in mind, but he still wanted to hear from John Lasseter, because he knew that a dynamic and creative work environment was at the heart of what made Pixar where it is today.
It was only after arriving at the Pixar studio that Steve Jobs did not expect that Evan Bell was actually here, and it seemed that he had a good time with the Pixar creative staff.
"Yes, chemistry." John Lasseter laughed. Creation is the product of spark collision and inspiration. Inside the Pixar studio, brainstorming is often organized for each other, allowing each other's inspiration to collide. Andrew Stanton and Brad Bird are both excellent directors and screenwriters, no doubt about it, but they also always need brainstorming to generate more sparks. In the past, many people participated in the brainstorming within Pixar, including some interns. Now, Evan Bell has been added to the lineup.
"John, what do you think of Evan?" Steve Jobs asked suddenly. In fact, Steve Jobs has always been a man with a gully in his chest. He has a clear mind and is also a stubborn old antique. Many times, he is more willing to trust his own judgment. However, as a good boss, it is also a very important requirement to know how to absorb the opinions of others, and Steve Jobs knows this very well.
John Lasseter and Steve Jobs walked into the conference room. No one in the Pixar studio has a dedicated studio. Even veterans like John Lasseter only have a workshop, which is a wooden board. The cubicles, the same size as all the staff. However, in order to work better, they all have their own meeting rooms that they often use, where the inspirational ideas, sketches and designs of their creations are placed in the meeting room.
"Evan?" John Lasseter thought for a while, but didn't express his opinion immediately, "Which side are you?" Steve Jobs shrugged and didn't answer. John Lasseter knows that's what it means to get his own way. "Brilliant young man? I mean, he's a very thoughtful young man."
Talent? The term is not new to Evan Bell. So, John Lasseter decided to change a law.
"Although he is very young, he always has amazing ideas in his head." John Lasseter said simply, still smiling, "In my opinion, he can bring Eleven Studios to the fore. At this level, it's amazing; what's more, the whimsy in his head always makes us feel novel. At least, I like this one."
"Working with him?" Steve Jobs glanced at John Lasseter, he didn't expect his old friend to have such a good opinion of Evan Bell, "I mean, he is now And we have two works in the works, don't you?"
"It's very pleasant. He's the kind of person who knows he's good at things and doesn't point fingers. You don't know, Brad and Andrew have been waiting for Evan's arrival today, and they even quarreled, Hehe." John Lasseter seemed very happy, "I think, although he and my son are the same age, I would rather treat him as a friend."
Steve Jobs didn't respond, but silently put the content in his mind, "How is the production of 'Cars'? Did you encounter problems?" He quickly changed the subject to business.
"There is no problem, there can be any problems. Anyway, Disney has never interfered in the production of our works. It should be, even if they want to interfere, they do not have the ability." John Lasseter sneered, for Disney, he really owes his favor Bong. "I'm really looking forward to what the 'Four-Eyed Chicken' will look like. Have you heard? The plan for this work was proposed by Robert, and it happened to Michael's mind, so he immediately went into production." Robert refers to Robert Iger, Michael Inas' currently most trusted lieutenant inside Disney. "Robert keeps calling you 'old friend' on the surface. It's really fun, and only Michael, who is self-centered, can't see Robert's actions."
Robert Iger is currently appearing between Disney and Pixar as an old man, and is constantly easing the relationship between the two sides. At the same time, he is the biggest supporter of Michael Enas inside Disney carry out activities. So got most of the trust of Michael Inas.
But in John Lasseter's view, talent like Robert Eagle is the biggest hidden danger. On the surface, he has no ambition, but in fact, he has managed all relationships secretly. However, it is undeniable that Robert Iger's actions are not wrong within Disney and in Michael Inas's view. Even in the eyes of other bystanders, it was normal. It's just that Pixar's position is special, and John Lasseter sees problems from a different angle, so he knows more things. It's like the Weinstein brothers, who are in Miramax, a subsidiary of Disney. , but the heart has long since left Disney, so it is natural to see the problem differently.
Steve Jobs smiled and didn't seem to mind very much. He didn't want to completely cut off the relationship with Disney. He was waiting for Michael Inas to step down and then return to the negotiating table with Disney. So Robert Eagle's actions are innocuous in his opinion.
Steve Jobs and John Lasseter saw things differently. John Lasseter was a good producer, but not a competent operator.
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