Arc II, Chapter 51: The Séance Part One

Arc II, Chapter 51: The Séance Part One

The renovated version of Jed Geists house, acting as a deluxe suite for a hip, modern resort, had been an incredible vacation.

I didnt realize that while we were there. I could only focus on the negatives: the dark shadows cast in the windows, the oppressive luxury that seemed to mock us as we struggled for our freedom, the memory of having fought for our lives there in a storyline, the fact that the resort staff got our room service orders wrong half the time.

Now, in the cramped little room we had been given after the modern resort returned to its run-down state from years prior, I realized just how lucky we had been.

I supposed that this little room, which never made claims of being deluxe or even a suite, was the room that most newbies would be placed in for the Tutorial. How better to encourage players to get out and interact with the world than to put them up here?

This place was a masterpiece in insipid horror. We could hear fighting in the room next to ours, fighting that always ended in a loud thud and the tenant moving out quickly. We never actually saw these people. They werent a storyline; they were just part of the environmental orchestra.

The mini fridge made a dull buzzing sound and clicked erratically. The television would turn on on its own. Someone kept calling our phone and saying ominous things that sounded like code contract killers might use to talk about their work.

The beds were small, the blankets itchy, and the shower always ran cold.

I missed Dyers Lodge. I missed the simplicity of that life, even though I had not seen it as simple back then.

I lay awake on a cot. It was daytime, but we were going to spend the night talking to Jedediah Geist, so we needed to sleep.

Despite the room, everyone else had succeeded. Antoine was out like a light, thanks to my trope of the same name.

I could see it under his hand as he slept on one of the twin beds with Kimberly. Together, they were far too big for the bed, but they made it work. Funny, there were no more cots or beds. It was as if Carousel knew they would sleep in the same place.

If I could sneak over there, I could probably take my ticket back. I could be asleep without a care in the world. After a while, it would reappear in my possession anyway, but that hadnt happened yet. No one would ever know

But I didnt want to risk it. I really didnt want to give Antoine the impression I resented him for using that trope. He needed help drifting off, even if he was reluctant to say it. He was hiding the severity of his problems from us. I had tried to make it seem so casual that I gave up my magical instant sleeping trope, but in truth, I wished I could use it instead. Insomnia was one of the reasons I had watched so many movies growing up.

I decided to watch a movie instead of sleeping. That was one advantage I had over everyone else: I had built-in entertainment of sorts. My Directors Monitor trope let me watch our old storylines on a screen on the red wallpaper.

It wasnt a fun time, usually, but it did occupy my mind. I felt like I was seeing the fingerprints of Carousel itself as I watched us struggle to survive. If could just reconstruct its thought process, I might be able to help guide my team even better.

Like this most recent storyline, Reply the Departed. It was corny, short, and less intense than most of the stories we played through, but there was something to learn from watching Carousel turn a bunch of footage of young people playing a board game into a spooky spectacle that would have scared most young teens with its jump scares and building dread.

We were not the main characters. That was something of a trend. Keisha was the main character, remarkably. We were just the friends who didnt believe her as she struggled to escape the house.

As we played the game, the events on the board were reflected throughout the house. Dina talked to a ghost who was killed with a mallet. An apparition appeared, apparently killed in the same way, watching us from the upstairs balcony.

I had no idea at the time.

Keishas character managed to get lost twice: once when they decided to prank us and again when she was trying to find a way out. The front door was locked. I didnt even remember her trying to open it, but Carousel had shot some footage of it, probably when we werent in the house anymore.

It was funny, knowing the layout of the house by heart, that someone could get lost in it. It was large and had many rooms, but the entire floor plan centered around the living room. No place in the house was more than two turns and a hallway from finding us.

Despite this, Carousel used fancy shots and angles to make it look like she was good and truly lost in a maze inside a creepy old manor. It had done something similar in the Astralist when I was being chased by a zombie.

Impressive.

When that movie was over, I rewatched Cold-Blooded Things. My friends and I only appeared in a quarter of it. Lillian was the tragic main character.

It was in this movie that I got a glimpse of some of the Geists. Though I learned suspiciously little about them.

Lillians father was Steven Geist, brother of Carlyle and Jedediah. He was a small man who had punched above his weight class in pretty much every aspect of his life, from business to romance. He wore expensive clothes, and he was truly proud of his daughters beauty.

The film followed her from beauty queen to her injury to her interactions with Jedediah. Jedediah might have been seventy years old in the movie, maybe younger. The film tried to portray him as casting her aside, but the only objective evidence of that was his shock at her appearance after the caecilians were put on her face.

Before that, their interactions were cut up, spliced together, and involved little dialogue. Carousel was hiding something. A casual viewer might not know it, but I suspected that there was more to Lillian and Jedediahs interactions than the film portrayed.

In fact, if Howard Halle hadnt been there to explain that Jedediah had put her in his care, a viewer might never have learned that. That was basically Halles job, explaining things that Carousel couldnt get good footage for.

The murder of Geist happened at the midpoint and was not presented as a mystery but as a tragic action by a psychologically devastated woman. She then lived in a sedated stupor until my friends and I showed up to try to solve his murder. We were presented as clowns. How else could we be presented? The audience already knew who the killer was.

When I finally exposed Cecilia as Lillian Geist, she snapped out of it, and the movie ended with her dying from her fight with Halle. That wasnt how it actually went down, of course. That meant that Carousel either reshot things or used old footage. Perhaps jumping into a giant skin frogs mouth wasnt a proper ending.

My friends escape was only shown in a montage over sad music. The End

Can you stop messing with that? I asked as the credits rolled.

Stolen content warning: this tale belongs on Royal Road. Report any occurrences elsewhere.

Isaac awoke at some point during the second movie and found an old radio in the hotel room. He was insistent on playing with it. He found a channel on the radio which appeared to play music exclusively performed by singers in duress. Occasionally, the whispered words Keep singing could be heard as the singers tried to perform through tears.

Sorry, Isaac said. This thing is freaky.Updated from novelbIn.(c)om

The others were waking up, preparing for our night-time sance.

I tried remembering the early parts of Lillians life, the faces of her family. Truthfully, her father was the only person who was identified. The rest involved scenes with NPCs who were all obsessed with her beauty, a high school boy in her grade, a college professor, and the guests at the first annual Miss Carousel pageant.

Anytime someone would comment on her looks, I could see something in her eye. An alertness, a distrust.

I couldnt help but feel Carousel had left some parts of the movie out on purpose, but I couldnt prove it. How hard would it be to edit up a version of the film that gave very little information? Technically, players should not have a trope to watch the movie on their first run of the Tutorial.

It was time to get up.

I could almost throw up from the nerves, but I didnt want to get my face anywhere near that commode in the hotel room.

Dina handed over the poker. I gave them the bell.

I found a place to sit and waited.

Antoine and Bobby didnt find anything either.

Neither did Cassie and I, nor Antoine and Isaac.

Ill go next, Kimberly said.

You can just wait, Antoine said. Hell come.

Kimberly shook her head. I think Carousel is waiting for me. We cant avoid this.

Antoine understood that Kimberly was going to be in danger a lot in storylines, but this license was something new. We didnt know what could happen. Carousel could be tricking us. Suddenly, Antoine was feeling protective.

Come on, Dina, Kimberly said. She ushered Dina forward, and they took the bell and poker to another room.

We waited.

The first ring of the bell would mean they found a ghost. The second should mean they found the right one.

The bell rang. Moments later, it rang again.

Everyone in the living room was alert all of a sudden.

That meant they had confirmed their ghost was Jedediah Geist.

The next part was crucial. There were two ways of letting the ghost in. Looking behind them instead of at the window and simply opening the window. We preferred the second option. That was the safer one in our experience.

I heard the old window being coaxed open.

Moments later, the temperature dropped in the room, and I heard Kimberly say from the other room, Hello, Mr. Geist. So glad to see you.

Always glad to see me, a gruff voice said. Always a sight for sore eyes, just the guy you want to see. Now, why dont you cut the bologna?

Antoine, Bobby, and I filed into the room. Now that we had a ghost in our midst, we could have more than two people enter the room at a time.

I cautiously stepped around the door and found myself face to face with the man I had just seen while watching Cold-Blooded ThingsJedediah Geist, wearing a ratty bathrobe, surprisingly well-groomed despite his state of dress.

He had a gash in the side of his head. I could see his skull; a bit of gray matter glittered in the moonlight.

Jedediah Geist, The Black Sheep

(Wandering Spirit)

Plot Armor: 45

Geist

Tropes

The Tormented

This entity is out of the ordinary, but you dont know why.

Death Delusion

This entity is not aware it is dead.

Dont Wake the Beast

This entity is asleep or in a similar condition. They will not stir without outside intervention. Waking them will transform them into a more dangerous form that plays by different tropes.

Walking Crime Scene

This entitys ghostly form reveals clues as to the nature of its demise.

Flashback Monologue

This villain has a story to tell or, rather, to show.

Mr. Geist, Kimberly said, trying to sound gentle and non-threatening. We were here to ask you a few questions about your life.

I know who you are, Jedediah Geist said. I know why youre here.

My heart skipped a beat. Was it possible that Jedediah Geist was meta-aware? That could be a best-case scenario.

Oh? Kimberly asked.

Geist nodded. He eyed her with distrust, and his jaw quivered with old man rage. Youre one of them, he said. Youre trying to trap me. Just admit it. Youre all trying to get me like you did my family. But you wont. Im onto you. Ive always been onto you. I nearly thought youd given up.

He knew something alright. He knew this world was not as simple as it looked at first glance. The question was: how much did he know?